The authors represented range from Hawthorne, Maupassant, and Poe, through Henry James, Conrad, Aldous Huxley, and James Joyce, to Hemingway, Katherine Anne Porter, Faulkner, E.B. White, Saroyan, and O'Connor. The variety in style and subject is enormous, but all these stories have one point in common—the enduring quality of the writing, which places them among the masterpieces of the world's fiction.Garden party / Katherine Mansfield --Three-day blow / Ernest Hemingway --Standard of living / Dorothy Parker --Saint / V.S. Pritchett --Other side of the hedge / E.M. Forster --Brooksmith / Henry James --Jockey / Carson McCullers --Courting of Dinah Shadd / Rudyard Kipling --Shot / Alexander Poushkin, translated by T. Keane --Graven Image / John O'Hara --Putois / Anatole France, translated by Frederic Chapman --Only the dead know Brooklyn / Thomas Wolfe --A.V. Laider / Max Beerbohm --Lottery / Shirley Jackson --Masque of the Red Death / Edgar Allan Poe --Looking back / Guy de Maupassant, translated by H.N.P. Sloman --Man higher up / O. Henry --Summer of the beautiful white horse / William Saroyan --Other two / Edith Wharton --Theft / Katherine Anne Porter --Good man is hard to find / Flannery O'Connor --Man of the house / Frank O'Connor --Man who shot snapping turtles / Edmund Wilson --Gioconda smile / Aldous Huxley --Curfew tolls / Stephen Vincent Benet --Father wakes up the village / Clarence Day --Ivy Day in the committee room / James Joyce --Chrysanthemums / John Steinbeck --Door / E.B. White --Upheaval / Anton Chekhov --How beautiful with shoes / Wilbur Daniel Steele --Haunted house / Virginia Woolf --Catbird seat / James Thurber --Schartz-Metterklume method / H.H. Munro --Death of a Bachelor / Arthur Schnitzler --Apostate / George Milburn --Phoenix / Sylvia Townsend Warner --That evening sun / William Faulkner --Law / Robert M. Coates --Tale / Joseph Conrad --Girl from Red Lion, PA / H.L. Mencken --Main currents of American thought / Irwin Shaw --Ghosts / Lord Dunsany --Minister's black veil / Nathaniel Hawthorne --String of beads / W. Somerset Maugham --Golden honeymoon / Ring Lardner --Man who could work miracles / H.G. Wells --Foreigner / Francis Steegmuller --Thrawn Janet / Robert Louis Stevenson --Chaser / John Collier

    What happens when a man lives his life backwards, or a family owns a diamond as big as the Ritz Hotel?How can a boring girl become more popular, a careless young woman become more sensible, or a cut-glass bowl destroy a married woman's life?What does a young man do to save the girl that he likes from an evil ghost, or to forget old feelings for a woman when she marries another man?Read this collection of short stories by one of America's finest storytellers to find out.

    Her characters are all unsteady on their feet in one way or another; they all yearn for connection and betterment, though each in very different ways, but they are often tripped up by their own baser impulses and existential insecurities. Homesick for Another World is a master class in the varieties of self-deception across the gamut of individuals representing the human condition. But part of the unique quality of her voice, the echt Moshfeghian experience, is the way the grotesque and the outrageous are infused with tenderness and compassion. Moshfegh is our Flannery O'Connor, and Homesick for Another World is her Everything That Rises Must Converge or A Good Man is Hard to Find. The flesh is weak; the timber is crooked; people are cruel to each other, and stupid, and hurtful. But beauty comes from strange sources, and the dark energy surging through these stories is powerfully invigorating. We're in the hands of an author with a big mind, a big heart, blazing chops, and a political acuity that is needle-sharp. The needle hits the vein before we even feel the prick.

    Here are nineteen stories that explore her signature themes: wounded adolescence, loneliness in marriage, and the tragicomedy of life in the South. Here too are "The Member of the Wedding" and "The Ballad of the Sad Cafe," novellas that Tennessee Williams judged to be "assuredly among the masterpieces of our language." (A Mariner Reissue)

    Soon after her untimely death in 1965, Jackson’s children discovered a treasure trove of previously unpublished and uncollected stories, many of which are brought together in this remarkable collection. Here are tales of torment, psychological aberration, and the macabre, as well as those that display her lighter touch with humorous scenes of domestic life. Reflecting the range and complexity of Jackson’s talent, Just an Ordinary Day reaffirms her enduring influence and celebrates her singular voice, rich with magic and resonance.  Praise for Just an Ordinary Day   “Jackson at her best: plumbing the extraordinary from the depths of mid-twentieth-century common. [Just an Ordinary Day] is a gift to a new generation.”—San Francisco Chronicle  Praise for Shirley Jackson   “[Jackson’s] work exerts an enduring spell.”—Joyce Carol Oates   “Shirley Jackson’s stories are among the most terrifying ever written.”—Donna Tartt   “An amazing writer . . . If you haven’t read [Jackson] you have missed out on something marvelous.”—Neil Gaiman   “Shirley Jackson is unparalleled as a leader in the field of beautifully written, quiet, cumulative shudders.”—Dorothy Parker   “An author who not only writes beautifully but who knows what there is, in this world, to be scared of.”—Francine Prose   “The world of Shirley Jackson is eerie and unforgettable.”—A. M. Homes   “Jackson enjoyed notoriety and commercial success within her lifetime, and yet it still hardly seems like enough for a writer so singular. When I meet readers and other writers of my generation, I find that mentioning her is like uttering a holy name.”—Victor LaValle

    One is the main course of dinner, another the porn star contracted to copulate in space for a reality TV show. They become futuristic ant farms, get knocked up by the star high school quarterback and have secret abortions, use parakeets to reverse amputations, make love to garden gnomes, go into air conditioning ducts to confront their mother’s ghost, and do so in settings that range from Hell to the local white-supremacist bowling alley.

    Brought together in this volume, these stories represent an unprecedented accomplishment in American literature. In their iconoclasm and needle-sharp irony, their formal and thematic ingenuity and element of surprise, they differ markedly from the fiction admired in Bierce's time. Readers familiar with the classic An Occurrence at Owl Creek Bridge will want to turn to Bierce's other Civil War stories. Also included here are his horror stories, among them The Death of Halpin Frayser and The Damned Thing, and such tall tales as Oil of Dog and A Cargo of Cat.

    Laced through with the humor, the empathy, and the rare and magical descriptive powers that have led Elizabeth McCracken’s fiction to be hailed as “exquisite” (The New York Times Book Review), “funny and heartbreaking” (The Boston Globe), and “a true marvel” (San Francisco Chronicle), these nine vibrant stories navigate the fragile space between love and loneliness. In “Property,” selected by Geraldine Brooks for The Best American Short Stories, a young scholar, grieving the sudden death of his wife, decides to refurbish the Maine rental house they were to share together by removing his landlord’s possessions. In “Peter Elroy: A Documentary by Ian Casey,” the household of a successful filmmaker is visited years later by his famous first subject, whose trust he betrayed. In “The Lost & Found Department of Greater Boston,” the manager of a grocery store becomes fixated on the famous case of a missing local woman, and on the fate of the teenage son she left behind. And in the unforgettable title story, a family makes a quixotic decision to flee to Paris for a summer, only to find their lives altered in an unimaginable way by their teenage daughter’s risky behavior.   In Elizabeth McCracken’s universe, heartache is always interwoven with strange, charmed moments of joy—an unexpected conversation with small children, the gift of a parrot with a bad French accent—that remind us of the wonder and mystery of being alive. Thunderstruck & Other Stories shows this inimitable writer working at the full height of her powers.

    Doerr explores the human condition in all its varieties-metamorphosis, grief, fractured relationships, and slowly mending hearts-and conjures nature in both its beautiful abundance and crushing power. Some of his characters contend with tremendous hardship; some discover unique gifts; all are united by their ultimate deference to the mysteries of the universe outside themselves.

    2011 Whiting Writers' Award WinnerThe debut collection of ten short stories from Ryan Call, including stories originally published in Keyhole, The Lifted Brow, Lo-Ball, The Collagist, The Los Angeles Review, Hobart and Web Conjunctions.

    Here are urban upheavals reimagined as frontier myth; travelogues through countries that might have been created by Kafka; cryptic dialogues that bore down to the bedrock of our longings, dreams, and angsts. Like all of Donald's work, the sixty stories collected in this volume are triumphs of language and perception, at once unsettling and irresistible.

    Lost, teetering on the edge of normalcy, Puchner's characters seek to define themselves in a frequently absurd and hostile world -- a world that threatens to make outcasts of us all. Caught up in loneliness or solitude, they can't quite hear the music of their own lives.In "Children of God," a young loner becomes the caretaker and companion for two mentally retarded men, seeking solace in their outsider status. "Essay #3: Leda and the Swan" is told in the forlorn, be-nighted, and tragically funny voice of a high school girl who longs more than anything to be loved. In "Mission," an idealistic ESL teacher is faced with the inscrutable wrath of one of his immigrant students. And in the unsettling "Child's Play," Puchner explores the price of nonconformity by following a pack of boys wreaking havoc on Halloween.Writing from an impressive range of perspectives -- men and women, children and adults, immigrants and tourists -- Puchner deftly exposes the dark, ten-der undersides of his characters with arresting beauty and precision. Here are people fumbling for identity in a depersonalized world, captured in moments that are hilarious, shocking, and transcendent -- sometimes all at once. Unfailingly true, surprisingly moving, and impossible to forget, these nine stories mark the arrival of a brilliant young writer and one of our most promising literary voices.

    At a deluxe medical spa on a nameless Caribbean island, a middle-aged woman hopes to revitalize her fading youth with grotesque rejuvenating therapies that combine cutting-edge medical technologies with holistic approaches and the pseudo-religious dogma of Zen-infused self-help. And in a rinky-dink mill town, an adolescent girl is unexpectedly inspired by the ravings and miraculous levitation of her fundamentalist friend’s weird grandmother. These are only a few of the scenarios readers encounter in Julia Elliott’s debut collection, The Wilds. In these genre-bending stories, teetering between the ridiculous and the sublime, Elliott’s language-driven fiction uses outlandish tropes to capture poignant moments in her humble characters’ lives. Without abandoning the tenets of classic storytelling, Elliott revels in lush lyricism, dark humor, and experimental play.

    Collected in a mini-book format, here--for the first time in print--are six of her quirky, wry, engaging best:In -The Fermi Paradox Is Our Business Model, - aliens reveal the terrible truth about how humans were created--and why we'll never discover aliens.-As Good as New- is a brilliant twist on the tale of three wishes, set after the end of the world. -Intestate- is about a family reunion in which some attendees aren't quite human anymore--but they're still family.-The Cartography of Sudden Death- demonstrates that when you try to solve a problem with time travel, you now have two problems.-Six Months, Three Days- is the story of the love affair between a man who can see the one true foreordained future, and a woman who can see all the possible futures. They're both right, and the story won the 2012 Hugo Award for Best Novelette.And -Clover, - exclusively written for this collection, is a coda to All the Birds in the Sky, answering the burning question of what happened to Patricia's cat.

    Written between the 1920s and 1950s, these sixty-five tales—eleven of which have been translated into English for the first time—display all the shades of Nabokov's imagination. They range from sprightly fables to bittersweet tales of loss, from claustrophobic exercises in horror to a connoisseur's samplings of the table of human folly. Read as a whole, The Stories of Vladimir Nabokov offers an intoxicating draft of the master's genius, his devious wit, and his ability to turn language into an instrument of ecstasy.The Wood-SpriteRussian Spoken HereSoundsWingstrokeGodsA Matter of ChanceThe SeaportRevengeBeneficenceDetails of A SunsetThe ThunderstormLa VenezianaBachmannThe DragonChristmasA Letter That Never Reached RussiaThe FightThe Return of ChorbA Guide to BerlinA Nursery TaleTerrorRazorThe PassengerThe DoorbellAn Affair of HonorThe Christmas StoryThe Potato ElfThe AurelianA Dashing FellowA Bad DayThe Visit to the MuseumA Busy ManTerra IncognitaThe ReunionLips to LipsOracheMusicPerfectionThe Admiralty SpireThe LeonardoIn Memory of L.I. ShigaevThe CircleA Russian BeautyBreaking the NewsTorpid SmokeRecruitingA Slice of LifeSpring in FialtaCloud, Castle, LakeTyrants DestroyedLikMademoiselle OVasiliy ShishkovUltima ThuleSolus RexThe Assistant ProducerThat in Aleppo OnceA Forgotten PoetTime and EbbConversation Piece, 1945Signs and SymbolsFirst LoveScenes From the Life of A Double MonsterThe Vane SistersLance