With a series of caring partners all the way from her high school sweetheart to her current fiancé, Sophie explores her sexuality and the very nature of love itself, questioning everything we’ve all been taught about relationships. She shares each of her revelations—sometimes painful, sometimes hilarious—and ultimately uncovers the incredible power of making room for all kinds of love in one’s life.Complete with informative charts (did you know there are five distinct types of jealousy?) and witty illustrations, Many Love is an empowering, heartwarming memoir offering a memorable glimpse into an unconventional life.

    

    Beckwourth would go on to become one of the most remarkable mountain men to have ever lived. In 1824 Beckwourth left Missouri to head to the Rocky Mountains to work for William Ashley’s Rocky Mountain Fur Company. He would never turn back. In his fascinating life, spent in the mountains and plains of the West, he lived as a trapper, hunter, guide, horse thief and Indian fighter. What is particularly fascinating about Beckwourth’s book is his insight into the culture of the Native Americans, as for many years, this son of a slave and a slave owner, lived with the Crow Nation, trapping, hunting, marrying two of their women and raiding alongside them. It is even stated that he rose to the position of Chief of the Crow Nation. First published in 1856, The Life and Adventures of James P. Beckwourth is a unique account of life in pioneer America in the early-nineteenth century. "This is a book of great importance to an understanding of the mountains, plains, and Great Basin West." California Historical Quarterly "It remains what it always has been since its first appearance in 1856—a rousing adventure story in which Jim Beckwourth plays the leading role." San Francisco Chronicle James Beckwourth was the only African American in the West to have his life story published. He was credited with the discovery of Beckwourth Pass which aided pioneers in reaching their destination in the West. He died in 1866.

    The 800-kilometer journey along the Camino Frances provides a scenic backdrop to ponder midlife crisis and chronic illness, an empty nest and marital woes, military service and posttraumatic stress, rage and grief, heartbreak and fear - And the way forward. El Camino de Santiago, known fondly as The Way, is a matrix of trails with starting points across Europe leading to the sacred relics of Saint James the Apostle in Santiago de Compostela, Spain. Often considered a Catholic pilgrimage, this ancient route predates Christianity. The Way continues to evolve, attracting spiritual seekers with and without religion, thru-hikers, fitness junkies, history buffs, and the curious. Armed with humor and grit and a backpack named little Agnus, Lockhart tackles emotional and physical obstacles, shares adventures with pilgrims from all over the world, mothers traveling teens, endures blisters and bicycle seats and embraces the glory of Mother Nature and the intrinsic spirituality of peregrination. She finds herself transcending from a human being on a spiritual quest to a spiritual being on a human quest.

    Instead she travels the world at an observant pace, talking to strangers and introducing readers to an endearing assemblage of eccentric neighbors, Filipina faith healers, dry-cleaning proprietors, and other quirky characters.A Palestinian-American who lives in a Mexican-American neighborhood, Nye speaks for the mix of people and places that can be called the American Experience. From St. Louis, the symbolic Gateway to the West, she embarks on a westward migration to examine America, past and present, and to glimpse into the lives of its latest outsiders--illegal immigrants from Mexico and troubled inner-city children.In other essays Nye ventures beyond North America's bounds, telling of a year in her childhood spent in Palestine and of an adulthood filled with cross-cultural quests. Whether recounting the purchase of a car on the island of Oahu or a camel-back ride through India's Thar Desert, Nye writes in wry, refreshing tones about themes that transcend borders and about the journey that remains the greatest of all--the journey from outside to in as the world enters each one of us, as we learn to see.

    So when Uncle Tony asks them to drive to Vladivostok for another job, they can’t think of a good reason why not. The result is a classic caper across the former Soviet Union in Max, a rusty old VW camper. Knowing little of the language or the geography ahead, they embark on probably the longest commute ever, encountering corrupt officials, film star mechanics, and over-friendly gangsters. Far off the tourist trail, they bear witness to the collapse of one nation and the birth of a new one during the free-for-all that was Russia in the 1990s.

    In one climbing year Peter Boardman visited three very different sacred mountains. He began in the New Year, on the South Face of the Carstensz Pyramid in New Guinea. This shark's fin of steep limestone walls and sweeping glaciers is the highest point between the Andes and the Himalaya, and one of the most inaccessible, rising above thick jungle inhabited by warring Stone Age tribes. During the spring Boardman was on more familiar, if hardly more reassuring, ground, making a four-man, oxygen-free attempt on the world's third highest peak, Kangchenjunga. Hurricane-force winds beat back their first two bids on the unclimbed North Ridge, but they eventually stood within feet of the summit - leaving the final few yards untrodden in deference to the inhabiting deity. In October, he was back in the Himalaya and climbing the mountain most sacred to the Sherpas: the twin-summited Gauri Sankar. Renowned for its technical difficulty and spectacular profile, it is aptly dubbed the Eiger of the Himalaya and Boardman's first ascent of the South Summit took a committing and gruelling twenty-three days. Three sacred mountains, three very different expeditions, all superbly captured by Boardman in Sacred Summits, his second book, first published shortly after his death in 1982. Combining the excitement of extreme climbing with acute observation of life in the mountains, this is an amusing, dramatic, poignant and thought-provoking book, amply fulfilling the promise of Boardman's first title, The Shining Mountain, for which he won the John Llewelyn Rhys Prize in 1979. Peter Boardman and Joe Tasker died on Everest in 1982, whilst attempting a new and unclimbed line. Both men were superb mountaineers and talented writers. Their literary legacy lives on through the Boardman Tasker Prize for Mountain Literature, established by family and friends in 1983 and presented annually to the author or co-authors of an original work which has made an outstanding contribution to mountain literature. For more information about the Boardman Tasker Prize, visit: www.boardmantasker.com

     “You’ll like it,” she argued. “I know I’ll like it,” I said. “That’s why I’m not going to try it.” “Try it just this once and I’ll never ask you to do it again.” That was a deal. I slipped back into the driver’s seat while Pat corn-rowed two neat lines of the silky white powder on the back of a plastic cassette tape cover. Fifteen hundred dollars every month, an abusive boyfriend, a molested child, a lost family, hotels for houses, a ruined leg, a gun to my head, a knife to my butt, a jail cell all my own. Black eyes, bruised days, broken hours. Looking back, it seems strange what I gave up to get my roommate off my back. It only took four seconds. *** In her debut memoir, Andrade tells of her years with cocaine and crystal methamphetamines—using, then selling—until all she had left of the life she wanted was a chalk outline and a pack of cigarettes. This is the story of her use and recovery, of the people who frustrated and inspired her, of her decision to leave the drug world. It is the story of her slow, often unsteady walk home.

    

    Ortiz has created a new literary form, a parallel plane where the cast of characters are the people that occupied one’s waking life; Bruja is a narrative that’s equal parts delicate and bold, a literary adventure through the boundaries of memoir, where the self is viewed from a position anchored into the deepest recesses of the mind."The book collects Ortiz's dreams over a period of four years, in spare and at times mesmerizing prose...It is a literary work in its own right...It's testament to Ortiz's courage as a memoirist that she's willing to live for a while on this submarine plane, among the elements that dictate her fate -- and to invite her readers along for the show." -The Los Angeles Times"LA-based writer Ortiz continues her innovative soul-search by weaving dream with memory in order to piece together a poignant story from the elusive symbolism of the subconscious...A few entries into this stunning dreamoir, it's evident that Ortiz is making bold statements about love, desire and womanhood as she defiantly navigates the absurdities and strangeness of everyday reality and taps into the comforting properties of fantasy and daydream." -NBCNews.com"Bruja is a personal history and a travel journal, a book of emotional heft and bizarre incantations, a revelatory experiment and a literary scar produced by life...This is a smart, strange, wonderfully expressive combination of fact and everything that hovers in the periphery of fact." -Vol. 1 Brooklyn"In Wendy Ortiz's dreamoir, Bruja, she finds an utterly fascinating middle ground between the two perspectives. Except that even "middle ground" is insufficient; rather, she presents an inclusive, paradigm-shifting theory in narrative form, one that embraces the interconnectedness of stories, focalization, the unconscious, and how we construct reality." -Angel City Review"In Bruja, Wendy C. Ortiz deftly navigates the land of dreams in what she calls a dreamoir. By telling us her dreams, by revealing her most unguarded and vulnerable self, Ortiz is, truly, offering readers the most intimate parts of herself--how she loves, how she wants, how she lives, who she is. Bruja is not just a book--it is an enigma and a wonder and utterly entrancing." - Roxane Gay, author of An Untamed State and the New York Times bestselling book of essays, Bad Feminist"Bruja calls into question not only what is a memoir, but what is a life. Politics, books, mass media, random encounters, work, relationships tumble into the depths of consciousness, and the self spirals open, huge and passionate. Ortiz’s dreamoir is a multidimensional love story with the whole mess of existence. I loved it. - Dodie Bellamy, author of When the Sick Rule the World, The TV Sutras, and Cunt-Ups"Wendy C. Ortiz has invented her own genre, in her sleep, no less. Bruja is at once lush and spare, funny and weird, disturbing and sometimes even beautiful in the way that dreams can be. She's crafted an absurdly real and compelling story here, one dream at a time." --Elizabeth Crane, author of The History of Great Things"A memoir of the dreaming soul and reportage from the frontline of a writer's consciousness, Bruja is surreal, mesmerizing, and beautiful. I completely fell under its spell." --Scott Cheshire, author of High as the Horses' Bridles and managing editor of The Scofield

    Adam was an eccentric Buddhist yogi passing as a hard-working dad. Bella was fourteen and wanted to be normal. Sophia was up for anything that involved skipping school. Together, they shouldered backpacks, walked away from their California life of all-night births, carpool schedules, and Cal Skate, and criss-crossed India and Nepal for eight months―a journey that led them to His Holiness the Dalai Lama, the tree where the Buddha sat, and the arms of Amma the Divine Mother. From the banks of the Ganges to the Himalayan roof of the world, this enthralling memoir is an unforgettable odyssey, a moving meditation on modern family life, and a spiritual quest, written with humor and honesty―and filled with love and awe.

    The American Midwest is a place beyond definition, whose very boundaries are a question. It’s a place of rolling prairies and towering pines, where guns in bars and trucks on blocks are as much a part of the landscape as rivers and lakes and farms. Where girls are girls and boys are boys, where women are mothers and wives, where one is taught to work hard and live between the lines. But what happens when those lines become increasingly unclear? When a girl, like the land that raised her, finds herself neither here nor there?In this intrepid collection of essays, Melissa Faliveno traverses the liminal spaces of her childhood in working-class Wisconsin and the paths she’s traveled since, compelled by questions of girlhood and womanhood, queerness and class, and how the lands of our upbringing both define and complicate us even long after we’ve left. Part personal narrative, part cultural reportage, Tomboyland navigates midwestern traditions, mythologies, landscapes, and lives to explore the intersections of identity and place. From F5 tornadoes and fast-pitch softball to gun culture, strange glacial terrains, kink party potlucks, and the question of motherhood, Faliveno asks curious, honest, and often darkly funny questions about belonging and the body, isolation and community, and what we mean when we use words like woman, family, and home.

    Teek wonders, “Can butches even get pregnant?”Of course, as she and her pragmatic femme girlfriend Vee discover, they can. But what happens when they do? Written and illustrated by A.K. Summers, and based on her own pregnancy, Pregnant Butch strives to depict this increasingly common, but still underrepresented experience of queer pregnancy with humor and complexity—from the question of whether suspenders count as legitimate maternity wear to the strains created by different views of pregnancy within a couple and finally to a culturally critical and compassionate interrogation of gender in pregnancy. Offering smart, ambitious art, this graphic memoir is a must-read for would-be pregnant butches and anyone interested in the intersection of birth and gender, as well as a perfect queer baby shower gift and conversation starter for those who always assumed they “got” being pregnant.

    In The Chronology of Water, Lidia Yuknavitch expertly moves the reader through issues of gender, sexuality, violence, and the family from the point of view of a lifelong swimmer turned artist. In writing that explores the nature of memoir itself, her story traces the effect of extreme grief on a young woman’s developing sexuality that some define as untraditional because of her attraction to both men and women. Her emergence as a writer evolves at the same time and takes the narrator on a journey of addiction, self-destruction, and ultimately survival that finally comes in the shape of love and motherhood.

    Stephens was thrown out into the streets by her mother. This would be the beginning of a life no one deserves to endure, ever.With nowhere to go, confused and frightened beyond comprehension, she settled in inside of a small washroom of a condo complex. Curled up as small as she could make herself, she lay abandoned. What happen next can only be adequately described in the pages within…, and this was only the beginning.Through her struggle to stay alive in a world she barely understood, with non-existent parents from a broken home, this young girl met adversity headlong, with no recourse at her disposal.In the memoirs of the next 30 years of her life of drug and alcohol abuse, with METHAMPHETAMINES as her mainstay, you will learn how she was forced to resort to physical violence to stay alive. Stabbing one of her rapists was only the beginning. Domestic violence, conflict with the Law, jail, how she escaped with the courage, the will to stay alive, and the guts to persevere through an impossible road out of the toughest trap from which one might ever have to escape, Lori L. Stephens overcomes impossible adversity. And in result, this woman’s strength to overcome—and her heroism to help others do the same, through 6 years in recovery, and living a life she never dreamed possible, are all described profoundly in this book, and can only inspire and encourage every person in their daily lives.