Readers will walk a tightrope of suspense with a brilliantly evil serial killer in this chilling debut novel. LG Featured Alternate.

    Now they are on the brink of the inevitable.Sally Rooney is one of the most acclaimed young talents of recent years. With her minute attention to the power dynamics in everyday speech, she builds up sexual tension and throws a deceptively low-key glance at love and death.

    And another one under that.' Only very special people are chosen by children's author Laura White to join 'The Society', an elite group of writers in the small town of Rabbit Back. Now a tenth member has been selected: Ella, literature teacher and possessor of beautifully curving lips. But soon Ella discovers that the Society is not what it seems. What is its mysterious ritual, 'The Game'? What explains the strange disappearance that occurs at Laura's winter party, in a whirlwind of snow? Why are the words inside books starting to rearrange themselves? Was there once another tenth member, before her? Slowly, disturbing secrets that had been buried come to light... In this chilling, darkly funny novel, the uncanny brushes up against the everyday in the most beguiling and unexpected of ways.

    A young man is just a college freshman when he meets Emily. They share a passion for Edward Albee and ecstasy and fall hard and fast in love. But soon Emily has to move home to Elba, New York, and he flunks out of school and joins the army. Desperate to keep their relationship alive, they marry before he ships out to Iraq. But as an army medic, he is unprepared for the grisly reality that awaits him. His fellow soldiers smoke; they huff computer duster; they take painkillers; they watch porn. And many of them die. He and Emily try to make their long-distance marriage work, but when he returns from Iraq, his PTSD is profound, and the drugs on the street have changed. The opioid crisis is beginning to swallow up the Midwest. Soon he is hooked on heroin, and so is Emily. They attempt a normal life, but with their money drying up, he turns to the one thing he thinks he could be really good at – robbing banks.Hammered out on a prison typewriter, Cherry marks the arrival of a raw, bleakly hilarious, and surprisingly poignant voice straight from the dark heart of America.

    Then the ER doctors revived him. It’s infatuation at first sight when he meets his nurse, Felicia Vogan, a strange young woman with a weakness for sad sacks and losers. After she helps Elliot escape from the hospital, she takes him back to her place. He’s happy to go with her, even when she leads him straight to a gang planning a million dollar heist. Does Felicia just want Elliot to protect her from the outfit’s psychotic leader, Stan the Man? Or is Elliot being set up to take the hard fall? One thing’s for sure: if he’s going to survive this long night of deceit and murder, Elliot will have to finally face himself and his own dark past.

    The 6 ladies are reminiscent of an elite high school clique where there is heavy competition and an odd man out. The story focuses on the visit of a famous guest author, that doesn't turn out quite as planned. The only topic presented that the guest will discuss is Xingu. The ladies all state that they have just studied it ... but have they and do they even know what it is?

    She returns to New York still beautiful but oddly unrecognizable, a virtual stranger in the world she once effortlessly occupied.With the surreal authority of a David Lynch, Jennifer Egan threads Charlotte’s narrative with those of other casualties of our infatuation with the image. There’s a deceptively plain teenaged girl embarking on a dangerous secret life, an alcoholic private eye, and an enigmatic stranger who changes names and accents as he prepares an apocalyptic blow against American society. As these narratives inexorably converge, Look at Me becomes a coolly mesmerizing intellectual thriller of identity and imposture.

    After an inexplicably hostile encounter with a hotel landlord, Futh sets out along the Rhine. As he contemplates an earlier trip to Germany and the things he has done in his life, he does not foresee the potentially devastating consequences of things not done. "The Lighthouse," Alison Moore's first novel, tells the tense, gripping story of a man trying to find himself, but becoming lost.

    As violence flares, the characters face a battle between public persona and inner desires. Through a chorus of unique voices, each struggling to tell their own kind of truth, a single authentic tale unfolds. The Spinning Heart speaks for contemporary Ireland like no other novel. Wry, vulnerable, all-too human, it captures the language and spirit of rural Ireland and with uncanny perception articulates the words and thoughts of a generation. Technically daring and evocative of Patrick McCabe and J.M. Synge, this novel of small-town life is witty, dark and sweetly poignant.

    But on May 10, 1940, as Nazi tanks approach, this timid, happy man must abandon his home and confront the “Fate” that he has secretly awaited. Separated from his pregnant wife and young daughter in the chaos of flight, he joins a freight car of refugees hurtling southward ahead of the pursuing invaders. There, he meets Anna, a sad-looking, dark- haired girl, whose accent is “neither Belgian nor German,” and who “seemed foreign to everything around her.” As the mystery of Anna’s identity is gradually revealed, Marcel leaps from the heights of an exhilarating freedom to the depths of a terrifying responsibility—one that will lead him to a blood-chilling decision. When it first appeared in English in 1964, British novelist and critic Brigid Brophy declared The Train to be “the novel his admirers had been expecting all along from Simenon.” Until The Train, she wrote, the dazzlingly prolific novelist had been “a master without a masterpiece.”

    A wall. Sometimes love blooms in the strangest of places... What would happen if a woman, tired of previous broken relationships, instead fell in love with her wall? Would she be spurned yet again, or would it be a match made in heaven? Gina Ranalli is the author of Suicide Girls in the Afterlife, 13 Thorns (with outsider artist Gus Fink) and Chemical Gardens.

    It is in this space, surrounded by countryside and wild creatures, that she can finally grapple with the chain of events that led her here-her shaky mental health, her difficult time in art school-and maybe, just maybe, regain her footing in art and life. As Frankie picks up photography once more, closely examining the natural world around her, she reconsiders seminal works of art and their relevance. With "prose that makes sure we look and listen," Sara Baume has written an elegant novel that is as much an exploration of wildness, the art world, mental illness, and community as it is a profoundly beautiful and powerful meditation on life.

    At a party, the narrator, a screenwriter, rescues a young woman who staggers with drunken determination into the Pacific. He is living far from his wife in New York and long ago shed any illusions about the value of his work. He just wants to be left alone. And yet without really meaning to, he gets involved with the young woman, who has, it seems, no illusions about love, especially with married men. She’s a survivor, even if her beauty is a little battered from years of not quite making it in the pictures. She’s just like him, he thinks, and as their casual relationship takes on an increasingly troubled and destructive intensity, it seems that might just be true, only not in the way he supposes.

    You will never be the same.”—Cory Doctorow, author of Little Brother and HomelandIn a topsy-turvy world where clowns are killers and crooks, Little Bigtop is a three-ring circus of crime, and no syndicate is more dangerous than the Bozo family. From the wildly original mind of Carlton Mellick III comes the short-story collection ClownFellas—an epic mob saga where life is cheap and the gags will slay you.For years, the hard-boiled capos of the Bozo family have run all of the funny business in Little Bigtop, from the clown brothels to the illegal comedy trade. But hard times have befallen the Bozos now that Le Mystère, the French clown Mafia, has started moving in and trying to take over the city. If that weren’t enough, they’ve got to deal with the cops, the Feds, the snitches, the carnies, the mysterious hit man Mr. Pogo, and the mutant clowns over in the Sideshow district. With the odds stacked against them, the Bozos must fight to survive . . . or die laughing.Praise for ClownFellas“Mario Puzo meets Barnum & Bailey . . . You just can’t look away as the ridiculousness escalates.”—Publishers Weekly“The most original novelist working today? The most outrageous? The most unpredictable? These aren’t easy superlatives to make; however, Carlton Mellick may well be all of those things, behind a canon of books that all irreverently depart from the form and concepts of traditional novels, and adventure the reader into a howling, dark fantasyland of the most bizarre, over-the-top, and mind-warping inventiveness. In my opinion, ClownFellas is his best work to date.”—Edward Lee, author of City Infernal and Header“I rarely enjoy clowns—which is ironic since I’ve been one for over four decades—but ClownFellas is great on so many levels, irony being one of them. What can I say besides I love it! Great read, and funny as hell . . . I have been accused of being unfunny before, and after the trial I had to enter the Witless Protection Program. This is funny!”—Barry Lubin, aka Grandma, longtime Big Apple Circus clown“If Martin Scorsese and Ronald McDonald had a baby, this would be it. . . . Each story is clever, multi-layered, and filled with witty dialogue. . . . A must-read.”—This Is Horror   “Mellick’s writing is wonderfully descriptive and wildly imaginative. . . . I was utterly delighted, amused, and engrossed. . . . ClownFellas is a gem!”—The Qwillery   “A rollercoaster ride through a strange world that borders on our own reality . . . a story that is just as difficult to define as it is to put down.”—Examiner.com   “Mellick has created another amazing read. . . . Highly recommended.”—Kitty Horror

    Here Victor Gischler draws us into a wild and wicked world, where tenured professors are busy burying bodies, cash-up-front P.I.’s hunt for missing coeds and one desperate street-tough has to decide which he’d rather be: a live poet or a dead criminal.An unlucky grad student just got himself killed in a robbery gone bad. And as lowly drug lieutenant Harold Jenks races with the killer out of the alley, a light goes off in his head: He’ll steal the dead kid’s identity. Now Jenks, who once lorded it over seven square blocks in East St. Louis, is headed due west. With a .32 in his pocket, a 9mm Glock taped across his back, and a rap sheet nearly as long as Finnegans Wake, he’s cruising the halls of academia as Eastern Oklahoma U’s newest grad student, looking for action and hoping he can stay one couplet ahead of his violent past. While this new bad boy on campus makes mincemeat of his metaphors, across campus visiting professor Jay Morgan has a more pressing problem: What to do about the dead coed in his bed. The professor’s no killer, but try telling that to private eye Deke Stubbs. With the professor on the lam and Stubbs hot on his trail, more trouble blows into town. Now, as St. Louis drug boss Red Zach and his minions converge on Fumbee, Oklahoma, looking for a consignment of missing cocaine, the bullets start flying faster than the zingers at a faculty hate fest. For Morgan and Jenks, now desperate fugitives from poetic justice, survival means learning new skills—and learning fast. Because if they find out they’re bottom-of-the-class, that means they’re already dead. Featuring the sleaziest, sorriest, and most captivating group of criminal lowlifes, sexed-up academics, poets, and rappers ever to collide in one crime novel, The Pistol Poets speeds deliriously to its electrifying payoff.From the Hardcover edition.