It was later included as part of his first published book, The Opener of the Way (1945), and his 1994 collection The Early Fears. As a Cthulhu Mythos tale it is notable for introducing the forbidden tome De Vermis Mysteriis (Mysteries of the Worm), and being a prequel to Lovecraft's own short story The Haunter of the Dark, which was dedicated to Bloch.-- Wikipedia

    Howard. You can find the free audio book here (part 1 an part 2)http://cthulhupodcast.blogspot.com/20...The reader does an excellent job of conveying the horror created by the author. It is a brooding tale of suggested horrors finally realized on Mid Summers night Historically placed a solid tale that falls in with the best of the Lovecraftian lore. "The Black Stone" was first published in the November 1931 issue of Weird Tales. It can also be found in Tales of the Cthulhu Mythos published in the late 60's.

    It was first published in 1954 in Star Science Fiction Stories No.3, an anthology of original stories edited by Frederik Pohl, and later reprinted in the 1969 collection Nightfall and Other Stories.Set in the year 2117, the story presents District A-3, a newly built suburb of San Francisco, and the world's first community to be built entirely using Doors, a method of travel via teleportation.

    Carcosa was subsequently borrowed by Robert W. Chambers as the setting of his fictional play, The King in Yellow, and features heavily in many of the stories in the book of the same name. These concepts were further expanded upon by H. P. Lovecraft in his Cthulhu Mythos stories.

    His work is credited with turning the Gothic's focus from the external sources of horror to the inward effects of terror, thus helping to create the psychological basis for supernaturalist literature that continues to this day. Inspired by the Dutch painter Godfried Schalcken, 'Schalken the Painter' is a timeless Gothic tale. Many of the earliest occult stories, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive.

    G. Wells.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    And when one had been in the vicinity small valuable objects disappeared. A robot's idea of order was to stack everything into one pile. Nonetheless, Bibleman had to order lunch from robots, since vending ranked too low on the wage scale to attract humans.

    The eyes of a dozen television cameras watched him and the subether bore throughout the universe a dozen pictures of what he was doing. He straightened and nodded to Dwar Reyn, then moved to a position beside the switch that would complete the contact when he threw it. The switch that would connect, all at once, all of the monster computing machines of all the populated planets in the universe -- ninety-six billion planets -- into the supercircuit that would connect them all into one supercalculator, one cybernetics machine that would combine all the knowledge of all the galaxies."

    This textbook, based on the author's own undergraduate teaching, develops general relativity and its associated mathematics from a minimum of prerequisites, leading to a physical understanding of the theory in some depth. It reinforces this understanding by making a detailed study of the theory's most important applications - neutron stars, black holes, gravitational waves, and cosmology - using the most up-to-date astronomical developments. The book is suitable for a one-year course for beginning graduate students or for undergraduates in physics who have studied special relativity, vector calculus, and electrostatics. Graduate students should be able to use the book selectively for half-year courses.

    It came from behind the five peaks. The beam drove up through a column of blue haze whose edges were marked as sharply as the rain that streams from the edges of a thunder cloud. It was like the flash of a searchlight through an azure mist. It cast no shadows.As it struck upward the summits were outlined hard and black and I saw that the whole mountain was shaped like a hand. As the light silhouetted it, the gigantic fingers stretched, the hand seemed to thrust itself forward. It was exactly as though it moved to push something back. The shining beam held steady for a moment; then broke into myriads of little luminous globes that swung to and fro and dropped gently. They seemed to be searching.

    I said I was innocent, then, for I had not eaten any chestnuts. She said the Serpent informed her that chestnut was a figurative term meaning an aged and mouldy joke. I turned pale at that, for I have made many jokes to pass the weary time, and some of them could have been of that sort, though I had honestly supposed that they were new when I made them. She asked me if I had made one just at the time of the catastrophe. I was obliged to admit that I had made one to my self, though not aloud. It was this.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

    

    Reprinted many times since, often under alternative title of "The White Wolf of the Hartz Mountains," the tale chronicles the misfortunes of Krantz, A Hungarian nobleman's steward, who flees from Transylvania with his three children after murdering his unfaithful wife and lover.

    It was first published in the May 17, 1952 issue of The New Yorker,[1] and was later featured in the collection Skin and Other Stories, published in 2000. It was adapted for television as part of Anglia Television's Tales of the Unexpected, broadcast on March 8, 1980.