When they find a home off the Frankish coast they begin to accumulate a vast fortune which earns them the enmity of other Vikings. The novel culminates in a bloody battle where Viking fights Viking but Hrolf begins to fulfill his destiny as Hrolf the Horseman!

    A grandfather who is a feminist, an adopted young boy who astounds with his intellect, and Freshta, who will do anything to run away from her abusive husband.Like the other women in the family, Herra wears a burka and hides in a closet when guests arrive. She soon starts a new job with an American woman, Heidi, who has little understanding of the way women live in Afghanistan, and still less that not everybody wants to be saved by Westerners.Freshta is a stunning debut about conceptions of human faith in a war-stricken country. It is a deeply moving story that will make you laugh and cry at the same time, a universal tale of husbands and wives, lovers and friends, who all seek happiness and acceptance against the backdrop of the unexpected events playing around them.Translated by Julia Sherwood.

    How is it we look so condescendingly at people taking selfies in front of the Tower of Pisa? Is there really much to distinguish the package holiday from hipster city-breaks to Berlin or Brooklyn? Why do we engage our free time in an activity we profess to despise?The World in a Selfie dissects a global cultural phenomenon. For Marco D’Eramo, tourism is not just the most important industry of the century, generating huge waves of people and capital, calling forth a dedicated infrastructure, and upsetting and repurposing the architecture and topography of our cities. It also encapsulates the problem of modernity: the search for authenticity in a world of ersatz pleasures.D’Eramo retraces the grand tours of the first globetrotters—from Francis Bacon and Samuel Johnson to Arthur de Gobineau and Mark Twain—before assessing the cultural meaning of the beach holiday and the ‘UNESCO-cide’ of major heritage sites. The tourist selfie will never look the same again.

    In the 1960s hundreds of thousands of young Westerners, inspired by Kerouac and the Beatles, blazed the 'hippie trail' overland from Istanbul to Kathmandu in search of enlightenment and a bit of cheap dope.Since the Summer of Love, the countries that offered so much to these dreamers have confronted the full force of modernity and transformed from worlds of Western fantasy to political minefields.Through a landscape of breathtaking beauty Rory MacLean retraces the path of the once well-worn 'hippie trail' from Turkey to Iran, Afghanistan to Pakistan, India to Nepal, meeting trail veterans and locals on his way, and relives wide-eyed adventures as he witnesses a world of extraordinary and terrifying transformation.

    William Marshal is portrayed as being brave, intelligent - but flawed and human too.” Michael Arnold William Marshal was born in a time of civil war. In a time of bloodshed and honour. As a boy he is used as a pawn, during the conflict between Stephen and Matilda. But as a young man he trains as a knight. Marshal learns his trade in England and Normandy, fighting in tournaments and war-games, gaining friends and enemies alike. But the boy must become a man - and the squire must become a knight. Marshal soon finds himself embroiled in the campaigns of Henry II and the rivalry between French Kings. Where once he fought for fame and riches, the young knight finds himself fighting for his life. The Knight Banneret is the first book in an epic series chronicling the story of William Marshal, “the Greatest Knight”. For fans of Bernard Cornwell, Conn Iggulden and Michael Jecks. Praise for Richard Woodman: “This series could develop into something very special. Richard Woodman knows how to tell a story, but has a healthy respect for history... Compulsive reading.” Saul David “Brings medieval Europe to life. The well-crafted action and historical insights enthral and entertain.” Richard Foreman, author of Band of Brothers. ‘Richard Woodman reminds us of the importance of merchant ships and our debts to the seafarers – men and women – who manned.’ HRH Princess Anne ‘If Neptune’s Trident sets the standard for what is to follow - we can at least rest assured that there is a series that truly does justice to our proud merchant maritime past.’ Nautilus UK Telegraph ‘Richard Woodman tells many a good tale in this first volume and it is fascinating to read. I highly recommend this first volume in the Neptune s Trident for anyone with an interest in the early modern period. If the rest of the series is as good as this one, they should all be on the bookshelves of those studying the history of Britain, from the sixteenth to the twentieth centuries.’ Open History Captain Richard Martin Woodman LVO is an English novelist and naval historian. He is the author of the series ‘A History of the British Merchant Navy’ and the Sword of State trilogy, which recreates the true story of George Monck, a giant of the 17th Century.

    Includes an introduction by George C. Herring.

    By the end of the action, very little ground had been won: the Allied Forces had made just 12 km. For this slight gain, more than a million lives were lost. There were more than 400,000 British, 200,000 French, and 500,000 German casualties during the fighting. Twelve Days on the Somme is a memoir of the last spell of front-line duty performed by the 2nd Battalion of the West Yorkshire Regiment. Written by Sidney Rogerson, a young officer in B Company, it gives an extraordinarily frank and often moving account of what it was really like to fight through one of the most notorious battles of the First World War. Its special message, however, is that, contrary to received assumptions and the popular works of writers like Wilfred Owen and Siegfried Sassoon, men could face up to the terrible ordeal such a battle presented with resilience, good humour and without loss of morale. This is a classic work whose reprinting is long overdue.This edition includes a new Introduction by Malcolm Brown and a Foreword by Rogerson's son Commander Jeremy Rogerson.

    In a ramshackle house, streets away from the grand colonial mansions of the British, live Maisy, her Mam and their ayah, Pushpa.Whiskey-fuelled and poverty-stricken, Mam entertains officers in the night - a disgrace to British India. All hopes are on beautiful Maisy to restore their good fortune.But Maisy's more at home in the city's forbidden alleyways, eating bazaar food and speaking Bengali with Pushpa, than dancing in glittering ballrooms with potential husbands.Then one day Maisy's tutor falls ill. His son stands in. Poetic, handsome and ambitious for an independent India, Sunil Banerjee promises Maisy the world.So begins a love affair that will cast her future, for better and for worse. Just as the Second World War strikes and the empire begins to crumble...This is the other side of British India. A dizzying, scandalous, dangerous world, where race, class and gender divide and rule.

    As they discuss the merits of the piece and art in general, the father hears his children upstairs giggling. This childish mirth is barbaric and devastating to the father, for in their laughter he hears them mocking his "old-fashioned" viewpoint and the energy he wastes by collecting lifeless objects. In his mind, they have no respect for what has been of greatest importance in his life.

    They had money to last them a few months and a Fiat to take them where they were going, but above all they were equipped with the certainty that by hook or by crook they would reach their destination, and that there would be unanticipated adventures, curious companionship, and sudden illumination along the way. They were not disappointed, and neither will be readers of this luminous travel book fashioned from Bouvier's journals. The two friends support themselves by writing and painting in Istanbul; are spellbound by the brilliance of winter in Tabriz; take a side trip to rebellious Kurdistan; and find ever more ingenious ways to keep their increasingly battered vehicle on the road as they head to Afghanistan. Along the way, they spend wild nights listening to Gypsy musicians, trading poetry with tramps, and entertaining their companions with song and an accordion.A journey through a region of Asia that has since fallen prey to violence, The Way of the World is also a journey toward the self. "You think you are making a trip," says Bouvier, "but soon it is making you—or unmaking you."

    This classic follows coffee's journey around the world, from London to Brazil, telling in fascinating detail and amusing anecdote the singular history of the legendary commodity, from its discovery that chewing on the beans were keeping goats awake in Yemen to the author’s own experiences with the bean in 1935.Referred to as a “documentary novel” back during its inception, H.E. Jacobs pioneered the concept of creative nonfiction, combining the reality of nonfiction with the epic presentation and prose of fiction. This genre exploded into popularity and remains so today. Coffee tells the story of this popular beverage in short, fun to read essays that will entertain anyone that enjoys a good, strong cup of coffee.

    

    After running to the site of the accident, she found an injured woman who asked Gloria to take her baby. The woman, Gloria claims, was French, and the baby was Blaise. When Blaise turns seven years old, the Soviet Union collapses and Gloria decides that she and Blaise must flee the political troubles and civil unrest in Georgia. The two make their way westward on foot, heading toward France, where Gloria says they will find safe haven. But what exactly is the truth about Blaise’s past?Bits and pieces are revealed as he and Gloria endure a five-year journey across the Caucasus and Europe, weathering hardships and welcoming unforgettable encounters with other refugees searching for a better life. During this time Blaise grows from a boy into an adolescent; but only later, as a young man, can he finally attempt to untangle his identity. Bondoux’s heartbreaking tale of exile, sacrifice, hope, and survival is a story of ultimate love.

    Full of adventure, mishaps and audacious attempts at cheating, it was a race to be remembered. Cyclists of the time weren't enthusiastic about participating in this "heroic" race on roads more suited to hooves than wheels, with bikes weighing up to thirty-five pounds, on a single fixed gear, for three full weeks. Assembling enough riders for the race meant paying unemployed amateurs from the suburbs of Paris, including a butcher, a chimney sweep and a circus acrobat. From Maurice "The White Bulldog" Garin, an Italian-born Frenchman whose parents were said to have swapped him for a round of cheese in order to smuggle him into France as a fourteen-year-old, to Hippolyte Aucouturier, who looked like a villain from a Buster Keaton movie with his jersey of horizontal stripes and handlebar moustache, the cyclists were a remarkable bunch. Starting in the Parisian suburb of Montgeron, the route took the intrepid cyclists through Lyon, over the hills to Marseille, then on to Toulouse, Bordeaux, and Nantes, ending with great fanfare at the Parc des Princes in Paris. There was no indication that this ramshackle cycling pack would draw crowds to throng France's rutted roads and cheer the first Tour heroes. But they did; and all thanks to a marketing ruse, cycling would never be the same again.

    Bonaparte had returned, and it would be just one hundred days before he met his enemies in a final, epic battle. In Napoleon and the Hundred Days, Stephen Coote vividly re-creates the rise and fall of Bonaparte's empire, and brings to life the characters who shaped it. With the eye of an historian and the dramatic style of a novelist, Coote describes how the path to war became inevitable and how, at the Battle of Waterloo, the fatigued but ever arrogant Napoleon met his match. This is a dazzling portrait of the legendary emperor, whose genius, courage, and tenacity won--and lost--him a vast empire.