Decades later, then, when Ava learns that her brother is being held in a county jail for a shocking crime, she is frantic to piece together what actually happened. Fred has always been different, certainly impaired, never evaluated. Their parents frowned upon labels and diagnoses as much as they did formal instruction and societal constraints. Now, however, the parents are gone, the siblings grown apart, a boy is dead and Fred in jail, and Ava is forced to wonder: is it her job to save her brother? What is our obligation to those we love—and to those we find difficult to love? Convinced that she alone will be able to reach him and explain his innocence to the world, Ava endeavors to tell their enthralling story. Leah Hager Cohen brings her trademark intelligence and grace to a rich, morally ambiguous story that suggests we may ultimately fathom one another best not with facts alone, but through our imaginations.

    To Nora, her daughter is an enigma -- at the same time wonderful and unfindable. Fern sees her mother as treacherous -- for busting up their family to move in with her lover, Jeanne. As their lives become complicated by the arrivals of a skateboarding boyfriend for Fern, a shadowy affair for Nora, a baby in need of a family, and by the failing health of Lucky, their beloved dog, this mother and daughter find their way onto a fresh footing with each other. "With sharp humor and perception" (O: The Oprah Magazine), Lucky in the Corner shows us the way a family reconfigures itself as unexpected changes come its way -- and how, no matter what shape it takes, it remains a family.

    The woman's problems multiply when her husband leaves her and she must face the town's hostility, alone with two children. A first novel.

    With an ear for acid dialogue and an eye for everyday ironies, Ciresi unfolds Rosa Salvatore's tale: growing up on fantasies, guilt, and fagioli in the New Haven working-class Italian neighborhood of Pizza Beach; working her way through a local college by slinging hash, while agonizing over her thighs and aching for passion; landing a job and meeting Gary Fisher, a nice Jewish lawyer from Flushing with a great butt and angst of his own. Rosa and Gary fall in love, make love, get married, fight, make up, fight again--until Gary is diagnosed with a terminal illness, and Rosa realizes the power of her love--and the crushing force of regret.Frank and warm, crackling with razor-sharp wit, Blue Italian is a love story about an ill-fated couple who almost missed realizing how much they loved each other. It establishes Rita Ciresi as a writer with a unique gift for language, character, and emotion--a novelist to read, and a novelist to watch.

    But there are some who think that Biggest Elvis has to go, and Biggest Elvis himself senses that something ominous is coming. Radio promos to coincide with the 20th anniversary of Elvis' death on August 16.

    . ." "The Black Madonna" transports readers to a world centered around the bustling corner of Spring and Thompson streets in New York City's Little Italy, where Teresa, Magdelena, and Antoinette form a God-fearing, vibrant, and dark-souled trio of mothers whose lives are forever transformed by the power of the Black Madonna, the most powerful of Catholic icons.

    There's Fay, a folklorist whose passion for mermaids has kept her from focusing on any one man. And right across the street there's Tom, a popular radio talk-show host who has focused a little too intently, having married and divorced three times.Can Fay believe in lasting love with such a man? Will romantic love conquer all rational expectations? Only Carol Shields could describe so adroitly this couple who fall in love as thoroughly and satisfyingly as any Victorian couple and the modern complications that beset them in this touching and ironic book.

    In this sordid and hilarious tale of whopping academic grants, sleeping on the job, sexual confusion and consenting adults, terrifying departmental secretaries, surprise impregnations and alcoholic lecturers we might conclude that most people are just not cut out for university life.

    Reminiscent of such modern classics as Cowboys Are My Weakness and Even Cowgirls Get the Blues, with a touch of Geek Love thrown in for good measure, Rocket City is a deliciously original and strangely moving novel of alienation in America's Southwest.

    But just as the Bohemian life is wearing painfully thin, their fortunes change, catapulting them out of the world of practical problems and into the world of ethical ones.

    Navigating the mysterious path from childhood to adulthood, Sarah encounters a naked, winged man, rivalrous ghosts, and gods disguised as beggars.

    This ominous opening begins a tale of secrets and lies, visions, and hovering spirits. At its center is Naomi Ash, a young woman who has come of age on the frigid banks of a western New York lake community called Train Line. Here she grows up and falls in love in a town where mediums, spiritualists, and professional clairvoyants hold "psychic fairs" to help make ends meet. When the skeleton of Peter, Naomi's ex-lover, surfaces, the mystery of his death must be uncovered. In the process, Naomi, now a clairvoyant herself, unveils a world where the secrets of the dead cannot stay buried and where her past must confront her precarious present.

    He and his wife, Ding, are the parents of an infant and enjoy a contented marriage; he develops a fond obsession with President Calvin Coolidge, the taciturn New Englander whose wry wit and wisdom delights Chai. One day, a chance discovery leads him astray: He learns that a lover from his youth is now in Boston, living with her husband and their son. The son is Chai's very image, and the staid banker is inflamed by the implications of the resemblance. Confused by his emotions, he becomes determined to revive the affair. How Ding schemes to win back her wayward husband--and teach him the necessary truths about love--forms the plot and beguiling conclusion to John Derbyshire's tale.

    With this arresting scene, Elizabeth Inness-Brown ushers readers into her mysterious and lyrical narrative, the story of two closely braided lives that forces a reconsideration of our notions of maternity, loyalty, love, and perhaps death itself. As James Jack sets out to fulfill Marguerite’s unusual last wishes, the narrative unveils the secrets of their pasts. It arcs from Depression-era New Orleans to a barren New England island at the turn of the century, from an illicit passion and an unforgivable crime to the relationship between a small boy and a tough, reclusive woman who turns out to possess an unsuspected capacity for love.

    These wry and sassy tales illustrate the vulnerable heartbeat beneath the brash style of the eighties. Behind their professional self-assurance, Elinor Lipman's characters question and fear, search and yearn for that most elusive of commodities--love.