In her hands. A shattering play about one woman’s unspeakable decision. hang premiered at the Royal Court Theatre, London, in 2015, in a production directed by the author, and featuring Marianne Jean-Baptiste, Claire Rushbrook and Shane Zaza.

    The scene matches in every detail a series of murders two years ago-murders that ended when irrefutable forensic evidence secured the conviction of a deeply disturbed young man named Derek Tyler.But there's no way Tyler could have killed the latest victim. He's been locked up in a mental institution since his trial, barely speaking a word. So is there a copycat?All his years of experience tell top criminal psychologist Dr. Tony Hill that there isn't-but that would make the murders literally impossible. While Hill tries to crack Tyler, DCI Carol Jordan and her team must mount a desperate undercover operation to trap the murderer-a decision that will have terrible consequences.The Mermaids Singing:This was the summer he discovered what he wanted--at a gruesome museum of criminology far off the beaten track of more timid tourists. Visions of torture inspired his fantasies like a muse. It would prove so terribly fulfilling.The bodies of four men have been discovered in the town of Bradfield. Enlisted to investigate is criminal psychologist Tony Hill. Even for a seasoned professional, the series of mutilation sex murders is unlike anything he's encountered before. But profiling the psychopath is not beyond him. Hill's own past has made him the perfect man to comprehend the killer's motives. It's also made him the perfect victim.A game has begun for the hunter and the hunted. But as Hill confronts his own hidden demons, he must also come face-to-face with an evil so profound he may not have the courage--or the power--to stop it...

    This book is all that and more." --Chicago TribuneIn the tradition of Susanna Kaysen's Girl, Interrupted and Caroline Knapp's Drinking: A Love Story, Mary Allen tells a riveting love story that explores the uncharted territory between passion and  addiction, grief and madness, this world and the next.When Mary Allen falls in love with Jim Beaman, she doesn't know he has a drug problem, but she does sense demons and angels around him, like "a disturbance in the air, a sound just beyond the register of human hearing." And when Jim--discouraged and depressed, struggling with his addiction--kills himself a year into their relationship, Allen is unable to let him go. In her desperate attempts to recover from the loss, she uses a Ouija board and automatic writing to pull back from reality into the dark recesses of her mind, where she believes she can find him. The result is a mesmerizing trip across the boundaries between this world and the afterlife, a journey that leads her to the brink of insanity and ultimately back to herself.

    This new edition—including a new introduction and three new essays—remains a testament of Moraga's coming-of-age as a Chicana and a lesbian at a time when the political merging of those two identities was severely censured.Drawing on the Mexican legacy of Malinche, the symbolic mother of the first mestizo peoples, Moraga examines the collective sexual and cultural wounding suffered by women since the Conquest. Moraga examines her own mestiza parentage and the seemingly inescapable choice of assimilation into a passionless whiteness or uncritical acquiescence to the patriarchal Chicano culture she was raised to reproduce. By finding Chicana feminism and honoring her own sexuality and loyalty to other women of color, Moraga finds a way to claim both her family and her freedom.Moraga's new essays, written with a voice nearly a generation older, continue the project of "loving in the war years," but Moraga's posture is now closer to that of a zen warrior than a street-fighter. In these essays, loving is an extended prayer, where the poet-politica reflects on the relationship between our small individual deaths and the dyings of nations of people (pueblos). Loving is an angry response to the "cultural tyranny" of the mainstream art world and a celebration of the strategic use of "cultural memory" in the creation of an art of resistance.Cherríe Moraga is the co-editor of the classic feminist anthology This Bridge Called My Back and the author of The Last Generation. She is Artist-in-Residence at Stanford University.

    She is enjoying life in the fast lane when, all of a sudden, she's put in charge of her firm's annual pro bono project. Her assignment: to devise a plan for revitalizing the coastal town of Rumton, South Carolina. Years of declining population, lack of industry, and a poor economy threaten to leave Rumton broke and hopeless. But Jaxie doesn't "do" small towns, much less know how to pull off saving one. She arrives in Rumton to discover that the lack of shopping and day spas is the least of her worries. There isn't even a hotel, and she must bunk down with an old man named Pop in an even older house. Determined to succeed---if only to get back home as quickly as possible---Jaxie sets out to meet the townsfolk and work on a plan. Just when she decides that Rumton is dreadfully uneventful---and her coworker is painfully boring---things heat up pretty quickly. It turns out that there is an interesting man beneath his ever-present suit and tie, after all. And there is much more to Rumton than meets the eye. A charismatic businessman arrives on the scene offering to buy up land---a development that Jaxie feels is too coincidental. A town resident is murdered, an intriguing history of piracy is uncovered, and a massive storm brews offshore. Although Jaxie is surrounded by danger, she hunkers down to complete the assignment she started, and in the process, she learns a thing or two about life and love.   Advance Praise for T. Lynn Ocean and Sweet Home Carolina "City girl meets small town in T. Lynn Ocean's captivating Sweet Home Carolina. Sassy, sexy, sunny, and sure to please."---Carolyn Hart, author of Dead Days of Summer "A sassy city girl who's allergic to small towns suddenly finds herself living and working in one, the perfect setup for a great story. Jaxie Parker's adventures and misadventures make this a hilarious and highly entertaining book not to be missed!" ---Cassandra King, author of The Same Sweet Girls "Take one sophisticated ad executive, drop her in the middle of a small Southern town, and get ready for surprises galore. Sweet Home Carolina mixes memorable characters, great humor, small-town Southern culture, history, and mystery for a delightful romp of a read."---Emyl Jenkins author of Stealing with Style "T. Lynn Ocean's novels give us characters to root for and laugh with. In Sweet Home Carolina, it's the spunky and intelligent Jaxie Parker who rethinks her career path after pushing a strappy Cole Haan sandal into a pile of horse dung, in the middle of a town that's in the middle of nowhere.… A fun and entertaining read."---Susan Reinhardt, author of Not Tonight, Honey, Wait 'Til I'm a Size 6

    In between mail-outs and making cups of coffee she meets the formidable producer Thelma Holt. Within a fortnight Thelma has stolen her, cancelled her audition for RADA, sent her to evening classes to learn to type, organised a miniscule salary and renamed her. From that moment she becomes Sweetpea. Her days are spent in an eccentric office where Alan Rickman or Vanessa Redgrave might pop in at any moment. Evenings are filled with the adrenaline of an opening-night performance or the chatter of a smart restaurant where casting for the next production is discussed. Existing somewhere between glamour and penury, Sweetpea finds herself surrounded by dynamic personalities and struggling to trust her own creative instincts. Over the years her apprenticeship takes in unusual demands, misbehaving actors, divinely inspired directors and a hot-air balloon ride with British theatre's finest. GET ME THE URGENT BISCUITS is a keenly observed memoir about the vanishing world of London's West End in the 1980s and 1990s, in which a young woman is swept into the orbit of a theatrical impresario. Shrewd, poignant and irresistibly funny, above all it is a coming-of-age story about the search for independence and an ode to the beguiling nature of theatre.

    It won the 1995 Evening Standard Award for Best Comedy and, the Writers' Guild for Best West End Play."An exceptionally accomplished first play . . . though I know nothing about poker, I testify to the compulsive grip this play exerts and to the accumulation of meanings it ignites in your head."—Financial Times"Patrick Marber's enthralling close-up of the demons which drive compulsive gamblers is among the finest new plays in many a year."—Daily Mail

    Written with the full co-operation of Sondheim himself, it examines each of Sondheim's masterpieces - including West Side Story, Gypsy, A Funny Thing Happened on the Way to the Forum, Company, Follies, A Little Night Music, Sweeney Todd, Sunday in the Park with George and Into the Woods - as well as the other Sondheim productions on Broadway, Off-Broadway, in repertory, as revivals, as opera, on film, and on television. this account is based on hundreds of hours of interviews with Sondheim and his associates.

    When her boss, the repulsive Coddles, heaps another new project on her department -- with no additional remuneration naturally -- she decides she's had enough. She spends her days battling with her roommate, Val Wayne Newton, about whether Black Sabbath or Neil Diamond will occupy the turntable and her nights beating her overeager suitor, Martin Lemming, away from the door of her boudoir. When she discovers a piece of vile pornography in Coddles's dry cleaning, she has the means to retaliate. Meanwhile, Fat Bald Jeff, the tech-support guy who has to cope with her mechanical self-sabotage, turns out to be even more disaffected than she, and they hatch the ultimate plan to give the pigs some of their own medicine. With a surreal wit and a keen eye that bring to mind Lily Tomlin set loose in Dilbert-world, Fat Bald Jeff is a sharp satire and a paean to the petty humiliations of workers everywhere.

    

    Into her life saunters Cliff, a hard working, hard drinking truck driver. He is rough and witty and just as starved for love as she is. Produced to great success at New York's Circle Repertory, this delicate two-character drama starred Peter Weller and Patricia Wettig. The Woolgatherer features several excellent monologues. "Energy, compassion and theatrical sense are there."-The New York Times "[Mastrosimone] has a knack for composing wildly humorous lines at the same time that he is able to penetrate people's hearts and dreams."-Hollywood Reporter

    It is a fast and furious metropolitan crash of people, scenes and decades, as three sisters attempt to navigate their dislocated lives and loves, while their dysfunctional father, a brilliant scientist, predicts global catastrophe.Mike Bartlett's contemporary and directed dialogue combines a strong sense of humanity with epic ambition, as well as finely-aimed shafts of political comment embedded effortlessly into every scene. Earthquakes in London represents modern playwriting at its most exciting and ambitious.It's Cabaret, we've got our heads down and we're dancing and drinking as fast as we can. The enemy is on its way, but this time it doesn't have guns and gas it has storms and earthquakes, fire and brimstone…. You were the glimmer. At the end of the tunnel. And you went out.

    

    The play had its world premiere at the Cherry Lane Theatre in New York in spring 2013, starring Jesse Eisenberg and Vanessa Redgrave and directed by Kip Fagan.In The Revisionist, young writer David arrives in Poland with a crippling case of writer’s block and a desire to be left alone. His seventy-five-year-old second cousin Maria welcomes him with a fervent need to connect with her distant American family. As their relationship develops, she reveals details about her postwar past that test their ideas of what it means to be a family.

    If you’re looking for the outer orbits of America, come to Florida, and if you seek the Sunshine State’s funky-drumbeat fringe, you can do no better than Lynn Waddell.”—Tim Dorsey, New York Times best-selling author “Waddell takes readers to Florida’s wild side, where strippers, swingers, bikers, exotic animals, and carnies enjoy sun-kissed lives in America’s strangest state.”?Trevor Aaronson, author of The Terror Factory: Inside the FBI’s Manufactured War on Terrorism “Lynn Waddell’s riveting you-are-there reporting lives at the intersection where Florida’s wacky subcultures and seamy undersides meet up. When you read this book, make sure you’re standing over carpet—that way you won’t hurt your jaw from dropping it so many times.”—Craig Pittman, author of The Scent of Scandal: Greed, Betrayal, and the World’s Most Beautiful Orchid “A fast, fascinating read. Waddell delivers ten surprising subcultures you might not dare visit on your own.”?Lyn Millner, Florida Gulf Coast UniversityFlorida has a titillating underbelly that few tourists ever see. Beyond the theme parks and the beaches lies a periphery most residents know about but—out of decorum or discomfort?prefer not to discuss. In Fringe Florida, Lynn Waddell explores the exotic, sensational, and sometimes illicit worlds of the oddest state in the nation.Waddell takes the reader on a colorful journey to meet the most unconventional of Floridians in unbelievable and spectacular places. At Fetish Con, she befriends furries and pony girls. She travels to Cassadaga, the oldest active Spiritualist community in the South, where trained mediums converse with the dead, and to the Holy Land Experience theme park in Orlando, where one can eat a hot dog while watching a reenactment of the Crucifixion. She interviews the founder of the Leather & Lace Motorcycle Club, a Daytona Beach-area grandmother who hosts the club’s annual gathering, welcoming scores of lady bikers to camp out on the lawn of her subdivision home. At an Animal Amnesty Day outside Busch Gardens, Waddell meets exotic reptile owners who give up their beloved-but no-longer-manageable pets and others who vie to take home the cast-offs.If you’ve ever wanted to parade around on a pimped-out swamp buggy amidst a couple thousand beer-swigging mud boggers or fall asleep with a python hissing in your ear, been tempted to bring a Capuchin monkey in a stroller to a Little League game, or contemplated sitting on the beach waiting to be picked up by a UFO but couldn’t quite bring yourself to such extremes, Fringe Florida is for you.