In order to get at the truth, this meticulously researched work covers the lives of both these men, from their youth right up to their ultimate collision. The Man Who Killed Rasputin is a superb retelling of a major historical event and is based on new revelations from the St. Petersburg police files. The book features many previously unpublished photographs, including the recently released Rasputin death pictures.At the time of the murder, Prince Youssoupov owned palaces throughout Russia. Just two years later, he and his wife were reduced to selling their possessions to survive. And wherever he went, he was always pointed out as the man who killed Rasputin.

    Anna Andrianova is a trite poet and disastrous parent. Heading a household dominated by women, she can cling to the myth of the all-powerful yet suffering Russian matriarch. Challenging that myth is her headstrong daughter Alyona, a woman with appalling judgment and several illegitimate children, who both needs Anna and hates her.

    They were called the Mites because they were very tiny...

    Having given birth to daughter after daughter after daughter, she becomes desperate and turns to the first of her mystical advisors, Msgr. Philippe, who persuades her, among other things, that she is invisible.And then comes the moment of her greatest triumph with the birth of her son and the heir to the throne of all the Russias, the Tsarevich Alexei.All four volumes are (planned) as follows:1. 'The Funeral Bride' 1884-1894 - published November 20152. 'The Empress of Tears' 1895-1904 - published March 20163. 'The Pride of Eagles' 1905-1914 - to be published by November 20164. 'No Greater Crown' 1914-1918 - to be published by April 2017

    More than 200 women speak in it, describing how young girls, who dreamed of becoming brides, became soldiers in 1941. More than 500,000 Soviet women participated on a par with men in the Second World War, the most terrible war of the 20th century. Women not only rescued and bandaged the wounded but also fired a sniper's rifle, blew up bridges, went reconnoitering and killed... They killed the enemy who, with unprecedented cruelty, had attacked their land, their homes and their children. Soviet writer of Belarussia, Svetlana Alexiyevich spent four years working on the book, visiting over 100 cities and towns, settlements and villages and recording the stories and reminiscences of women war veterans. The Soviet press called the book"a vivid reporting of events long past, which affected the destiny of the nation as a whole." The most important thing about the book is not so much the front-line episodes as women's heart-rending experiences in the war. Through their testimony the past makes an impassioned appeal to the present, denouncing yesterday's and today's fascism...

    a gem of a novel' Robert Dinsdale Moscow, 1932. Gareth Jones, a young Welsh reporter, arrives in the Soviet Union excited to see for himself how Josef Stalin is forging a new civilisation. He meets American and British journalists who acclaim Stalin’s great experiment – but when Jones witnesses people starving to death in Ukraine, his belief in the Soviet revolution is shattered. He must decide whether to report the truth or become just another useful idiot, saying only what the Communist secret police allow and smothering the evidence of his own eyes. In this special kind of hell, anyone could be an informer, and Jones knows his life will be at risk if he is even thought to be defying Stalin. And when the woman he loves falls under the suspicion of the secret police, everything Jones values is in danger. Can he reveal the terrible truth about the Ukrainian famine to the world, or will he be silenced forever? THE USEFUL IDIOT is the secret history of the first great Soviet lie – wrapped up in an electrifying novel perfect for readers of Robert Harris, Ken Follett, Frederick Forsyth, John le Carré and Kate Atkinson. As Vladimir Putin rewrites the Nazi-Soviet pact and with the horrors of Chernobyl and the Cold War so recent, this thriller of fake news in 1932 is real storytelling of enormous significance. *** John Sweeney is an award-winning journalist and a former long-serving BBC reporter. He is the author of eleven books, including three novels: the 200,000-copy bestseller ELEPHANT MOON, another historical thriller based on true events, two modern-day political thrillers, COLD and ROAD, an investigation into the Church of Scientology, THE CHURCH OF FEAR, an account of his time spent undercover in North Korea, NORTH KOREA UNDERCOVER. He tweets from @johnsweeneyroar.

    Fantastical and wonderfully strange, this political parable has an uncanny resonance with today's Russia under Putin.Oleg Kashin is a famous Russian journalist and activist who, in 2010, was beaten to within an inch of his life by unknown assailants, in an attack most likely politically motivated by his reporting. The events of Fardwor, Russia! (the title is taken from a flag with a slogan—"Forward, Russia!"—gone wrong) could seem grotesque, if they did not so eerily echo the absurd state of affairs in modern Russia. Under Putin's regime, authors dare to criticize the state of affairs and affairs of the state only through veiled satire&—and even then, as Kashin's experience shows, the threat of repercussions is real.A witty, playful, brave, and incisive work that blends science fiction with political satire, Fardwor, Russia! is a must-read for anyone interested in contemporary Russia&—or the hilarious and frightening follies of power.

    In The Revolution of Peter the Great, James Cracraft offers a brilliant new interpretation of this pivotal era.Linking together and transcending Peter's many reforms of state and society, Cracraft argues, was nothing less than a cultural revolution. New ways of dress, elite social behavior, navigation, architecture, and image-making emerged along with expansive vocabularies for labeling new objects and activities. Russians learned how to build and sail warships; train, supply, and command a modern army; operate a new-style bureaucracy; conduct diplomacy on a par with the other European states; apply modern science; and conceptualize the new governing system. Throughout, Peter remains the central figure, and Cracraft discusses the shaping events of the tsar's youth, his inner circle, the resistance his reforms engendered, and the founding of the city that would embody his vision--St. Petersburg, which celebrated its tercentenary in 2003.By century's end, Russia was poised to play a critical role in the Napoleonic wars and boasted an elite culture about to burst into its golden age. In this eloquent book, Cracraft illuminates an astonishing transformation that had enormous consequences for both Russia and Europe, indeed the world.

    His poetry, influenced by Whitman and Verhaeren and strangely akin to modern rock poetry in its erotic thrust, bluesy complaints and cries of pain, not to mention its sardonic humour, is at once aggressive, mocking and tender, and often fantastic or grotesque. Pro Eto - That's What is a long love poem detailing the pain and suffering inflicted on the poet by his lover and her final rejection of him. But as well as being an agonising parable of separation and betrayal, it is also a political work, highly critical of Lenin's reforms of Soviet Socialism. The publication of That's What is something of a landmark for not only is this the first time that this seminal work has appeared in its entirety in translation, but it is illustrated with the 11 inspired photomontages that Alexander Rodchenko designed to interleave and illuminate the text, illustrations which inaugurate a world of new possibilities in combining verbal and visual forms of expression and which are reproduced in colour (as originally conceived) for the first time.

    The new capital of the legitimate government of Russia, once a trading post in the far east, is now a fast-growing boom town. Into this maelstrom come peddlers and exotic dancers, criminals and craftsmen, nobles and assassins. Crime is running rampant and the city guards that passes for policemen don't have a clue how to handle it—and wouldn’t know a clue if they stumbled right over it. They can manage to walk a beat, at least in broad daylight. But solve a crime?         Not a chance. And Czar Michael Romanov and his officials aren’t any help, since they’re pre-occupied with building a nation out of spit and bailing wire.          But the bargirl who was murdered had friends who cared. And thosefriends call in Vasilii Lyapuno, an engineer working at the newly-founded Dacha in Ufa and loves up-timer murder mysteries.          Can Vasilii track down the killer? Luckily for him, he has the assistance of another bargirl named Miroslava, who has a unique way of seeing the world. Together they might figure out who did what to whom and who was responsible for the crime.         Crimes, rather. Murder starts adding up.

    Shirer's new book - written in his ninth decade - explores the passionate, highly charged, and extraordinary lives of Leo and Sonya Tolstoy. It is a compelling illumination both of the nature of genius and of the universal problems of love, sex, and marriage - themes that Tolstoy played out in his great fiction and that haunted him in his tangled domestic life. Rich in anecdotes, wise, full of sweeping history, and imbued with Shirer's profound knowledge of literature and life, Love and Hatred ranks beside such works as Robert Massie's Nicholas and Alexandra and Nigel Nicolson's Portrait of a Marriage as a masterly, intuitive, and sympathetic exploration of the love/hate relationship between two famous, bigger-than-life people. Beginning in 1862, when Tolstoy committed the blunder of asking his young bride to read his diaries of his bachelor life so there should be no secrets between them, and ending with his tragic flight from home (and marriage) in 1910 while the whole world waited for news of him, Love and Hatred tells the story of a great romance between two people who could live neither together nor apart - a romance that exhausted and obsessed them both, and that forms the basis for much of Tolstoy's work. The final book of William L. Shirer's long and brilliant career, it is - appropriately - a masterly re-creation of a time, of two extraordinary people, and of the very nature of love, marriage, and old age.

    Knowing little of the red tape, cultural differences and climate ahead, Matthew sets off alone across the North Sea bound for Shanghai. Trans-Siberian Adventures follows his exploits as he learns the ropes of becoming a long-range train adventurer. This is a captivating insight into the reality of life on the legendary Trans-Siberian and Trans-Mongolian railways.

    As soon as I’m alone in the woods, I can sense his eyes watching me as I get drunk on something else, his animal charge which fills the air between us.The Professor would be mad if I came back empty handed, but damn, if what I discover isn’t more of a distraction than bad weather, missing links or even avalanches.NikolaiThirty years ago, the forest claimed me, it nearly killed me but it claimed me, gave me a new life from the one I thought I knew. I learned to live, to hunt and thrive in the wilderness, at one with nature and within the circle of life, but always missing that one thing all the other creatures had, that one thing they enjoyed at least once every spring season.A mate.As soon as I see her, I know she’s been sent for me, sent for me to claim and to breed.To claim as my own.But she brings something else with her, the memory from a dream.Am I a man, or a monster?I want to be her man, her mate. Together. Forever.*Russian Mountain Man is a SHORT insta-everything standalone instalove romance with an HEA, no cheating, and no cliffhanger.

    "Hermit and Six Toes"; "Vera Pavlovna's Ninth Dream"; "The Life and Adventures of Shed Number XII"; and "Tai Shou Chuan USSR" are four characterstic stories by the young Russian virtuoso Victor Pelevin, here collected in a New Directions Bibelot edition. With a deadpan and cooly ironic voice that speaks of the phantasmagorical, the surreal, the grotesque and the absurd just as affectingly as Gogol did in his day, Victor Pelevin writes of the dark chaos of the New Russia. In one story, a public toilet attendant discovers in her tiled hovel the entranceway to an alternate reality; in another, a man walks through a city at night with a companion he isn't entirely sure isn't his own shadow. This slim volume offers first-time Pelevin readers a compelling taste of his bleakly comic genius.

    The Zero Train has the intensity of Dostoevsky and a love affair as touching as that of Doctor Zhivago." "The setting is Siding No 9, a remote Soviet railway settlement run by the secret police and serving the so-called Zero Train. The cargo of this sealed 100-wagon train is unknown to the employees of the siding as is the train's provenance; some suspect something sinister and become obsessed by the mystery. The attempted disentanglement of the mystery, which leads to madness and murder, is at the heart of the novel. The train itself forms the basis of a dense web of symbols examining the nature of life lived in the service of an ideal neither known or understood, thus allowing The Zero Train to be read as a study of the ordinary individual under Stalin." The novel begins with Don Domino, an old man, watching a now almost deserted settlement unable to comprehend in his gathering insanity that the track is no longer there and that the Zero Train has stopped passing through. The narrative continues as a series of flashbacks which draw the reader into his life and the mysteries of the Line.