And yet it is the perfect description for Desmond Tutu, Nobel laureate and spiritual father of a democratic South Africa. Tutu understood that justice -- a genuine regard for human rights -- is the only real foundation for peace. And so he stirred up trouble, courageously engaging in heated face-to-face confrontations with South Africa's leaders; he stirred up trouble in the streets, leading peaceful demonstrations amid the barely controlled fury of police battalions; he stirred up trouble on the world stage, seeking international disinvestment in the apartheid economy.Tutu has led one of the great lives of the late twentieth and early twenty-first centuries, and to read his story in full is to be reminded of the power of one inspired man to change history. In this authorized biography, written by John Allen, a distinguished journalist and longtime associate of Tutu, we are witnesses to courage, stirring oratory, and a demonstration of the power of faith to transform the seemingly intransigent.We know in retrospect that the apartheid resistance movement was successful and that South Africa, though not without its problems, today faces an infinitely brighter future than it might if it had not been for the efforts of Desmond Tutu, Nelson Mandela, and other leaders.But no such outcome was ever a certainty. Through the author's personal experiences, total access to the Tutu family and their papers, and considerable research, including the use of new archival material, Allen tells the story of a barefoot schoolboy from a deprived black township who became an international symbol of the democratic spirit and of religious faith.Allen personally observed how Tutu, at genuine risk to his own safety, repeatedly intervened between armed soldiers and stone-throwing students to keep the peace, how he faced constant death threats and angrily stood up to the leaders of the cruel apartheid system. Using his own faith as a cudgel, Tutu asked those officials to confront their own Christian background and made them reconcile their actions with their own professions of belief.Often through the sheer power of moral example and with a lyrical command of the English language, Tutu was able to appeal to the conscience of the world and to the emotions of an angry crowd in the streets. And then, when the battle for South African rights was finally won, it was Tutu who insisted on finding a path to forgive the former oppressors by strongly backing and serving on the unprecedented Truth and Reconciliation Commission.Today, the archbishop continues to appeal to the world's conscience by opposing the continuance of war and the inadequacy of the international response to the AIDS/HIV crisis sweeping Africa. He has led a life of commitment, one that continues to matter.John Allen has movingly captured the flavor and details of that life and marshaled them into a commanding story, one that sheds light on the struggles and triumphs of our times.

    They were the last recorded group of Africans deported to the United States as slaves. Timothy Meaher, an established Mobile businessman, sent the slave ship, the Clotilda, to Africa, on a bet that he could "bring a shipful of niggers right into Mobile Bay under the officers' noses." He won the bet.This book reconstructs the lives of the people in West Africa, recounts their capture and passage in the slave pen in Ouidah, and describes their experience of slavery alongside American-born enslaved men and women. After emancipation, the group reunited from various plantations, bought land, and founded their own settlement, known as African Town. They ruled it according to customary African laws, spoke their own regional language and, when giving interviews, insisted that writers use their African names so that their families would know that they were still alive.The last survivor of the Clotilda died in 1935, but African Town is still home to a community of Clotilda descendants. The publication of Dreams of Africa in Alabama marks the 200th anniversary of the abolition of the transatlantic slave trade.Winner of the Wesley-Logan Prize of the American Historical Association (2007)

    She has to adapt and make a home for her baby daughter and aging husband amidst boreholes, long drops and Aga stoves.She comes to terms with her neighbours, Joshua, a practising Sangoma, and Ben, a Jewish pig farmer; is educated in the ways of the Practical by her indomitable maid May; and comes of age through her determined efforts to create things of beauty amidst the khakibos - a lawn and poetry. She even restores the family fortune by engaging in a lucrative and uniquely South African venture.

    Awarded the prestigious Prix des cinq continents upon publication as the best book written in French outside of France, Eve Out of her Ruins is a harrowing account of the violent reality of life in her native country by the figurehead of Mauritian literature.The book featurues an original introduction by Nobel Prize winner J.M.G. Le Clézio, who declares Devi "a truly great writer."Ananda Devi (b. 1957, Trois-Boutiques, Mauritius) is a novelist and scholar. She has published eight novels as well as short stories and poetry, and was featured at the PEN World Voices Festival in New York in 2015. She was made a Chevalier des Arts et des Lettres by the French Government in 2010.

    The first trip was full of an endearing vulnerability and the heroic generosity of a fit young man, while the second was one of Conradian tragedy, murder, and mayhem. Despite starvation, imprisonment, and frequent illness, he managed to keep a record. Though he failed in the object of his mission-to chart the course of the Niger River-he did succeed in exploring West Africa and opening in trade routes. His first-hand experiences of tribal justice, gold mining, and the slave trade are recorded, as well as his own understated heroism, a story of courage, open-hearted friendship, and betrayal. His vivid record of his travels brought a new image of Africa to the European public, though the continent claimed him for itself in death. Travels is still considered the most readable of all the classics of African exploration.

    Sembène Ousmane, in this vivid and moving novel, evinces all of the colour, passion and tragedy of those decisive years in the history of West Africa.'Ever since they left Thiès, the women had not stopped singing. As soon as one group allowed the refrain to die, another picked it up, and new verses were born at the hazard of chance or inspiration, one word leading to another and each finding, in its turn, its rhythm and its place. No one was very sure any longer where the song began, or if it had an ending. It rolled out over its own length, like the movement of a serpent. It was as long as a life.'

    Edited with an introduction, notes and a glossary by Dennis Walder, a leading critic of South African literature, this book collects his five township plays: Nongogo, No-Good Friday, Sizure Bansi is Dead, The Island and The Coat, the latter of which has never been published in Britain before.

    It was an audio-cassette filled with the voice of her father telling outrageous stories about his hunting expeditions with his famous older brother, Ernest Hemingway. In this mesmerizing book, Hilary transcribes these stories, revealing the bond between two larger-than-life brothers -- and tells of her own quest to make peace with the painful parts of the Hemingway legacy.

    Set in Hillbrow during the tumultuous years of apartheid’s demise, the rapid changes taking place both in the neighbourhood and the country are charted by staid, conservative Aubrey Tearle, a retired proofreader whose life has been devoted to reading telephone directories. Obsessed with what he terms ‘corrigenda’––mistakes that crop up with increasing frequency as ‘standards decline’––he embarks on a grandiose plan to enlighten his fellow–citizens, with disastrous, hilarious and poignant results.Demonstrating a Cervantes–like knack for creating innocents who tilt at windmills, Vladislavić continues to demonstrate the dazzling and unique talent seen in his previous writings as he explores the age–old theme of how individuals respond when ‘things fall apart’––and what can occur when language itself is in a state of flux. This highly original novel reflects post–apartheid, post–modern writing at its best.