This visual narrative of astonishing sensitivity brings to light an until-now-unpublished collection of hundreds of snapshots, portraits, and group photos taken in the most varied of contexts, both private and public.Taken when male partnerships were often illegal, the photos here were found at flea markets, in shoe boxes, family archives, old suitcases, and later online and at auctions. The collection now includes photos from all over the world: Australia, Bulgaria, Canada, Croatia, France, Germany, Japan, Greece, Latvia, the United States, the United Kingdom, Russia, and Serbia. The subjects were identified as couples by that unmistakable look in the eyes of two people in love - impossible to manufacture or hide. They were also recognized by body language - evidence as subtle as one hand barely grazing another - and by inscriptions, often coded.Included here are ambrotypes, daguerreotypes, glass negatives, tin types, cabinet cards, photo postcards, photo strips, photomatics, and snapshots - over 100 years of social history and the development of photography.In these delight-filled pages, couples in love tell their own story for the first time at a time when joy and hope - indeed human connectivity - are crucial lifelines to our better selves. Universal in reach and overwhelming in impact, Loving speaks to our spirit and resilience, our capacity for bliss, and our longing for the shared truths of love.

    In 1975, coach Harlan Brown is hiding from his past at an obscure New York college, after he was fired from Penn State University on suspicion of being gay. A tough, lonely ex-Marine of 39, Harlan has never allowed himself to love another man. Then Billy Sive, a brilliant young runner, shows up on his doorstep. He and his two comrades, Vince Matti and Jacques LaFont, were just thrown off a major team for admitting they are gay. Harlan knows that, with proper training, Billy could go to the '76 Olympics in Montreal. He agrees to coach the three boys under strict conditions that thwart Billy's growing attraction for his mature but compelling mentor. The lean, graceful frontrunner with gold-rim glasses sees directly into Harlan's heart. Billy's gentle and open acceptance of his sexuality makes Harlan afraid to confront either the pain of his past, or the challenges which lay in wait if their intimacy is exposed. But when Coach Brown finds himself falling in love with his most gifted athlete, he must combat his true feelings for Billy or risk the outrage of the entire sports world - and their only chance at Olympic gold.

    And Baz might be evil and a vampire and a complete git, but he's probably right.Half the time, Simon can't even make his wand work, and the other half, he starts something on fire. His mentor's avoiding him, his girlfriend broke up with him, and there's a magic-eating monster running around, wearing Simon's face. Baz would be having a field day with all this, if he were here — it's their last year at the Watford School of Magicks, and Simon's infuriating nemesis didn't even bother to show up. Carry On - The Rise and Fall of Simon Snow is a ghost story, a love story and a mystery. It has just as much kissing and talking as you'd expect from a Rainbow Rowell story - but far, far more monsters.

    Frederick Bailey is a quiet, cultured, closeted architect reluctantly drawn into the effort to save Pennsylvania Station from being demolished. But when he meets Curt, a vibrant, immature gay activist more than half his age, he is overtaken by passions he hasn't felt in years, putting everything he cares about--his friends, his family, his career and reputation--at risk. As the elegant old train station is dismantled piece by piece to make way for the crass new Madison Square Garden sports arena, Frederick must undergo a reckoning he has dreaded all his life. Award-winning author Patrick E. Horrigan delves into the fractured psyches of mid-twentieth-century gay men, conjuring a picture of New York City and the nation on the brink of explosive cultural change.

    The grace is miraculous, for he aims at intensities, by orders that shape and then restrict feeling to the ardent."—Robert Duncan"What moves us is not the darkness of the world in which the poems were written by the pity and terror and joy that is beauty in the poems themselves. . . . In Wieners the glamor is in the word-music itself."—Denise LevertovSupplication: Selected Poems of John Wieners gathers work by one of the most significant poets of the Black Mountain and Beat generation. Includes poems that have previously never been published, the full text of the 1958 edition of his influential The Hotel Wentley Poems, plus poems from rare sources, facsimiles, notes, and collages by Wieners. An invaluable collection for new and old fans.John Wieners (1934–2002) was a founding member of the "New American" poetry that flourished in America after the Second World War. Upon graduating from Boston College in 1954, Wieners enrolled in the final class of Black Mountain College. Following Black Mountain's closure in 1956, he founded the small magazine Measure (1957–1962) and embarked on a peripatetic life, participating in poetry communities in Boston, San Francisco, New York, and Buffalo throughout the late 1950s and 1960s, before settling at 44 Joy Street in Boston in 1972. He is the author of seven collections of poetry, three one-act plays, and numerous broadsides, pamphlets, uncollected poems, and journals. Robert Creeley described Wieners as "the greatest poet of emotion" of their time.

    A psychiatrist and a teacher, both are intent on concealing their true identities. To complicate this comedy of sexual role reversal, Rufus is having an affair with Henry's brother, Hilary, who wants to be a father.

    If the universe had his back, he wouldn’t be on his way to the post office carrying a box of his ex-boyfriend’s things.But when Arthur and Ben meet-cute at the post office, what exactly does the universe have in store for them?Maybe nothing. After all, they get separated.Maybe everything. After all, they get reunited.But what if they can’t quite nail a first date . . . or a second first date . . . or a third?What if Arthur tries too hard to make it work . . . and Ben doesn’t try hard enough?What if life really isn’t like a Broadway play?But what if it is?

    That was until parents and school got in the way, and he found himself in New York, thousands of miles from the man who had learned how to take him in hand. Feeling abandoned by the person he’d come to rely on, Landon has no choice but to set his sights on a new and lonely future. Years later, behind the bar at Rapture, the BDSM club he’s built on a foundation of disillusioned dreams and broken bricks, Landon finds himself face to face with his favorite memory and greatest regret—Gregory. Seeing his first love again is the only inspiration Gregory needs to commit himself to forging his way toward the future he always envisioned…one with Landon yielding and bending to his command. Determined to recapture the magic of their first love, Gregory works to right the wrongs of their past so they can move on together. Battling through the resentment from their youth, Landon is unexpectedly called back to New York, and Gregory can’t help but fear the past is repeating itself. Fighting familiar feelings of helplessness, he makes the decision to give Landon what he needs, even if that means not chasing after the man he adores…again. Gregory can only hope when Landon returns, he won’t throw away the love they’ve fought and risked everything for. Worth the Risk is the first book in the Giving Consent Series. It is a 78,000 words of kinky, steamy, second-chance BDSM romance.

    He believes his destiny is to be the greatest composer of the rapidly approaching twentieth century. Only Laurence Northcliff, a young history master at The Venerable Bede School for Young Gentlemen, believes in Dylan's talent and encourages his dream, not realizing Dylan is in love with him. But Dylan's passion and belief in his future come at a high price. They will alienate him from his family and lead him on a rocky path fraught with disappointment, rejection, and devastating loss that kills his dream. A forbidden love could bring the dream back to life and rescue Dylan from despair and bitterness, but does he have the courage to reach out and take it? Will he deny the music that rules his soul?

    As warm and intelligent as it is ribald and cunning, this collection of Thom Gunn's is his richest yet.

    Martin Sherman's worldwide hit play Bent took London by storm in 1979 when it was first performed by the Royal Court Theatre, with Ian McKellen as Max (a character written with the actor in mind). The play itself caused an uproar. "It educated the world," Sherman explains. "People knew about how the Third Reich treated Jews and, to some extent, gypsies and political prisoners. But very little had come out about their treatment of homosexuals." Gays were arrested and interned at work camps prior to the genocide of Jews, gypsies, and handicapped, and continued to be imprisoned even after the fall of the Third Reich and liberation of the camps. The play Bent highlights the reason why - a largely ignored German law, Paragraph 175, making homosexuality a criminal offense, which Hitler reactivated and strengthened during his rise to power.

    Created by New York Times best-selling cartoonist Stephan Pastis. Take eleven-year-old Timmy Failure - the clueless, comically self-confident CEO of the best detective agency in town, perhaps even the nation. Add his impressively lazy business partner, a very large polar bear named Total. Throw in the Failuremobile - Timmy's mom's Segway - and what you have is Total Failure, Inc., a global enterprise destined to make Timmy so rich his mother won't have to stress out about the bills anymore. Of course, Timmy's plan does not include the four-foot-tall female whose name shall not be uttered. And it doesn't include Rollo Tookus, who is so obsessed with getting into "Stanfurd" that he can't carry out a no-brainer spy mission. From the offbeat creator of Pearls Before Swine comes an endearingly bumbling hero in a caper whose peerless hilarity is accompanied by a whodunit twist. With perfectly paced visual humor, Stephan Pastis gets you snorting with laughter, then slyly carries the joke a beat further - or sweetens it with an unexpected poignant moment - making this a comics-inspired story (the first in a new series) that truly stands apart from the pack.

    Its heroes are dead, its halls are ruins, and its great battles between Light and Dark are forgotten. Only the Stewards remember, and they keep their centuries-long vigil, sworn to protect humanity if the Dark King ever returns.Sixteen-year-old dock boy Will is on the run, pursued by the men who killed his mother. When an old servant tells him of his destiny to fight beside the Stewards, Will is ushered into a world of magic, where he must train to play a vital role in the oncoming battle against the Dark.As London is threatened by the Dark King’s return, the reborn heroes and villains of a long-forgotten war begin to draw battle lines. But as the young descendants of Light and Dark step into their destined roles, old allegiances, old enmities and old flames are awakened. Will must stand with the last heroes of the Light to prevent the fate that destroyed their world from returning to destroy his own.

    RYDEN <3

    Twenty years ago, during a walk on a Mississippi beach, Ellen DeGeneres spoke those simple, powerful words to her mother. That emotional moment eventually brought mother and daughter closer than ever, but it was not without a struggle. In Love, Ellen, Betty DeGeneres tells her story: the complicated path to acceptance and the deepening of her friendship with her daughter, the media's scrutiny of their family life, and the painful and often inspiring stories she's heard on the road as the first nongay spokesperson for the Human Rights Campaign's National Coming Out Project.Insightful, universally touching, and uncommonly wise, Love, Ellen is a story of friendship between mother and daughter and a lesson in understanding for all parents and their children.