Aspiring painter Masha C. is blindly devoted to Antosha, her famous writer-brother. Through the years Antosha takes up with numerous women from Masha’s circle of friends, yet none of these relationships threaten the siblings’ close ties until the winter he falls into a depression. Then Masha invites into their Moscow home a young woman who teaches with her—the beautiful, vivacious and deeply vulnerable Lika Mizanova—with the express hope she might help Antosha recover.The appearance of Lika sets off a convolution of unrequited love, jealousy and scandal that lasts for seven years. If the famously unattainable writer has lost his heart to Lika as everyone claims, why does he undertake a life-threatening voyage to Sakhalin Island? And what will happen to Masha if she is demoted from “woman of the house” to “spinster sister”? While Antosha and Lika push and pull, Masha falls in love herself—with a man and with a mongoose—only to have her dreams crushed twice. From her own heartbreak Masha comes to recognize the harm that she has done to her friends by encouraging their involvement with Antosha, but it is too late for Lika, who will both sacrifice herself for love and be immortalized as the model for Nina in Chekhov’s The Seagull.A Russian Sister offers a clever commentary on the role of women as prey for male needs and inspiration, a role they continue to play today. At the same time the novel is a plea for sisterhood, both familial and friendly. Chekhov’s The Seagull changed the theatre. A Russian Sister gives the reader a glimpse behind the curtain to the fascinating real-life people who inspired it and the tragedy that followed its premiere.

    And not just any bookshop. In 1893, Cole’s Book Arcade in Melbourne is the grandest bookshop in the world, brimming with every curiosity imaginable. Each day brings fresh delights for the siblings: voice-changing sweets, talking parrots, a new story written just for them by their eccentric father.When Pearl and Vally learn that Pa has risked the Arcade – and himself – in a shocking deal with the mysterious Obscurosmith, the siblings hatch a plan. Soon they are swept into a dangerous game with impossibly high stakes: defeat seven challenges by the stroke of midnight and both the Arcade and their father will be restored. But if they fail Pearl and Vally won’t just lose Pa – they’ll forget that he and the Arcade ever existed.

    His parents are dead, he hasn’t seen his sister since she was a teenager, and Kaunas has become the political center of the emerging state of Lithuania. He’s barely off the train when he’s recruited back into service, this time for the nascent government eager to secure his loyalty and vast experience. Though the administration may be new, its problems are familiar, and Adamonis quickly finds himself ensnared in a dangerous web of political corruption and personal betrayal.

    Consisting of a series of episodes in the story of the English outlaw Robin Hood and his band of Merry Men, the novel compiles traditional material into a coherent narrative in a colorful, invented "old English" idiom that preserves some flavor of the ballads, and adapts it for children. The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century.[1]Pyle had been submitting illustrated poems and fairy tales to New York publications since 1876, and had met with success. The Merry Adventures of Robin Hood was the first novel he attempted. He took his material from Middle Age ballads and wove them into a cohesive story, altering them for coherence and the tastes of his child audience. For example, he included "Robin Hood and the Curtal Friar" in the narrative order to reintroduce Friar Tuck. He needed a cooperative priest for the wedding of outlaw Allan a Dale (Pyle's spelling of the original Alan-a-Dale) to his sweetheart Ellen. In the original "A Gest of Robyn Hode", the life is saved of an anonymous wrestler who had won a bout but was likely to be murdered because he was a stranger. Pyle adapted it and gave the wrestler the identity of David of Doncaster, one of Robin's band in the story "Robin Hood and the Golden Arrow." In his novelistic treatment of the tales, Pyle thus developed several characters who had been mentioned in only one ballad, such as David of Doncaster or Arthur a Bland. Pyle's book continued the 19th-century trend of portraying Robin Hood as a heroic outlaw who robs the rich to feed the poor; this portrayal contrasts with the Robin Hood of the ballads, where the protagonist is an out-and-out crook, whose crimes are motivated by personal gain rather than politics or a desire to help others.[1] For instance, he modified the ballad "Robin Hood's Progress to Nottingham", changing it from Robin killing fourteen foresters for not honoring a bet to Robin defending himself against a band of armed robbers. Pyle has Robin kill only one man, who shoots at him first. Tales are changed in which Robin steals all that an ambushed traveler carried, such as "Robin Hood and the Bishop of Hereford", so that the victim keeps a third and another third is dedicated to the poor. Pyle did not have much concern for historical accuracy, but he renamed the queen-consort in the story "Robin Hood and Queen Katherine" as Eleanor (of Aquitaine). This made her compatible historically with King Richard the Lion-Hearted, with whom Robin eventually makes peace. The novel was first published by Scribner's in 1883, and met with immediate success,[1] ushering in a new era of Robin Hood stories. It helped solidify the image of a heroic Robin Hood, which had begun in earlier works such as Walter Scott's 1819 novel Ivanhoe. In Pyle's wake, Robin Hood has become a staunch philanthropist protecting innocents against increasingly aggressive villains.[1] Along with the publication of the Child Ballads by Francis James Child, which included most of the surviving Robin Hood ballads, Pyle's novel helped increase the popularity of the Robin Hood legend in the United States. The Merry Adventures also had an effect on subsequent children's literature. It helped move the Robin Hood legend out of the realm of penny dreadfuls and into the realm of respected children's books.[2] After Pyle, Robin Hood became an increasingly popular subject for children's books: Louis Rhead's Bold Robin Hood and His Outlaw Band (1912) and Paul Creswick's Robin Hood (1917), illustrated by Pyle's pupil N. C.

    His highborn mother is the daughter of an aristocratic family, his father a poor Jew. Their marriage flouts tradition, makes them social pariahs in the London of the 1860s; and son Sherlock bears the burden of their rebellion. Friendless, bullied at school, he belongs nowhere and has only his wits to help him make his way.But what wits he has! His keen powers of observation are already apparent, though he is still a boy. He loves to amuse himself by constructing histories from the smallest detail for everyone he meets. Partly for fun, he focuses his attention on a sensational murder to see if he can solve it. But his game turns deadly serious when he finds himself the accused, and in London, they hang boys of thirteen.

     When fourteen-year-old Jordan and her younger brothers learn they'll have to ride a rickety plane home for the holidays, they're a little scared. But when it crashes on a wild and deserted peninsula in New Zealand, they are completely terrified. And injured. Worst of all, they're completely alone. Or are they? Whose voice is Jordan hearing telling her what to do next? Two hundred years ago, a hunter, Jordan's age, slave to Maori warriors hunting for the Moa bird, is in a dangerous spot, as well. He has the gift of sight, but what is the strange silvery bird that he sees crashing into the sea? And who is the girl with golden hair who is in trouble? He needs to escape the warriors, but he is driven to help the girl. If she will only listen. . . . In this suspenseful, captivating book, renowned author Joy Cowley brings two very different worlds together, giving us a rare glimpse at the remarkable human spirit that connects us all.

    Visually impaired and abandoned by her parents, she was raised by her tenacious, bootlegging aunt in rural Tanner, Nova Scotia. After Cammie and her best friend, Evelyn Merry, destroy the local moonshine still, Cammie convinces her aunt to send her to the Halifax School for the Blind.Cammie Takes Flight finds Cammie navigating life at her new school, armed with an envelope with her estranged mother’s address on it. Unsure if she can trust her new friend, Nessa, Cammie enlists her help in tracking to help track her mother down. Will Cammie finally learn why she was abandoned and be able to start her new life? Or will she find too many secrets to count, and realize that she might never put the past behind her?A heartfelt coming-of-age story, Cammie Takes Flight explores the values of perseverance, unlikely friendships, and what it means to be a family.

    Olivia, Nick, their two little girls, and Charlie still live in the old boarding house. It has been nine years since Mourning left Olivia. Nine years since the last time she saw him – though he has always arranged to have Charlie with him for a few weeks each year.But today Olivia is anxiously awaiting Mourning’s arrival. Yesterday he sent a message with Michelle – he needs to talk with Olivia. Why now? What will he say? Does he intend to take Charlie for good?On this already emotionally-charged day, a cryptic telegram from Missouri arrives. It will take Olivia, Mourning, and Nick on a different kind of journey together.Historical Fiction, Women's Fiction, Literary Fiction

    Determined to do exactly what she sets her mind to, she explores the mountains and valleys around her home with an unquenchable thirst for knowledge and a keen eye that misses nothing. When her mother dies, Emmaline, Emmy for short, is thrust into the mystical, spiritual world of her mother’s native peoples, the Tsalagi, better known as the Cherokee. Given the power of observation and shape shifting by her immortal g-great-grandfather Two Feathers, who is the keeper of the Sacred Fire’s Ashes, Emmy is told that she must carry on her mother’s duties and is charged with the task of becoming the family “Ka no he ha Ka no Ge sdi,” the Storyteller. She is supposed to remember and pass down her family’s history and tell about their ancestors. As Emmy grows older and matures, her explorations become more advanced. She discovers a hidden path that takes her beyond an ancient willow tree to a layer of the world that at first seems much like her own, but she soon discovers that it is quite different… When she stays longer than allowed a mortal, she discovers that her grandfather can travel between space and time and communicate with all peoples between the layers of her world. Emmy’s Journey is a voyage through time and into the mysterious spiritual and mystical realms of the Cherokees and a world that most never knows exists.