each poem is incredibly impactful and beautifully written. stories of love, heartbreak, suffering, and healing come alive on the page in an incredible way. let this book of poetry touch your soul and help you feel free. join trevor capiro on this journey towards healing.

    104 pages of gossiping, loving and pestering of the British upper class, accompanied by illustrations, will definitely not disappoint.

    It can often seem like there's no way things will ever get better. I wrote this book to remind you that it will, and to give you some comfort and hope along the way. May you find the healing and love your heart deserves. -Illiana Cenjur

    52 laws of love by Himanshu Goel (author of A Rational Boy in Love) is a journey of love in 52 poems through all its aspects, from the honeymoon, to the sacrifices, to the bitter end and forever after.

    

    Some of them deal with the imaginations of death and home while still others the idea of loss and coming to terms with gradual wasting of life. Many aspects of human life and commonplace human impulses are examined and brought to life through a range of imaginations and varied metaphorical associations. The poems are sure to delight the readers and generate a whole range of emotions among them.

    Yet for all their metaphorical suggestiveness, Dickinson’s and Whitman’s poems about the natural world neither preclude nor erase nature’s relevance as an actual living environment. In their respective poetic projects, the earth matters both figuratively, as a realm of the imagination, and also as the physical ground that is profoundly affected by human action. This double perspective, and the ways in which it intersects with their formal innovations, points beyond their traditional status as curiously disparate icons of American nature poetry. That both of them not only approach nature as an important subject in its own right, but also address human-nature relationships in ethical terms, invests their work with important environmental overtones. Dickinson and Whitman developed their environmentally suggestive poetics at roughly the same historical moment, at a time when a major shift was occurring in American culture’s view and understanding of the natural world. Just as they were achieving poetic maturity, the dominant view of wilderness was beginning to shift from obstacle or exploitable resource to an endangered treasure in need of conservation and preservation.A Place for Humility examines Dickinson’s and Whitman’s poetry in conjunction with this important change in American environmental perception, exploring the links between their poetic projects within the context of developing nineteenth-century environmental thought. Christine Gerhardt argues that each author's poetry participates in this shift in different but related ways, and that their involvement with their culture’s growing environmental sensibilities constitutes an important connection between their disparate poetic projects. There may be few direct links between Dickinson’s “letter to the World” and Whitman’s “language experiment,” but via a web of environmentally-oriented discourses, their poetry engages in a cultural conversation about the natural world and the possibilities and limitations of writing about it—a conversation in which their thematic and formal choices meet on a surprising number of levels.

    Wright’s most intimate thoughts and images appear before us in dramatic and spectral short narratives: mesmerizing poems whose colloquial sound and rhythms announce a new path for this luminous and masterful poet. In these journeys, we hear the constant murmured “yes” of creation—“it will be packing its small suitcase soon; it will leave the keys dangling from the lock and set out at last,” Wright tells us. He introduces us to the powerful presences in his world (the haiku master Basho, Nietzsche, St. Teresa of Avila, and especially his father, James Wright) as he explores the continually unfolding loss of childhood and the mixed blessings that follow it. Taken together, the pieces deliver the diary of a poet—“a fairly good egg in hot water,” as he describes himself—who seeks to narrate his way through the dark wood of his title, following the crumbs of language. “Take everything,” Wright suggests, “you can have it all back, but leave for a little the words, of all you gave the most mysteriously lasting.” With a strong presence of the dramatic in every line, Kindertotenwald pulls us deep into this journey, where we too are lost and then found again with him.

    I believe everyone should understand that we all go through things in life, it's all about how we react and recover from them. If you've felt as though you didn't have a voice in a situation, or you weren't sure if you'd get through it "fluid." may be the book for you.

    Each chapter serves a different purpose. The chapters are For The Healing, For The Erasing, For the Loving, For the Oppressed, and For the Broken. This book teaches you to love yourself and others. It's better experienced than described, so sit down with some coffee and allow yourself to feel-- and heal.

    Ramanan is dramatic pastoral elegy and it is beautifully illustrated by Artist Madanan.

    Every woman should know the feelings of being loved and radiating those feelings back to her mate. This is a beautiful expression of heartfelt emotion using short, gratifying sentiments. If there is a lover in you, you will not get enough of "Her."

    He escorts them to a small town in Texas. While there, he runs into a rich and very spoiled woman who is being guarded by four tough guards and riding in a fancy custom coach. Jess starts putting things together and discovers that a bunch of thugs are waiting to ambush the coach and kidnap her, but before he can get to the coach, he’s too late and the rich woman is gone. He ends up receiving a wire from the rich woman’s husband, Tripp Parker, who hires Jess to rescue his wife from Larkin and his bunch and he agrees to allow a former Texas Ranger, Stan Cooke, to ride along with him and take down Pence Larkin and his gang and get Mrs. Parker back safely. Jess is hell bent on serving up some cold justice to Larkin and his bunch, but it proves to be a tougher job than he thought. Jess and Cooke travel from one town to another to find the men who took her and his plan is to deliver nothing short of cold justice at the end of a gun barrel.

     The search for remnants of civilization continues, and their new companions present shocking revelations that change everything. Soon after tragedy strikes, James and the others truly begin to realize that the situation is a lot worse than any of them had ever imagined. 18+

    But why? And how did Squirrely, a homeless man, acquire a duffle bag stuffed with thousands in cash, a pistol, and a 25-year-old newspaper?As Squirrely lies in a coma, Tuper’s techie sidekick, Lana, uncovers fifty-year-old secrets about his connection to the death of a high school classmate. The cold case pops to the front burner when a second classmate dies in the same manner.A Senator, his barren wife, and a long-ago illegal adoption heat up the complications. As Tuper and Lana dig deeper, lies, fraud, and blackmail bubble to the surface. When they get too close, the killer panics and tries to take them out too.The case reaches a boiling point—just as Tuper unties a fifty-year-old twist and the cold truth finally puts the fire out.