Rants, manifestos, newspaper cutups, street theater, anti-lectures, love poems, and riffs tell the story of what it's like to live outlaw and brown in the United States.Juan Felipe Herrera is a professor of creative writing at the University of California, Riverside. The author of twenty-one books, he is also a community arts leader and a dynamic performer and actor. He is the son of Mexican immigrants and grew up in the migrant fields of California.

    The translators, noted Persian literature scholars Ahmad Karimi-Hakkak and Michael Beard, contribute an illuminating introduction to Kiarostami's poetic enterprise, examining its relationship to his unique cinematic corpus and to the traditions of classic and contemporary Persian poetry. Of interest to enthusiasts of cinema and literature alike, Walking with the Wind—the second volume in Harvard Film Archive's series "Voices and Visions in Film"—sheds light on a contemporary master who transforms simple fragments of reality into evocative narrative landscapes.

    The poems also address gender inequality and our inharmonious relationship with the natural world. A poem on Lilian Bland – the first woman to design, build and fly her own aeroplane – celebrates the audacity and ingenuity of a great Irish heroine. Elsewhere, explorers in Greenland set foot on a fjord system accessible to Europeans for the first time in millennia as a result of global warming. But if life is fragile then its traces are persistent, insistent, and in ‘Articulation’ we are invited to stop and wonder at the reconstructed skeleton of Napoleon’s horse, Marengo, ‘whose very hooves trod mud at Austerlitz’, suspended in time ‘for however long he lasts before he crumbles’.

    Slater is the second in the series of her spiritual poetry or “vision quest poetry” to be published. The poetry continues to chronicle the inner journey of self-discovery and the Divine, awakening us to our own Truth as we travel the path, the personal journey, and awaken from the illusory separation of self and Divinity. Subsequently, self-forgiveness allows us to surrender to our wholeness without false perfection. When we cast blame and self-judgment aside, we transform, heal, and reawaken from “the mythos” of separation and become One.

    The subjects of his plays were drawn from mythology and legend. Each play contains at least one heroic figure, a character whose strength, courage, or intelligence exceeds the human norm—but who also has more than ordinary pride and self-assurance. These qualities combine to lead to a tragic end. Hugh Lloyd-Jones gives us, in two volumes, a new translation of the seven surviving plays. Volume I contains Oedipus Tyrannus (which tells the famous Oedipus story), Ajax (a heroic tragedy of wounded self-esteem), and Electra (the story of siblings who seek revenge on their mother and her lover for killing their father).

     One – I would’ve tried shielding Miles from the ugliness of the mirror. Two – I would’ve listened to the warnings that despite the evil I’ve already met, worse was coming. Three – I would’ve recognized that while I was trying to keep everyone in the light, darkness crept into the hidden corners of myself I never knew existed. Four – I wouldn’t have so willingly trusted others just because they are family. Five – Most importantly, I would have shielded my heart before it turned black.

    What they find is a nightmare.Warning: This book contains extreme content and scenes that may be too disturbing or intense for some readers. Your discretion is advised.

    They inherit the family fortune, including the old mansion on the river in Florida. The estate called River Oaks is haunted by the ghosts of ancestors and family slaves. Katarina, a teacher, lived on a ranch in Arizona. Her sisters and Boone Callahan, her grandmother’s attorney, help her through an unexpected pregnancy. Kat is attracted to Boone, but he keeps his distance until a boy shows up in his office claiming Boone is his father. Danny’s mother has been murdered, and Boone is afraid the killers will come after the boy. Boone hides Danny at River Oaks. While they’re there, Kat seduces Boone. Their affair grows into love, but he hates that she talks with ghosts and always seems to know what he’s thinking. And then the killers show up and try to take Danny.