This is one of the last matrilineal societies on earth, where power lies in the hands of women. All decisions and rights related to money, property, land and the children born to them rest with the Mosuo women, who live completely independently of husbands, fathers and brothers, with the grandmother as the head of each family. A unique practice is also enshrined in Mosuo tradition-that of "walking marriage," where women choose their own lovers from men within the tribe but are beholden to none. Choo Waihong, a corporate lawyer who yearned for escape and ended up living with the Mosuo for seven years-the only non-Mosuo to have ever done so. She tells the remarkable story of her time in the remote mountains of China and gives a vibrant, compelling glimpse into a way of life that teeters on the knife-edge of extinction.

    In 1979, the young dancer arrived in Texas as part of a cultural exchange, only to fall in love with America-and with an American woman. Two years later, through a series of events worthy of the most exciting cloak-and-dagger fiction, he defected to the United States, where he quickly became known as one of the greatest ballet dancers in the world. This is his story, told in his own inimitable voice.THE BASIS FOR A MAJOR MOTION PICTURE

    Inside the Forbidden City, she witnessed seductions, plots, murders, and brazen acts of treason. Propelled by a shrewd intelligence, an extraordinary persistence, and a friendship with the imperial heir, she rose through the ranks to become the first Empress of China. On the one hand, she was a political mastermind who quelled insurrections, eased famine, and opened wide the routes of international trade. On the other, she was a passionate patron of the arts who brought Chinese civilization to unsurpassed heights of knowledge, beauty, and sophistication.And yet, from the moment of her death to the present day, her name has been sullied, her story distorted, and her memoirs obliterated by men taking vengeance on a women who dared become Emperor. For the first time in thirteen centuries, Empress Wu flings open the gates of her Forbidden City and tells her own astonishing tale–revealing a fascinating, complex figure who in many ways remains modern to this day.

    Ren has 49 days, or else his master's soul will roam the earth, unable to rest in peace.Ji Lin always wanted to be a doctor, but as a girl in 1930s Malaysia, apprentice dressmaker is a more suitable occupation. Secretly, though, Ji Lin also moonlights as a dancehall girl to help pay off her beloved mother's Mahjong debts. One night, Ji Lin's dance partner leaves her with a gruesome souvenir: a severed finger. Convinced the finger is bad luck, Ji Lin enlists the help of her erstwhile stepbrother to return it to its rightful owner.As the 49 days tick down, and a prowling tiger wreaks havoc on the town, Ji Lin and Ren's lives intertwine in ways they could never have imagined. Propulsive and lushly written, The Night Tiger explores colonialism and independence, ancient superstition and modern ambition, sibling rivalry and first love. Braided through with Chinese folklore and a tantalizing mystery, this novel is a page-turner of the highest order.Reese Witherspoon x Hello Sunshine Book Club Pick, Amazon Spotlight Pick for Best Book of the Month, NYTimes and Publisher's Weekly Bestseller. Starred Kirkus, Booklist, and Publisher's Weekly reviews.

    In this riveting, richly imagined collection, a wealthy factory owner—once a rural peasant—refuses to help the victims of an earthquake until his daughter starts a relief effort of her own; a marginalized but powerful Uyghur gangster clashes with his homosexual grandson; and a dogged journalist is forced to resign as young writers in "pink Izod golf shirts and knockoff Italian loafers" write his stories out from under him. With spare, penetrating prose, Livings gives shape to the anonymous faces in the crowd and illuminates the tensions, ironies, and possibilities of life in modern China. As heartbreaking as it is hopeful, The Dog marks the debut of a startling and wildly imaginative new voice in fiction.

    But wealth and position could not shield Adeline from a childhood of appalling emotional abuse at the hands of a cruel and manipulative Eurasian stepmother. Determined to survive through her enduring faith in family unity, Adeline struggled for independence as she moved from Hong Kong to England and eventually to the United States to become a physician and writer.A compelling, painful, and ultimately triumphant story of a girl's journey into adulthood, Adeline's story is a testament to the most basic of human needs: acceptance, love, and understanding. With a powerful voice that speaks of the harsh realities of growing up female in a family and society that kept girls in emotional chains, Falling Leaves is a work of heartfelt intimacy and a rare authentic portrait of twentieth-century China.

    High-school student Jingqiu is one of many educated urban youth sent to the countryside to be "re-educated" under a dictate from Chairman Mao. Jing's father is a political prisoner somewhere in China, and her mother, a former teacher branded as a "capitalist," is now reduced to menial work to support Jing and her two younger siblings.When Jing arrives with a group at Xiping village in the Yangtze River's Three Gorges region, she meets geology student Jianxin, nicknamed "Old Three," who is the son of a high-ranking military officer, but whose mother committed suicide after being branded a "rightist." Despite their disparate social backgrounds and a political atmosphere that forbids the relationship, Jingqiu and Jianxin fall desperately in love. But their budding romance is cut short by fate...A sensitive and searing love story, Under the Hawthorn Tree is sure to become an instant classic.

    Whether it’s from Rush Hour, Shanghai Noon, The Karate Kid, or Kung Fu Panda, Jackie is admired by generations of moviegoers for his acrobatic fighting style, comic timing, and mind-bending stunts. In 2016—after fifty-six years in the industry, over 200 films, and many broken bones—he received an honorary Academy Award for his lifetime achievement in film. But at 64 years-old, Jackie is just getting started. Now, in Never Grow Up, the global superstar reflects on his early life, including his childhood years at the China Drama Academy (in which he was enrolled at the age of six), his big breaks (and setbacks) in Hong Kong and Hollywood, his numerous brushes with death (both on and off film sets), and his life as a husband and father (which has been, admittedly and regrettably, imperfect). Jackie has never shied away from his mistakes. Since The Young Master in 1980, Jackie’s films have ended with a bloopers reel in which he stumbles over his lines, misses his mark, or crashes to the ground in a stunt gone south. In Never Grow Up, Jackie applies the same spirit of openness to his life, proving time and time again why he’s beloved the world over: he’s honest, funny, kind, brave beyond reckoning and—after all this time—still young at heart.

    Born two years after her parents' only son died just hours after his birth, Kat Chow became unusually fixated with death. She worried constantly about her parents dying -- especially her mother. One morning, when Kat was nine, her mother, a vivacious and mischievous woman, casually made a morbid joke: When she eventually dies, she said laughing, she'd like to be stuffed and displayed in Kat's future apartment in order to always watch over her.Four years later when her mother dies unexpectedly from cancer, Kat, her two older sisters, and their father are plunged into a debilitating, lonely grief. With a distinct voice that is wry and heartfelt, Kat weaves together what is part ghost story and part excavation of her family's history of loss spanning three generations and their immigration from China and Hong Kong to America and Cuba. This redemptive coming-of-age story uncovers the uncanny parallels in Kat's lineage, including the strength of sisterhood and the complicated duty of looking after parents, even after death.Seeing Ghosts asks what it means to claim and tell your family's story: Is writing an exorcism or is it its own form of preservation? What do we owe to our families in our grief, and how does it shape us? In order to answer these questions and to understand her family's ghosts, Kat unearths their sorrow and challenges the power structures of race, class, and gender. The result is an extraordinary new contribution to the literature of grief and the American family, and a provocative and transformative meditation on who we become under the specter of loss.

    But at what cost? Now, as China closes the book on the policy after over three decades, it faces a population grown too old and too male, with a vastly diminished supply of young workers. Mei Fong has spent years documenting the policy's repercussions on every sector of Chinese society. In One Child, she explores its true human impact, traveling across China to meet the people who live with its consequences. Their stories reveal a dystopian reality: unauthorized second children ignored by the state, only children supporting aging parents and grandparents on their own, villages teeming with ineligible bachelors. Fong tackles questions that have major implications for China's future: whether its Little Emperor cohort will make for an entitled or risk-averse generation; how China will manage to support itself when one in every four people is over sixty-five years old; and above all, how much the one-child policy may end up hindering China's growth. Weaving in Fong's reflections on striving to become a mother herself, One Child offers a nuanced and candid report from the extremes of family planning.

    Estranged from her parents, restless and cynical, she drifts from day to day. Then she meets an American journalist infatuated with China, who gradually opens her eyes to what is happening. Together they embark on a journey that will profoundly change Lili’s view of her country and of herself.

    But Junie’s growing determination to stay put in the idyllic countryside with her beloved grandparents threatens to derail her family’s shared future. What Junie doesn’t know is that her parents, Momo and Cassia, are newly estranged from one another in their adopted country, each holding close private tragedies and histories from the tumultuous years of their youth during China’s Cultural Revolution. While Momo grapples anew with his deferred musical ambitions and dreams for Junie’s future in America, Cassia finally begins to wrestle with a shocking act of brutality from years ago. In order for Momo to fulfill his promise, he must make one last desperate attempt to reunite all three members of the family before Junie’s birthday—even if it means bringing painful family secrets to light. Swimming Back to Trout River weaves together the stories of Junie, Momo, Cassia, and Dawn—a talented violinist from Momo’s past—while depicting their heartbreak and resilience, tenderly revealing the hope, compromises, and abiding ingenuity that make up the lives of immigrants. Feng’s debut is “filled with tragedy yet touched with life-affirming passion” (Kirkus Reviews, starred review), and “Feng weaves a plot both surprising and inevitable, with not a word to spare” (Booklist, starred review).

    Thus begins the unraveling of Su Lan, a brilliant physicist who until this moment has successfully erased her past, fighting what she calls the mind’s arrow of time.When Su Lan dies unexpectedly seventeen years later, it is her daughter Liya who inherits the silences and contradictions of her life. Liya, who grew up in America, takes her mother’s ashes to China, Liya’s memories are joined by those of two others: Zhu Wen, the woman last to know Su Lan before she left China, and Yongzong, the father Liya has never known. In this way a portrait of Su Lan emerges: an ambitious scientist, an ambivalent mother, and a woman whose relationship to her own past shapes and ultimately unmakes Liya’s own sense of displacement.

    In it, his father admits that he was never just a restaurateur—in fact he was part of a vast international crime syndicate that formed during China’s leanest communist years.Victor travels to Beijing, where he navigates his father’s secret criminal life, confronting decades-old grudges, violent spats, and a shocking new enterprise that the organization wants to undertake. Standing up against it is likely what got his father killed, but Victor remains undeterred. He enlists his growing network of allies and friends to finish what his father started, no matter the costs.

    Their extraordinary journey takes us from the brutal poverty of village life in mainland China, to newly prosperous 1930s Hong Kong and finally to the West. Their lives were as dramatic as the times they lived through.A love of food and a talent cooking pulled each generation through the most devastating of upheavals. Helen Tse's grandmother, Lily Kowk, was forced to work as an amah after the violent murder of her father. She honed her famous chicken curry recipe as she crossed the ocean from Hong Kong in the 1950s, and she eventually opened her own restaurant where her daughter, Mabel, worked from the tender age of seven. But gambling and the Triads were pervasive in the Chinese immigrant community, and they tragically lost the restaurant. It was up to Helen and her sisters, the third generation of these exceptional women, to re-establish their grandmother's dream.Sweet Mandarin shows how the most important inheritance is wisdom, and how recipes - passed down the female line - can be the most valuable heirloom.