Now renowned historian Derek Wilson examines a set of relationships that more vividly illustrate just how dangerous life was in the court of the Tudor lion. He tells the interlocking stories of six men—all curiously enough named Thomas—whose ambitions and principles brought them face to face with violent death, as recorded in a simple mnemonic: ‘Died, beheaded, beheaded, Self-slaughtered, burned, survived.’In the Lion’s Court is an illuminating examination of the careers of the six Thomases--- Thomas Wolsey, Thomas More, Thomas Cromwell, Thomas Howard, Duke of Norfolk, Thomas Cranmer, Archbishop of Canterbury and Thomas Wriothesley, Earl of Southampton---whose lives are described in parallel. Wilson traces their family and social origins, their pathways to the royal Council chamber, their occupancy of the Siege Perilous, and the tragedies that, one by one, overwhelmed them. By showing how events shaped and were shaped by relationships and personal destinies, Derek Wilson offers a fresh approach to the political narrative of a tumultuous reign.

    How is an achievement of this magnitude to be explained? Stephen Greenblatt brings us down to earth to see, hear, and feel how an acutely sensitive and talented boy, surrounded by the rich tapestry of Elizabethan life, could have become the world’s greatest playwright.

    Throughout the war, Atkins recruited, trained, and mentored the agents for the SOE's French Section, which sent more than four hundred young men and women into occupied France, at least one hundred of whom never returned and were reported MPD (missing presumed dead) after the war. Twelve of these were women and among Atkins' most cherished spies. When the war ended in 1945, she made it her personal mission to find out what happened to them and the other agents lost behind enemy lines, tracing rigorously their horrific final journeys. But as the woman who carried out this astonishing search appeared quintessentially English, Atkins was nothing of the sort. As we follow her through the devastation of postwar Germany, we learn Atkins herself covered her life in mystery so that even her closest family knew almost nothing of her past.In A Life in Secrets Sarah Helm has stripped away Vera Atkins' many veils. Drawing on recently released sixty-year-old government files and her unprecedented access to the private papers of the Atkins family, Helm vividly reconstructs a complex and extraordinary life.

    Despite the death of Richard III and Henry VII's victory, it continued underground into the following century with plots, pretenders and subterfuge by the ousted white rose faction. Here, Desmond Seward reviews the story of the Tudors' seizure of the throne.

    A wealthy Boston widow, Ann Hibbens was hanged in 1656 for casting spells on her neighbors. The case of Ann Cole, who was "taken with very strange Fits," fueled an outbreak of witchcraft accusations in Hartford a generation before the notorious events at Salem.More than three hundred years later, the question "Why?" still haunts us. Why were these and other women likely witches—vulnerable to accusations of witchcraft and possession? Carol F. Karlsen reveals the social construction of witchcraft in seventeenth-century New England and illuminates the larger contours of gender relations in that society.

    To become a governess, observed Jane Austen in Emma, was to retire from all the pleasures of life, of rational intercourse, equal society, peace and hope, to penance and mortification for ever. However, in an ironic paradox, the governess, so marginal to her society, was central to its fiction partly because governessing was the fate of some exceptionally talented women who later wrote novels based on their experiences. But personal experience was only one source, and writers like Wilkie Collins, William Makepeace Thackeray, Henry James, and Jane Austen all recognized that the governess's solitary figure, adrift in the world, offered more novelistic scope than did the constrained and respectable wife. Ruth Brandon weaves literary and social history with details from the lives of actual governesses, drawn from their letters and journals, to craft a rare portrait of real women whose lives were in stark contrast to the romantic tales of their fictional counterparts. Governess will resonate with the many fans of Jane Austen and the Bronte's whose novels continue to inspire films and books, as well as fans of The Nanny Diaries and other books that explore the longstanding tension between mothers and the women they hire to raise their children.

    In this brilliant history of the phenomenon, Richardson shares debutantes’ own words—from diaries, letters, and interviews—throughout her vivid telling, beginning in Henry VIII’s era, sweeping through Queen Elizabeth I’s court, crossing back and forth the Atlantic to colonial Philadelphia, African American communities, Jane Austen’s England, and Mrs. Astor’s parties, ultimately arriving at the contemporary New York Infirmary and International balls.Whether maligned for its archaic attitude and objectification of women or praised for raising money for charities and providing a necessary coming-of-age ritual, the debutante tradition has more to tell us in this entertaining and illuminating book.

    In this sumptuous group portrait of the six daughters of "Mad" King George III, acclaimed biographer Flora Fraser takes us into the heart of the British royal family during the tumultuous period of the American and French revolutions.Drawing on their extraordinary private correspondence, Fraser gives voice to these handsome, accomplished, extremely well-educated women: Princess Royal, the eldest, constantly at odds with her mother; home-loving, family-minded Augusta; plump Elizabeth, a gifted amateur artist; Mary, the bland beauty of the family; Sophia, emotional and prone to take refuge in illness; and Amelia, "the most turbulent and tempestuous of all the Princesses." Never before has the historical searchlight been turned with such sympathy and acuity on George III and his family.

    From its dawn in the 1660s to its twilight in the 1960s, Cliveden was an emblem of elite misbehaviour and intrigue. Conceived by the Duke of Buckingham as a retreat for his scandalous affair with Anna-Maria, Countess of Shrewsbury, the house later served as the backdrop for the Profumo Affair, which would bring down a government and change the course of British history.In the three hundred years between the Countess and Christine Keeler, the house was occupied by a dynasty of remarkable women: Elizabeth Villiers, an intellectual who brokered the rise and fall of governments; Augusta of Saxe-Gotha, a minor German royal who almost became queen of England; Harriet Duchess of Sutherland, the glittering society hostess turned political campaigner; and Nancy Astor, the consummate controversialist who became the first woman to take a seat in parliament. Under the direction of these women, Cliveden provided a stage for political plots and artistic premieres, hosted grieving monarchs and republican radicals, was idealised as a family home, and maligned as a threat to national security.The Mistresses of Cliveden is by turns a historical epic, a political thriller, a family drama, and an intimate history of the relationships between people and place. Above all, it is a story about sex and power, and the ways in which exceptional women have evaded, exploited, and confronted the expectations of their times.

    It is not a political, still less a personal, biography of the queen; instead it reappraises her role in government and in the nation, and explores the ways in which she exercised her power. Adept at avoiding the pitfalls of sentiment and anachronism alike, Christopher Haigh examines Elizabeth in terms of her power rather than her policies, exploring her relations with the statesmen of her time and with the key institutions of 16th century political life: the Church, the nobility, the Privy CounciL the Royal Court, Parliament, military and naval commanders, and the people of England.

    Based on diaries, letters, memoirs, official reports, the works of modern social historians and the literature of every period, The English traces the development of English society over nine hundred years.The chapters range far and wide over life in castles, palaces and monasteries, in the homes of rich merchants and in the hovels of peasants, describing the work and play of the inhabitants, their clothes and food and possessions, their servants and animals, their pleasures and suffering, their beliefs and attitudes, their schools, fairs, shops and markets, hospitals and prisons, theatres and churches, farms and factories, taverns and brothels. Every aspect of medieval and modern life is covered in detail. We learn about medieval meals and games, poachers and priests, tournaments and pageants; fifteenth-century universities; sixteenth-century plagues and seventeenth-century libraries, music rooms, nurseries, and witch-hunts; eighteenth-century parsons, coachmen and doctors; nineteenth-century noblemen, factory girls and cricketers; twentieth-century maidservants, landladies and motorists.

    For twenty-five years she had struggled to assert her authority over advisers, who pressed her to marry and settle the succession; now, she was determined not only to reign but to rule. In this magisterial biography, John Guy introduces us to a woman who is refreshingly unfamiliar: at once powerful and vulnerable, willful and afraid. We see her confronting challenges at home and abroad: war against France and Spain, revolt in Ireland, an economic crisis that triggers riots in the streets of London, and a conspiracy to place her cousin Mary Queen of Scots on her throne. For a while she is smitten by a much younger man, but can she allow herself to act on that passion and still keep her throne?  For the better part of a decade John Guy mined long-overlooked archives, scouring handwritten letters and court documents to sweep away myths and rumors. This prodigious historical detective work has enabled  him to reveal, for the first time, the woman behind the polished veneer: determined, prone to fits of jealous rage, wracked by insecurity, often too anxious to sleep alone. At last we hear her in her own voice expressing her own distinctive and surprisingly resonant concerns. Guy writes like a dream, and this combination of groundbreaking research and propulsive narrative puts him in a class of his own.

    In the various studies of the six wives of Henry VIII she receives much less attention than Katherine of Aragon or Anne Boleyn. Her main achievement, in the famous rhyme about Henry's six wives, is that she 'survived'. Yet the real Katherine Parr was attractive, passionate (she had a mighty temper when aroused) ambitious and highly intelligent. She was thirty years old (younger than Anne Boleyn had been) when she married the king. Twice widowed, held hostage by the northern rebels during the great uprising of 1536-37 known as the Pilgrimage of Grace, her life had been dramatic even before she became queen. It would remain so after Henry's death, when she hastily and secretly married her old flame, the rakish Sir Thomas Seymour. Katherine died shortly after giving birth to her only child in September 1548, her brief happiness undermined by the very public flirtation of her husband and step-daughter, Princess Elizabeth. Despite the vivid interest of her life, this is the first full-scale, accessible biography of this fascinating woman who was, in reality, one of the most influential and active queen consorts in English history.

    N. Wilson relates the exhilarating story of the Elizabethan Age. It was a time of exceptional creativity, wealth creation and political expansion.It was also a period of English history more remarkable than any other for the technicolour personalities of its leading participants.Apart from the complex character of the Virgin Queen herself, we follow the story of Francis Drake and political intriguers like William Cecil and Francis Walsingham, so important to a monarch who often made a key strategy out of her indecisiveness. Favourites like Leicester and Essex skated very close to the edge as far as Elizabeth's affections were concerned, and Essex made a big mistake when he led a rebellion against the crown.There was a Renaissance during this period in the world of words, which included the all-round hero and literary genius, Sir Philip Sidney, playwright-spy Christopher Marlowe and that 'myriad-minded man', William Shakespeare.Life in Elizabethan England could be very harsh. Plague swept the land. And the poor received little assistance from the State. Thumbscrews and the rack could be the grim prelude to the executioner's block. But crucially, this was the age when modern Britain was born, and established independence from mainland Europe. After Sir Walter Raleigh established the colony of Virginia, English was destined to become the language of the great globe itself, and the the foundations were laid not only of later British imperial power but also of American domination of the world. With The Elizabethans, Wilson reveals himself again as the master of the definitive, single-volume study.

    Using the words of the women themselves, 'Bluestockings' charts the fight for and expansion of higher education for women from 1869 through to the 1930s.