Wiggling out of every predicament in unique and unexpected ways, this poet-jester reminds us of Birbal at the court of Akbar. Read his tales and laugh with joy even as his plain common sense leaves you gasping.

    Jayant Kaikini’s gaze takes in the people in the corners of Mumbai—a bus driver who, denied vacation time, steals the bus to travel home; a slum dweller who catches cats and sells them for pharmaceutical testing; a father at his wit’s end who takes his mischievous son to a reform institution. In this metropolis, those who seek find epiphanies in dark movie theaters, the jostle of local trains, and even in roadside keychains and lost thermos flasks. Here, in the shade of an unfinished overpass, a factory worker and her boyfriend browse wedding invitations bearing wealthy couples’ affectations—“no presents please”—and look once more at what they own. Translated from the Kannada by Tejaswini Niranjana, these resonant stories, recently awarded the DSC Prize for South Asian Literature, take us to photo framers, flower markets, and Irani cafes, revealing a city trading in fantasies while its strivers, eating once a day and sleeping ten to a room, hold secret ambitions close.

    The very same morning, Karthik, an up and coming young businessman is found shot dead in his car in the middle of the road — the only witness to the incident being his employee Drishti who was in the car with him at the time. The responsibility of getting behind the root of both incidents falls on Inspector Satyajit, an intrepid and honest police officer, and his team who get cracking on both cases immediately. But as the investigation proceeds further, the incidents and the stories of those involved get increasingly confused and murkier. What illegal deals was Karthik involved in? Did these deals cause his untimely death? How is all this connected to the housewife who was killed the same morning? What is the part played by the mysterious Gun Club in all these events? Follow Satyajit as he attempts to uncover these dubious questions.

    In her journey, she has two companions - Meera and her talking rational mind. Her idea of love and respect guides her to take some strong decisions. The feeling of being loved is the story of those rational decisions taken by a distracted mind to make things alright.

    Kencha, an unwitting witness to Its birth, is soon found dead – his body branded with a strange message written in HaLegannada, an ancient version of modern Kannada. Even as Dhruv Kaveriappa, Chief Conservator of Forests - Hassan division investigates Kencha’s death, he senses an unseen danger in the forests of Kukke, Bisle and Sakleshpura. Animals drop dead; plants wither away and just as he feared, the forest claims its first victim. Shivaranjini, on vacation in Sakleshpura, suffers a devastating tonic-clonic seizure moments after she returns from a visit to the forest. Soon, she begins to exhibit a bizarre personality disorder. Perhaps there is an outbreak of an unknown rabies-like disease? Or, as ridiculous as it seems, could it be a case of tantric witchcraft? The truth unfolds in a dizzying maelstrom of events - a truth far too terrifying to comprehend...

    The professional meeting explodes into an intense, passionate relationship. Prague in winter is a beautiful and moody setting to the feverish love affair. The complicated and inevitably short-lived romance is poignant and deeply moving in its telling by the master of the modern Hindi novel, Nirmal Verma.This book is translation of original novel in Hindi, called Ve Din.

    The head of the family, Nadeem Dalvi, had been the subordinate mamlatdar of Madhusudan Sen, ICS, the Magistrate of Batia, and his trusted supplier of fresh eggs, fish and red meat. When it is discovered that the deaths had not been accidental or caused by fire, Sen vows to turn vegetarian until justice has been done.In this novella of stunning force and impact, a true original of Indian writing is in brilliant form.About the AuthorUpamanyu Chatterjee was born in 1959 in Patna. He spent over thirty calm and undistinguished years in the Indian Administrative Service; during that time, he wrote six novels—when no one was looking. He retired (early and honourably) in 2016 to devote himself full time to running the household. He has one wife and two daughters. He enjoys several solitary occupations.

    scholar, practically living in her research lab, leading an uneventful life. Amudha’s life takes an adventurous turn, when she finds a puzzle in an old Mathematics book. Surprisingly, the puzzle has nothing to do with Mathematics. Amudha embarks on a journey to solve the enigma. Every twist and turn in her journey is filled with suspense and surprises. The journey challenges and threatens Amudha. Whenever Amudha solves a part of the puzzle, a new one presents itself. Will Amudha solve the puzzle? How far does the rabbit hole go? What awaits her at the end of it? Will Amudha be the same person if she comes out of it? Read on Magic Square for answers.

    A small white patch had now appeared on her arm.' Anupama's fairytale marriage to Anand falls apart when she discovers a white patch on her foot and learns that she has leukoderma. Abandoned by her uncaring in-laws and insensitive husband, she is forced to return to her father's home in the village. The social stigma of a married woman living with her parents, her steother's continual barbs and the ostracism that accompanies her skin condition force her to contemplate suicide. Determined to rebuild her life against all odds, Anupama goes to Bombay where she finds success, respect and the promise of an enduring friendship. Mahashweta is an inspiring story of courage and resilience in a world marred by illusions and betrayals. This poignant tale offers hope and solace to the victims of the prejudices that govern society even today.

    Based on the present political situation in Kashmir valley.

    As they move from a cramped, ant-infested shack to a larger house on the other side of Bangalore, and try to adjust to a new way of life, the family dynamic begins to shift. Allegiances realign; marriages are arranged and begin to falter; and conflict brews ominously in the background. Things become “ghachar ghochar”—a nonsense phrase uttered by one meaning something tangled beyond repair, a knot that can't be untied. Elegantly written and punctuated by moments of unexpected warmth and humor, Ghachar Ghochar is a quietly enthralling, deeply unsettling novel about the shifting meanings—and consequences—of financial gain in contemporary India.

    Nobles at the court of Awadh, the chess-addicts Mir and Mirza, move to an undisclosed location to play undisturbed as their kingdom falls around them..Shorts stories were the inspiration for fourteen of master filmmaker Satyajit Ray's movies, every one of them a classic - Devi, Jalsaghar and Shatranj Ke Khiladi, among them. This book brings together all of those stories in one volume. These tales, by the likes of Rabindranath Tagore, Tarashankar Bandopadhyay, Prabhat Kumar Mukhopadhyay, Rajshekhar Basu and Premchand, are milestones in Indian literature quite apart from their cinematic glory. The anthology also contains two stories by Ray himself -Atithi and Pikoor Diary, that illustrate his own craft as a writer. From the dramatic to the starkly real, the humorous to the dark, the lyrical to the prosaic, Fourteen Stories... sparkles with narrative brilliance. Read together, these stories also provide us with the context for a new insight into the mind of one of India's most loved and revered filmmakers.

    Akbar's amazing story of three generations of a Muslim family —based on his own—and how they deal with the fluctuating contours of Hindu-Muslim relations. Telinipara, a small jute mill town some 30 miles north of Kolkata along the Hooghly, is a complex Rubik's Cube of migrant Bihari workers, Hindus and Muslims; Bengalis poor and 'bhadralok'; and Sahibs who live in the safe, 'foreign' world of the Victoria Jute Mill. Into this scattered inhabitation enters a child on the verge of starvation, Prayaag, who is saved and adopted by a Muslim family, converts to Islam and takes on the name of Rahmatullah. As Rahmatullah knits Telinipara into a community, friendship, love trust and faith are continually tested by the cancer of riots. Incidents—conversion, circumcision, the arrival of the plague of electricity—and a fascinating array of characters: the ultimate Brahmin, Rahmatullah's friend Girija Maharaj; the worker's leader, Bauna Sardar; the storyteller, Talat Mian; the poet-teacher, Syed Ashfaque; the smiling mendicant, Burha Deewana; the sincere Sahib, Simon Hogg; and then the questioning, demanding third generation of the author and his friend Kamala, interlink into a narrative of social history as well as a powerful memoir. Blood Brothers is a chronicle of its age, its canvas as enchanting as its narrative, a personal journey through change as tensions build, stretching the bonds of a lifetime to breaking point and demanding, in the end, the greatest sacrifice. Its last chapters, written in a bare-bones, unemotional style, are the most moving as the author searches for hope amid raw wounds with a surgeon's scalpel.

    Now Vicky Rai is dead, killed at his farmhouse at a party he had thrown to celebrate his acquittal. The police search each and every guest. Six of them are discovered with guns in their possession.In this elaborate murder mystery we join Arun Advani, India's best-known investigative journalist, as the lives of these six suspects unravel before our eyes: a corrupt bureaucrat; an American tourist; a stone-age tribesman; a Bollywood sex symbol; a mobile phone thief; and an ambitious politician. Each is equally likely to have pulled the trigger. Inspired by actual events, Vikas Swarup's eagerly awaited second novel is both a riveting page turner and an insightful peek into the heart and soul of contemporary India.

    As they navigate their way around Parliament, handling backroom deals, nepotistic party heads, and laws that seem to be tailor-made to benefit the ruling party, they learn that politics and idealism don't always go together. While Srikar tries to adapt to his new avatar and lie low, Raghav uses his Twitter alter ego, @Arnavinator, to vent his frustration and spread chaos. But when a new bill that threatens freedom of expression is bulldozed through with impunity, Srikar and Raghav must make a choice—to compromise on their values or to stand up for what is right. But at what cost? And can they and their unlikely allies—a jaded lawyer, an ambitious journalist and a rising YouTube star—really make a difference? A heady mix of politics, satire and current events, Parliamental is a roller-coaster ride through the corridors of power.