In a converted barn, an indomitable teacher creates ballerinas as she has for more than half a century. In a monastic mirrored room, dancers from as near as New Jersey and as far as Mongolia learn works as old as the nineteenth century and as new as this morning. “Where Snowflakes Dance and Swear” zooms in on an intimate view of one full season in the life of one of America’s top ballet companies and schools: Seattle’s Pacific Northwest Ballet. But it also tracks the Land of Ballet to venues as celebrated as New York and Monte Carlo and as seemingly ordinary as Bellingham, Washington and small-town Pennsylvania. Never before has a book taken readers backstage for such a wide-ranging view of the ballet world from the wildly diverse perspectives of dancers, choreographers, stagers, teachers, conductors, musicians, rehearsal pianists, lighting directors, costumers, stage managers, scenic artists, marketers, fundraisers, students, and even pointe shoe fitters—often in their own remarkably candid words. The book follows characters as colorful as they are talented. Versatile dancers from around the globe team up with novice choreographers and those as renowned as Susan Stroman, Christopher Wheeldon, and Twyla Tharp to create art on deadline. At the book’s center is Peter Boal, a former New York City Ballet star in his third year as PNB’s artistic director, as he manages conflicting constituencies with charm, tact, rationality and diplomacy. Readers look over Boal’s shoulder as he makes tough decisions about programming, casting, scheduling and budgeting that eventually lead the calm, low-key leader to declare that in his job, “You have to be willing to be hated.” “Where Snowflakes Dance and Swear” shows how ballet is made, funded, and sold. It escorts you front and center to the kick zone of studio rehearsals. It takes you to the costume shop where elegant tutus and gowns are created from scratch. It brings you backstage to see sets and lighting come alive while stagehands get lovingly snarky and obscene on their headsets. It sits you down in meetings where budgets get slashed and dreams get funded—and axed. It shows you the inner workings of Nutcracker, from kids’ charming auditions to no-nonsense marketing meetings, from snow bags in the flies to dancing snowflakes who curse salty flurries that land on their tongues. It follows the tempestuous assembly of a version of Romeo and Juliet that runs afoul of so much pressure, disease, injury, and blood that the dancers begin to call it cursed. “Where Snowflakes Dance and Swear” uncovers the astounding way ballets, with no common form of written preservation, are handed down from generation to generation through the prodigious memories of brilliant athletes who also happen to be artists. It goes on tour with the company to Vail, Colorado, where dancers contend with altitude that makes their muscles cramp and their lungs ache. It visits cattle-call auditions and rigorous classes, tells the stories of dancers whose parents sacrificed for them and dancers whose parents refused to. It meets the resolute woman who created a dance school more than fifty years ago in a Carlisle, Pennsylvania barn and grew it into one of America’s most reliable ballerina factories. It shows ballet’s appeal to kids from low-income neighborhoods and board members who live in mansions. Shattering longstanding die-for-your-art clichés, this book uncovers the real drama in the daily lives of fiercely dedicated union members in slippers and pointe shoes—and the musicians, stagehands, costumers, donors and administrators who support them. “Where Snowflakes Dance and Swear: Inside the Land of Ballet” brings readers the exciting truth of how ballet actually happens.

    He survives this perilous wheel of fortune, and thrives in the face of danger! I would like to add to why my book is important, is that we are true authentic Alaskans that live life off of the grid and that we have been entrepreneurs, making our living off of the land and sea. We are wilderness and off the grid consultants if that is important. On our website we have a variety of things we consult on from sport fishing, hunting, adventures, lodges/outfitters, developing or improving remote properties, and much more.

    Journalist Bronte McKnight is summoned to a hillside village in the wild and beautiful Mani region of Greece by her expat father Angus. She must help him solve a family mystery from the Second World War when his father disappeared in Greece during the disastrous Battle of Kalamata, known as ‘the Greek Dunkirk’. With the country gripped by economic crisis, and the clock ticking against them, their near-impossible quest takes them from Kalamata to a remote mountain village where its inhabitants are bound by old traditions and secrecy. As tensions rise, the pair are helped in their search by a cast of unforgettable characters, especially charismatic doctor Leonidas Papachristou. He has a pivotal role, not least in challenging Bronte’s assumption that she hasn’t the time or the courage to fall in love in Greece. The secrets unearthed by Angus and Bronte will be painful and astonishing and the heart-warming conclusion is one you'll never forget. “Marjory McGinn is a very gifted author.” (Peter Kerr, best-selling writer, Mallorcan Series) Why readers love A SAINT FOR THE SUMMER "An excellent book. I was hooked from the first page." "When I read this author's books, I walk the journeys and with this book, I am Bronte." "I loved the characters and found it all so moving." "A brilliant read … there is closure, reconciliation and the hope of new life." "Marjory is a wonderful author, very funny and entertaining."

    Not wanting to surrender the package to the Post Office Kate opens it with the good intention of finding its owner. Through her search she elicits the help of a young British visitor and together they embark on a search for a missing heir and a family fortune. Kate’s personal loss of her fiancé Evan and feelings of guilt for having survived prevents her from forming any attachment to the young man helping her. Through the letters in the package Kate and her co-conspirator discover the life of a Boer War Lieutenant and a WWII Captain. Together the lives of these two men lead Kate to their descendant, heir and fortune.

    With a shoestring budget, a backpack and an open mind, Millar followed the railroad, watching the vast American landscape and listening to the stories and concerns of the people.

    Ancient, complex and fast moving, it defies easy understanding.Ever since he was a boy, Alexandre Trudeau has been fascinated by this great county. Recounting his experiences in the China of recent years, Trudeau visits artists and migrant workers, townspeople and rural farmers. Often accompanied by a young Chinese journalist, Vivien, he explores realities caught in time between the China of our memories and the thrust of progress. The China he seeks out lurks in hints and shadows. It flickers dimly amidst all the glare and noise. The people he encounters along the way give up but small secrets yet each revelation comes as a surprise that jolts us from our preconceived ideas and forces us to challenge our most secure notions.Barbarian Lost, Trudeau’s first book, is an insightful and witty account of the dynamic changes going on right now in China, as well as a look back into the deeper history of this highly codified society. On the ground with the women and men who make China tick, Trudeau shines new light on the country as only a traveller with his storytelling abilities could.

    Despite the stars (literally and figuratively) in Charlene’s eyes, her mother has different ideas about her daughter’s future…leading to the inevitable clash of wills as the first Thanksgiving of World War II unfolds.Meanwhile, Charlene’s two older brothers, Jonathan and Joseph, have traveled home to Pittsburgh all the way from Arizona for a brief holiday furlough from their Army Air Forces training... and for what all family members realize will be the boys’ last Thanksgiving at home for a long while. For Jonathan, this Thanksgiving furlough presents a monumental predicament: what he should do when he encounters Francine Donner, his would-be fiancé. Jonathan had just started proposing to her the previous Christmas Eve when Francine blurted out a shameful secret that halted the proposal…but what will happen eleven months later when Jonathan and Francine come together again?Irene Coleman is determined to make this Thanksgiving as joyous as possible for everyone who will gather around her table and share the festivities, despite the wartime circumstances and how difficult a year 1942 has been at war and also the home front…and even as the days leading up to the holiday itself unfold very differently than she had envisioned.Come join Jonathan, Joseph, Charlene, Irene and Gerald, and the other members of the Coleman family during the days leading up to the first Thanksgiving of World War II in this sequel to The First Christmas of the War.

     A secret cargo is headed for Japan. The Japanese High Command has entrusted it to a veteran destroyer captain - the best in the Imperial Navy - and he will stop at nothing to see that it reaches its final destination... Carrier-based dive bombers could not stop it, nor could the guerilla-commandos of the Philippine Islands. Now, the submarine Wolffish is the last ditch hope of the Allied Command. Still shaken by a recent tragedy, and desperately low on fuel, torpedoes, and morale, the war-weary submarine and her eighty-man crew must pull together to track down and destroy the cargo before it reaches Japan, and changes the course of the war...

    But behind this archetypal small-town landscape lies a complicated past.Starting with the town's founding as a religious promised land, music journalist and poet Daniel Wolff plots a course through 130 years of entwined social and musical history, touching on John Philip Sousa, Count Basie, Frank Sinatra, and Frankie Lymon on the way to the town Bruce was born to run from. Out of the details of local history-the boardwalk in the Gilded Age; the celebrities who passed through, from Stephen Crane to Martin Luther King; sensational murder trials; the birth of Mob control; and a devastating mid-century "race riot"-emerges a universal story of one small town's fortunes. Told with grace and full of fascinating detail, Daniel Wolff's tour across thirteen decades of the Fourth of July in Asbury Park captures all the allure and heartbreak of the American dream reduced to blight and decay, with gentrification as the one hope for a return to its glory days.

    Richard Coles, led a pilgrimage to all the major historic sites of the Holy Land: from Nazareth and the Sea of Galilee in the North, via Jericho and the Jordan River, to Bethlehem and, finally, Jerusalem. All of the pilgrims in his care were practising Christians, except one: the writer Kevin Jackson, a diffident and sympathetic atheist intrigued by the chance to take part in this modern-day version of an ancient act of piety, and to learn some more about his old friend, the media clergyman.Coles to Jerusalem is Kevin Jackson’s light-hearted diary of that pilgrimage, and a close-up portrait of Richard Coles both as priest and as man. As the journey proceeds, Coles reminisces at length about his past life as a rock star and radical gay agitator, his new life as a spiritual leader and a popular broadcaster on BBC radio and television, and the strange, unpredictable path that led him from self-destructive debauchery to faith and vocation.With a lively supporting cast of fellow pilgrims, Coles to Jerusalem ranges among the magnificence of ancient monuments and the banalities of the guided tour, the grim political background of contemporary Israel and the comedy of a group of idiosyncratic English folk abroad, the intensity of worship and the lightness of banter. It will be irresistible to all admirers of Richard Coles, who has contributed a foreword; and a revelation to those who have never encountered his wisdom and warmth.

    B-36 crews trained for the one flight when they would be ordered to drop combat nuclear bombs on the USSR. Flights of fifteen hours over continental United States to grueling thirty-hour nonstop flights overseas were routine, all without the benefit of in-flight refueling—not yet invented. The experiences of this crew, as they flew their assigned missions, are part of the history of our nation’s defense. They were part of our Cold War Shield.

    She would marry a fellow antiwar activist and end up immigrating to Canada. He would fight in Vietnam and come home to build an American dream kind of life—a great career, a trophy wife, and a life of wealth and privilege. Forty years later, they have reconnected and discovered a shared passion: solo canoeing in Ontario’s raw Quetico wilderness. They decide to meet again to get caught up on old times, but not in a restaurant or coffee shop—they agree to meet on an island deep in the Quetico wilds. Though they try to control their expectations for the rendezvous, they both approach the island with a growing realization of the emotional void in their lives and wonder how different everything might have been if they had spent their lives together. They must overcome challenges just to reach the island, then encounter the greatest challenges of all—each other, and a weather event for the ages. Alone on the Shield is a story about the Vietnam war and the things that connect us. It is the story of aging Baby Boomers, of the rare kinds of people who paddle alone into the wilderness, and of the kind of adventure that comes only to the bold and the brave.

    Marine 1st Force Reconnaissance Company during the bloodiest years of the Vietnam War. Dropped deep into enemy territory, Recon relied on stealth and surprise to complete their mission--providing intelligence on enemy positions and conducting raids, prisoner snatches, and ambushes. Fleming's absorbing memoir recounts his transformation from idealistic recruit to cynical veteran as the war claimed the lives of his friends and the missions became ever more dangerous.

    It is, of course, about dancing. About loving to dance as a small child in Shanghai. About ballet classes and ballet teachers, about practice and rehearsal. About making her debut--as a Snowflake, at fifteen--with the emerging Sadler's Wells Company, under the demanding rule of the brilliant and volatile Ninette de Valois. About her almost magical early success (at seventeen dancing Giselle; at eighteen, Swan Lake; at nineteen, Sleeping Beauty) and the effects on a young girl of sudden stardom. About the hard work of overcoming her limitations ("a face like a pudding," she says) and her weaknesses....And it is about the great triumphs in London, New York, Paris. About the great choreographers and dancers who worked with her and helped her: Frederick Ashton (he choreographed by flinging himself into swoops and twists that seemed to flow spontaneously from the music, suddenly saying, "What did I do? Now you do it"); the magnetic and sophisticated Robert Helpmann, of whom she was more than a little frightened "until the harmony of dancing with him began taking hold"; the handsome Michael Somes ("platoons of corps de ballet girls lost their hearts to him"). About Nureyev, who, when Fonteyn was already in her forties, galvanized her energies and talents and swept her into a new career. About her feeling for her great Russian counterpart, Ulanova. About getting older and never ceasing to dance; now, at fifty-seven, still dancing around the world.But even more, this is a book about the woman herself, who sees dancing as only a part of her life and perhaps not the most vital part--the Fonteyn who could not find love until in her thirties she suddenly met again (a visiting card brought to her dressing room; one hundred red roses) the man she had been in love with in her teens, the Panamanian diplomat Roberto Arias. And here is the infinitely moving story of their marriage, her shy assumption of her new role as ambassadress at the Court of St. James--and then, the near-fatal shooting in Panama that crippled her husband, and the drama and heroism of their life together since then.Throughout, with the freshest imaginable gift for anecdote, Margot Fonteyn takes us into her many worlds--the vicissitudes of backstage life on six continents, the tumult of Panamanian politics and revolution, the social pleasures (and embarrassments) of international fame.Above all, her autobiography is a revelation of a direct, warm-hearted person who believes that artists must take their art altogether seriously--and themselves not seriously at all; who finds her own fame difficult to grasp; who is worthy of what her audiences feel for her. Fonteyn is not only admired but loved. Her book--in its decency, its generosity, its sense of fun--makes clear why.

    She was the wealthiest woman in Europe. But only few knew the secret she was hiding. She was a normal little girl, daughter of the King of Portugal’s personal physician, and for many years she was convinced that she, just like all the people in her immediate surroundings, was a Catholic.Until one day, on her twelfth birthday, Doña Gracia was led down to the basement of their home by her mother where the family’s deepest secret was revealed to her—"We are Jews.”Doña Gracia did not remain indifferent to this shocking news and little by little, she began to investigate and become familiar with her Jewish roots.The Little Girl from Lisbon Is the wonderful story of Doña Gracia, one of the greatest women Europe has known, about her personal struggle in a world controlled by men, her escape from the persecution of the Inquisition, and all the nobility who coveted her wealth, while turning into a leader who was truly admired and followed by her people.