Her oldest daughter, Kess, is a university professor in Minneapolis, but she has come home at the request of her sister, Jo who is concerned for Evelyn's mental health. Kess, a professed lesbian, wants to cut her family ties once and for all; Jo, an incurable romantic and longtime virgin, has now become pregnant; while Sherry, salty-tongued and amoral, wants only to finish high school so she can leave home for good. In the end, there is no accommodation possible but, instead, only a kind of arbitrary independence for each of the protagonists, as they come to realize that each must find her own heaven or hell in her own way.

    Playfully nicknamed "The Big Fellow," Collins began to take a key role in the uprisings, eventually becoming a revered revolutionary leader.Acclaimed writer Frank O'Connor, a man who himself fought in the Irish Civil War, traces Collin's life from the day he returned to Dublin to the day a young Irish soldier shot him dead on a country road.The Big Fellow achieves a narrative both probing and poetic as it chronicles the life of a man so charismatic that he made people "aware of his presence even when he was not visible, through that uncomfortable magnetism of the very air, a tingling of the nerves."

    In the characters and their circumstances details of Joyce's life are evident. The main character, Richard Rowan, the moody, tormented writer who is at odds with both his wife and the parochial Irish society around him, is clearly a portrait of Joyce himself. The character of Rowan's wife, Bertha, is certainly influenced by Joyce's lover and later wife, Nora Barnacle, with whom he left Ireland and lived a seminomadic existence in Zurich, Rome, Trieste, and Paris. As in real life, the play depicts the couple with a young son and, like Joyce, Rowan has returned to Ireland because of his mother's illness and subsequent death.One can also detect hints of Joyce's interest in Nietzsche in Rowan's flawed pursuit of total individual freedom despite the stifling morals of Irish society. Though wrestling with guilt over his own infidelities, Rowan insists on this personal liberty, not only for himself but for his wife as well, who he knows is tempted by his cousin's amorous overtures.Joyce's decision to express himself in the form of a play no doubt reflects his long admiration of the Norwegian playwright Henrik Ibsen. In the tense dialogue, the largely interior drama focused on the characters' relationships, the undertones of guilt, and the longing for freedom one sees similarities with Ibsen's themes. Also the spare, understated writing style - so unlike Joyce's exuberant, playful, and experimental use of language in his novels - shows the influence of Ibsen's "naked drama" (as Joyce described Ibsen's style in a published review). Above all, Joyce emulated the Scandinavian master in making the central issue of his drama the conflict between individual freedom and a demanding, judgmental society. In Exiles the protagonists struggle with the choice between living in defiance of the rigid conventions of Irish society or exile from their homeland.Though lesser-known, Exiles, written after Portrait of the Artist as a Young Man and while Joyce was working on Ulysses, provides interesting insights into the development of the creative gifts of a literary genius.

    A chance encounter with Sarah seems like destiny’s compensation for all his hard work. He also meets buddies for a lifetime. Their life-stories of love, regret, friendship and shattered dreams take him through Kashmir and Turkey; from brothels to hospitals; and from dingy quarters to the hallowed halls of UPSC.When life finally seems to be coming back on track, he stumbles upon a truth that is bound to change him and the rest of his life.Will Alok crack the exam, or will he be just one of the many soon-forgotten aspirants? Will a strange revelation make him see his life as A Pleasant Escape?

    Comes complete with a color photo section of scenes from the movie and a bio of the renowned film score composer John Barry.

    First published in 1970, the book seeks to explain the causes for the 13 May 1969 riots in Kuala Lumpur.Dr Mahathir sets out his view as to why the Malays are economically backward and why they feel they must insist upon immigrants becoming real Malaysians speaking in due course nothing but Malay, as do immigrants to America or Australia speak nothing but the language of what the author calls “the definitive people”. He argues that the Malays are the rightful owners of Malaya. He also argues that immigrants are guests until properly absorbed, and that they are not properly absorbed until they have abandoned the language and culture of their past.

    Sketches a rough and ready picture of the more prominent peaks that rise out of Ireland's past-the high spots in the story of the Irish race. Written especially for the American reader (whom the author found to be as unknowing about Ireland's past as about the past of Borneo)... --alibris ... 'Indispensable for anyone who wants to understand the Irish people--their political struggle, their magnificent literature, and their whole great contribution to Western Civilization, a contribution amazing in its richness and variety." --from jacket flap.

    This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ]+++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Sacrifice: And Other Plays Rabindranath Tagore The Macmillan company, 1917 Drama

    Matty has had to care for her three younger sisters ever since their mother’s death ten years ago. She and the girls’ beloved father have worked hard to keep the family together and now it’s time to celebrate as Matty turns eighteen. But their joy is short-lived when tragedy suddenly strikes and their father disappears on his way to London. The sisters have no way of knowing what has happened to him – only that he hasn’t returned home. With little money left they’re now forced to battle life’s misfortunes alone…

    She's the principal of Harper High in Atlanta, Georgia. Having a great job, making good money, and being highly educated still doesn't replace what she longs for. She’s been wishing for one thing all of her life, true love. In her quest for a soul mate, she found Blunt. His swag personifies the streets, something she's totally against. She finds herself mesmerized by his love, and her heart overtakes her mind. Little does she know, there's another side to him.Molaysia is suddenly faced with some mind blowing information concerning Blunt. She has to decide whether she's sticking around or moving on. She soon discovers that being So Gone over a man can almost cause you to lose your mind. Will Molaysia turn and walk away or stand by her man? Find out in this drama-filled tale of love, lies, and deceit.

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    Kilkenny were beaten in that final by Tipperary but Tyrrell’s inner-most thoughts from his diary, both in the lead-up to, and after the game, provide the narrative to a compelling life story. His unique insights paint the picture of a relentless individual and a relentless team – the most successful side in the history of Irish male sport. The intrigue and aura around Kilkenny coach Brian Cody and his players was always heightened because very little ever emerged from the camp, or the dressing room. Now, for the first time, Tyrrell opens a unique window into the elite mindset and attitude which forged such unprecedented success. Tyrrell’s own journey is chronicled with brutal and unwavering honesty. The hurling legend’s constant drive to be a winner with his beloved county have pushed him towards breaking point many times. Tyrrell operates somewhere between obsessed and maniacal. On the pitch, he displayed the ruthless mentality of an assassin but behind it all, he had to conquer crippling self-doubt and fear. It took until his fourth successive All-Ireland final for Tyrrell to believe he had finally arrived as a senior inter-county hurler, going on to become one of the most feared and respected defenders in the game.

    They sailed far out to sea. The blue one returned to the harbor. The red one sailed home too. But the yellow boat sailed up to the sun." Benjamin always concluded his bedtime ritual by saying, "Mom, you can be the red boat or the blue boat, but I am the yellow boat." This remarkable voyage of Benjamin was extensively developed and widely produced in America for several years, always to ovations. Cast of 4 men and 3 women.THE YELLOW BOAT is based on the true story of David and Sonja Saar's son, Benjamin, who was born with congenital hemophilia, and died in 1987 at the age of 8 of AIDS related complications. A uniquely gifted visual artist, Benjamin's buoyant imagination transformed his physical and emotional pain into a blaze of colors and shapes in his fanciful drawings and paintings. The story of THE YELLOW BOAT Is a glorious affirmation of a child's life, and the strength and courage of all children. Recommended for children of age 8 and older, parents, families and adults.

    The School for Scandal (1777) is his masterpiece, a brilliantly crafted comedy of contrasts in which brothers Joseph and Charles Surface contend for Maria, with hilariously differing intentions and results. Also a work of acute comic irony, The Rivals satirizes the romantic posturing of Lydia Languish while her disguised suitor Captain Absolute's resourceful contrivances advance an ever inventive and skilfully wrought plot. Included in this edition are the opera play The Duenna and the rarely printed musical play A Trip to Scarborough, adapted from Vanbrugh's The Relapse. Sheridan's last play, The Critic, is an exuberant parody of the modish tragic drama of the day. Lampooning Sir Fretful Plagiary's absurdly bombastic historical drama during its confused stages of production, its satire never fails to delight. The texts of the plays have been newly edited by the General Editor of the Oxford World's Classics English Drama series. A fine introduction and notes on Sheridan's playhouses and critical inheritance make this an invaluable edition for study and performance alike.

    Determined to keep what little he has, he returns to his homeland in Ireland and enrolls at Saint Enda's school in Dublin. Saint Enda's headmaster is the renowned scholar and poet, Patrick Pearse--who is soon to gain greater fame as a rebel and patriot. Ned becomes totally involved with the growing revolution...and the sacrifices it will demand.Through Ned's eyes, 1916 examines the Irish fight for freedom--inspired by poets and schoolteachers, fueled by a desperate desire for independence, and played out in the historic streets of Dublin against the backdrop of World War I. It is the story of the brave men and heroic women who, for a few unforgettable days, managed to hold out against the might of the British Empire to realize an impossible dream.