Riley portrays Lennon's rise from Hamburg's red light district to Britain's Royal Variety Show; from the charmed naivetéf "Love Me Do" to the soaring ambivalence of "Don't Let Me Down"; from his shotgun marriage to Cynthia Powell in 1962 to his epic media romance with Yoko Ono. Written with the critical insight and stylistic mastery readers have come to expect from Riley, this richly textured narrative draws on numerous new and exclusive interviews with Lennon's friends, enemies, confidantes, and associates; lost memoirs written by relatives and friends; as well as previously undiscovered City of Liverpool records. Riley explores Lennon in all of his contradictions: the British art student who universalized an American style, the anarchic rock 'n' roller with the moral spine, the anti-jazz snob who posed naked with his avant-garde lover, and the misogynist who became a househusband. What emerges is the enormous, seductive, and confounding personality that made Lennon a cultural touchstone. In Lennon, Riley casts Lennon as a modernist hero in a sweeping epic, dramatizing rock history anew as Lennon himself might have experienced it.

    During his brief time with the band (1966-68), he was the driving force behind the unit. After he left the band he made just two further solo albums which were both released in 1970, before withdrawing from public view to lead a quiet, and occasionally troubled life in Cambridge, the town of his birth. Rob Chapman's book will be the first authoritative and exhaustively researched biography of Syd Barrett that fully celebrates his life and legacy as a musician, lyricist and artist, and which highlights the influence that he continues to have over contemporary bands and music fans alike.

    Illustrated with previously unseen photographs and drawing on over 300 hours of interviews with band members, producers, friends, former lovers and associates, this biography traces the artist's life from his Minneapolis roots through controversial stardom to his rejection of the Prince persona.

    Along the way, Zappa offers his inimitable views on many things such as art, politics and beer.

    After a little noticed debut and a follow-up that had failed to chart at all, Pye Records were threatening to annul the group’s contract. But with its unforgettable distorted guitar riff, 'You Really Got Me’ went on to reach No.1, entering the US Top Ten later the same year. Followed by a string of hits, it marked the breakthrough of one of Britain’s most innovative and influential bands, and a turning point in the fortunes of two brothers whose troubled story is as tumultuous and characterful as the music they produced: Ray and Dave Davies. Born into a deeply musical working-class family in London’s Muswell Hill, Ray and Dave grew up in a city recovering from the bombs and privations of the Second World War, and, more than any other musicians of the Sixties, they crafted the soundtrack that made it swing again. In songs such as ‘Dedicated Follower of Fashion’, ‘Sunny Afternoon’ – which toppled The Beatles to become the hit of Summer 1966 – ‘Waterloo Sunset’, ‘Days’ and ‘Lola’, they drew on music hall, folk and rhythm and blues to craft a peculiarly English pop idiom, inspiring generations of songwriters from David Bowie to Jarvis Cocker and Damon Albarn.Pocked by sibling rivalry, furious on-stage violence, walkouts, overdoses, a career-throttling ban from the US, gross self-indulgence, and the band's curious rebirth as Eighties stadium rockers, the story laid bare in God Save The Kinks is one of the greatest in British pop history.

    Founded by Jerry Dammers, their fusion of punk, reggae, and ska created a new musical fashion—spearheaded by their own Two Tone record label—that stood for unity and racial harmony in a polarized society. This musical odyssey with The Specials moves from their early days on Coventry's punk circuit, to their chart-storming success with singles like Too Much Too Young and the eerily prescient Ghost Town, released as the race riots of 1982 saw Toxteth and Brixton go up in flames. Written with wry humor, this affectionate look at a band whose sublime music remains influential today is a must for all fans of The Specials.

     Evoking a period when fear and frivolity, sputniks and hula-hoops simultaneously girdled the globe, Ken Emerson—author of the acclaimed Doo-Dah!: Stephen Foster and the Rise of American Popular Culture—describes the world that made these songwriters, the world they in turn made in their music, and the impact on their careers, partnerships, and marriages when the Beatles, Dylan, and drugs ripped those worlds asunder. The stories behind their songs make the “golden oldies” we take for granted sound brand new and more moving and eloquent than we ever suspected.

    Ian Hunter's revealing tour diary was first published in 1974 to coincide with the band's global success. It gives an insight into life with a rock group on the road.

    "Ladyfriend", a song written by Crosby, had just failed miserably as a chart single despite the fact that he lobbied hard to get it released. This - coupled with the fact that he made what the rest of the band considered an embarrassing political speech onstage during their set at the Monterey Pop Festival, and then sat in with rivals the Buffalo Springfield the following day - pushed McGuinn and Hillman in particular to the limits of their patience. Then, for the Notorious sessions, Crosby presented a song called "Triad", written about a threesome, and although McGuinn and Hillman reluctantly agreed to record it, they later decided to place a less controversial Goffin & King pop number called "Goin' Back" on the album instead. Crosby declared the song banal and refused to sing on it. A few too many studio flare-ups later, McGuinn and Hillman finally screeched up into the Hollywood Hills in their Jaguars and fired Crosby on the spot. Also brooding during this period was drummer Michael Clarke, who had always borne the brunt of the other band members' rage while recording. He was by far the least accomplished member of the band musically, and when they suggested bringing in a studio drummer to embellish some tracks (Jim Gordon, later of Derek & the Dominos fame), he finally declared he'd had enough and moved to Hawaii to get away from the music scene altogether. So, McGuinn and Hillman were left to cobble together an album with the help of producer Gary Usher (known for his work with Brian Wilson, the Millenium, Sagittarius and many others). The fact that it turned out to be one of the defining albums of the 60s psychedelic pop experience was either a sheer stroke of luck, or a testament to McGuinn and Hillman's determination to prove that they didn't need Crosby's help to construct their masterpiece.

    She Wasn't Even Almost Famous. But She Was There. She was in the studio when the Beatles recorded The White Album, Abbey Road, and Let It Be, and when Paul recorded "Hey Jude," she sang in the chorus. She was at Ringo's kitchen table when George Harrison said, "You know, Ringo, I'm in love with your wife." And Ringo replied, "Better you than someone we don't know."She typed the lyrics to George Harrison's All Things Must Pass. She lived with George and Pattie Boyd at Friar Park, developed a crush on Eric Clapton, and unwittingly got involved in the famous love story between Eric and Pattie.She's the subject of Leon Russell's "Pisces Apple Lady," a song he wrote to woo her. Other rock legends with whom she was intimate include Ringo, Mick Jagger, and Bob Dylan.She worked with the Rolling Stones as their personal assistant on their infamous 1972 tour and did a drug run for Keith Richards.She's "the woman down the hall" in Joni Mitchell's song "Coyote" about a love triangle on Bob Dylan's Rolling Thunder Revue tour. She's the "mystery woman" pictured on the back of the Rolling Stones album Exile on Main Street. She's the "Miss O'Dell" of George Harrison's song about her.Miss O'Dell is the remarkable story of an ordinary woman who lived the dream of millions -- to be part of rock royalty's trusted inner circle. Illustrated with private photographs and jam-packed with intimate anecdotes, Miss O'Dell is a backstage pass to some of the most momentous events in rock history.

    It's the culmination of over thirty years of dedicated research and scholarship by Michael Gray.Inside these pages, you'll find a world of ideas, facts, and opinions. It's a world in which Baudelaire flows on from the Basement Tapes and A.S. Byatt looks out at the Byrds; in which Far from the Madding Crowd follows Ezekiel and Bob Geldof introduces Jean Genet; and in which Hank and William Carlos Williams stand side by side while J.R.R. Tolkien trails the Titanic. Most of all, of course, it's a world in which everyone and everything interconnects, in endlessly fascinating ways, with one of our greatest living artists: Bob Dylan."Michael Gray... probably Dylan's single most assiduous critic." -New York Review of Books"Fans of Bob Dylan have a multitude of choices when it comes to biographies and retrospectives, but author Michael Gray outdistances them all with this voluminous collection of all things Dylan. ... Insightful and entertaining, Gray's tome will broaden appreciation of the artist, his influences and his legacy." -Publishers Weekly (starred review)"...has all you need to know, and more" -Richard Corliss, Time"This is no mere catalog of facts, but a work of oceanic immersion. It has wit, opinion, style, and asks to be read, not just consulted." -Village Voice"Deeply impressive...destined to be the most important Dylan book, bar none."-Gerry Smith, The Dylan Daily"Utterly idiosyncratic." -Janet Maslin, New York Times"Amazingly well-researched and surprisingly readable work." -Library Journal (starred review)"Door-stopping detail." -Toronto Star"Magnificent...won't just astonish readers with its detail about Dylan's work...contains so many insights and refutes so many myths about the rock 'n' roll era in general that it's invaluable as both a reference guide and a personality study." -Nashville City Paper"Comprehensive and up-to-date." -Slate

    Pioneers of electronic minimalism in the 60s, 70s, and 80s, Kraftwerk redefined pop music. When they split up in the early 1980s, founding member Wolfgang Flur discovered his name dropped from album credits and the drum machine of his own invention being patented by his bandmates. Kraftwerk: I Was a Robot documents the group's alternately inspiring and bitter story from its unsteady beginnings through worldwide fame to the legal battle in a Hamburg court that vindicated the author but left lasting scars on all. Color photographs are included.

    Written by his manager Dave Lory, Jeff Buckley includes interviews with others who worked closely with him who have never spoken before. For the first time since Jeff Buckley’s untimely death on May 29, 1997, his manager Dave Lory reveals what it was like to work with one of rock’s most celebrated and influential artists. Go on the road and behind the scenes with Jeff, from the release of his debut EP Live at Sin-é to the second album Buckley never completed. Jeff Buckley includes testimony from the many people who worked closely with Jeff both on and off stage and includes never-before-shared intimate scenes that only Lory witnessed, including what went down immediately after Lory got that fateful call, “Jeff is missing.”

    Nearly twenty years after the death of their engaging and supremely talented front man, Queen remains the archetypal larger-than-life rock band, comfortably enthroned among rock royalty. Now, to celebrate the majesty of Queen’s contributions to rock, here’s the first-ever complete illustrated history of the band.With glorious concert and candid off-stage photography from throughout the band’s career, as well as concert posters, backstage passes, LPs and singles, and other memorabilia from throughout the world, this is the ultimate visual tribute to Queen. More than 500 photos and artifacts are accompanied by contributions from some of today’s top rock journalists from Europe and North America. In addition to a chronological history of the band, there are reviews of all studio albums, notable excerpts from period publications, complete year-by-year tour dates, and a discography, as well as reflections on the band and their music from many of rock’s top performers past and present, including Slash, Tommy Lee, and Billy Squier.Freddie Mercury, Brian May, Roger Taylor, and John Deacon combined a dizzying array of influences and genres in creating what would become one of the most compelling catalogs and lasting legacies in rock. Here is the book that dares to match that bombast.

    Led by Glenn Danzig, a singer possessed of vision and blessed with an incredible baritone, the Misfits pioneered a death rock sound that would reverberate through the various musical subgenres that sprung up in their wake.This Music Leaves Stains now presents the full story behind the Misfits and their ubiquitous, haunting skull logo, a story of unique talent, strange timing, clashing personalities, and incredible music that helped shape rock as we know it today. James Greene, Jr., maps this narrative from the band's birth at the tail end of the original punk movement through their messy dissolve at the dawn of the 1980s right on through the legal warring and inexplicable reunions that helped carry the band into the 21st century.Music junkies of any stripe will surely find themselves engrossed in this saga that finally pieces together the full story of the greatest horror punk band that ever existed, though Misfits fans will truly marvel at the thorough and detailed approach James Greene, Jr. has taken in outlining the rise, fall, resurrection, and influence of New Jersey's most frightening musical assembly.