Jonas Noreika, remembered as “General Storm,” had resisted his country’s German and Soviet occupiers in World War II, surviving two years in a Nazi concentration camp only to be executed in 1947 by the KGB. His granddaughter, growing up in Chicago, was treated like royalty in her tightly knit Lithuanian community. But in 2000, when Silvia traveled to Lithuania for a ceremony honoring her grandfather, she heard a very different story—a “rumor” that her grandfather had been a “Jew-killer.” The Nazi’s Granddaughter is Silvia’s account of her wrenching twenty-year quest for the truth, from a beautiful house confiscated from its Jewish owners, to familial confessions and the Holocaust tour guide who believed that her grandfather had murdered members of his family. A heartbreaking and dramatic story based on exhaustive documentary research and soul-baring interviews, The Nazi’s Granddaughter is an unforgettable journey into World War II history, intensely personal but filled with universal lessons about courage, faith, memory, and justice.

    Cecil Beaton and Katharine Hepburn were her godparents. Tracy was named after Katherine Hepburn’s character, Tracy Lord, in the classic film, The Philadelphia Story. These stylish showbiz people were role models for Tracy, who became a clotheshorse at a young age. Tracy’s father, Kenneth Tynan, was a powerful theater critic and writer for the Evening Standard, The Observer, and The New Yorker. Her mother was Elaine Dundy, a successful novelist and biographer, whose works have recently been revived by The New York Review of Books. Both of Tracy’s parents, particularly her father, were known as much for what they wore as what they wrote. In the Tynans’ social circles, style was essential, and Tracy had firm ideas about her own clothing for as long as she can remember. Shopping was an art passed down through the family; though shopping trips with her mother were so traumatic that Tracy started shopping on her own when she was fourteen. When Tracy started writing about her life she found that clothing was the focus of many of her stories. She recalls her father’s dandy attire and her mother’s Pucci dresses, as well as her parents’ rancorous marriage and divorce, her father’s prodigious talents and celebrity lifestyle, and her mother’s lifelong struggle with addiction. She tackles issues big and small using clothes as an entrée—relationships, marriage, children, stepchildren, blended families, her parent’s decline and deaths, and her work as a costume designer are all recounted with humor, with insight, and with the special joy that can only come from finding the perfect outfit.

    On Easter Sunday in 1937, the discovery of a grisly triple homicide at Beekman Place would rock the neighborhood yet again—and enthrall the nation. The young man who committed the murders would come to be known in the annals of American crime as the Mad Sculptor.   Caught up in the Easter Sunday slayings was a bizarre and sensationalistic cast of characters, seemingly cooked up in a tabloid editor’s overheated imagination. The charismatic perpetrator, Robert Irwin, was a brilliant young sculptor who had studied with some of the masters of the era. But with his genius also came a deeply disturbed psyche; Irwin was obsessed with sexual self-mutilation and was frequently overcome by outbursts of violent rage.   Irwin’s primary victim, Veronica Gedeon, was a figure from the world of pulp fantasy—a stunning photographer's model whose scandalous seminude pinups would titillate the public for weeks after her death. Irwin’s defense attorney, Samuel Leibowitz, was a courtroom celebrity with an unmatched record of acquittals and clients ranging from Al Capone to the Scottsboro Boys. And Dr. Fredric Wertham, psychiatrist and forensic scientist, befriended Irwin years before the murders and had predicted them in a public lecture months before the crime.   Based on extensive research and archival records, The Mad Sculptor recounts the chilling story of the Easter Sunday murders—a case that sparked a nationwide manhunt and endures as one of the most engrossing American crime dramas of the twentieth century. Harold Schechter’s masterful prose evokes the faded glory of post-depression New York and the singular madness of a brilliant mind turned against itself. It will keep you riveted until the very last page.

    When the German army invaded Riga, Latvian Jewry numbered about 95,000, of which only about 1,000 survived the war. The story of how Wood and luck somehow enabled Max and his father to survive the Holocaust, unlike so many, is riveting. The family business was engaged with forestry and wood, so Max, his older brother, and their father were forced to work in wood for the Nazis, while his mother and little brother were murdered. A harrowing journey replete with painful memories… The book traces their harrowing journey from work camp to work camp, a terrible choice that the father is forced to make, the aftermath of the war in Europe, and finally arrival in Israel. For 65 years Max silently bore the burden of these memories until the author led him on a path of discovery through his painful personal history. Scroll up now and get your copy of Wood, luck & survival!

    Not a propitious time and place for a Jewish child to be born.One memory that has been etched indelibly in my mind is the sight of the Nazi army marching toward Russia. Our house was located on the main road leading to the Russian frontier. Day and night they marched - soldiers, trucks, tanks, and more soldiers, in a never ending line - an invincible force. I remember my father, holding me in his arms, saying to my mother, "Who is going to stop them? Certainly not the Russians." One night, my father had a dream. In this dream he saw what he had to do: where to build the bunker, how to build it, and even its dimensions.He would build a bunker under a wooden storage shed behind the house. It would be covered with boards, on top of which would be placed soil and bits of straw which would render it invisible. In order to camouflage the entrance, he would construct a shallow box and fill it with earth and cover it with straw so that it would be indistinguishable from the rest of the earthen floor. Air would be supplied through a drain pipe buried in the earth. This was to be our Noah's Ark that would save us from the initial deluge. It took my father about three weeks to finish the job. When he was done, he took my mother and sister into the shed and asked them if they could find the trap door. When they could not, he was satisfied.My mother prepared dry biscuits, jars of jam made out of beets, some tinned goods such as sardines, some sugar and salt. We placed two buckets in the bunker. One bucket was filled with water, the other bucket was empty and would serve as the latrine. We also took down some blankets, a couple of pillows and some warm clothing. We were ready.For three long years, starting in 1941 when the Nazis started the deportations and mass killings, we hid in secret bunkers, dug in fields, under sheds, or constructed in barn lofts. It seems that the only way that a Jew could survive in wartime Poland was to become invisible. So we became invisible Jews.

    Forty-four years later, Bragg's nephew travels to South Carolina to discover the truth--and finds himself on the Wanted List and fighting for his own freedom! HC: Mysterious Press.

    Taking this as a key to understanding the hugely successful moviemaker, Molly Haskell explores the full range of Spielberg’s works for the light they shine upon the man himself. Through such powerhouse hits as Close Encounters of the Third Kind, E.T., Jurassic Park, and Indiana Jones, to lesser-known masterworks like A.I. and Empire of the Sun, to the haunting Schindler’s List, Haskell shows how Spielberg’s uniquely evocative filmmaking and story-telling reveal the many ways in which his life, work, and times are entwined.   Organizing chapters around specific films, the distinguished critic discusses how Spielberg’s childhood in non-Jewish suburbs, his parents’ traumatic divorce, his return to Judaism upon his son’s birth, and other events echo in his work. She offers a brilliant portrait of the extraordinary director—a fearful boy living through his imagination who grew into a man whose openness, generosity of spirit, and creativity have enchanted audiences for more than 40 years.About Jewish Lives:  Jewish Lives is a prizewinning series of interpretative biography designed to explore the many facets of Jewish identity. Individual volumes illuminate the imprint of Jewish figures upon literature, religion, philosophy, politics, cultural and economic life, and the arts and sciences. Subjects are paired with authors to elicit lively, deeply informed books that explore the range and depth of the Jewish experience from antiquity to the present. In 2014, the Jewish Book Council named Jewish Lives the winner of its Jewish Book of the Year Award, the first series ever to receive this award.More praise for Jewish Lives: "Excellent." –New York Times "Exemplary." –Wall Street Journal "Distinguished." –New Yorker "Superb." –The Guardian

    Hitler, who loathed flying, felt safe with Baur and would allow no one else to pilot him. As a result, an intimate relationship developed between the two men and it is this, which gives these memoirs special significance. Hitler relaxed in Baur's company and talked freely of his plans and of his real opinions about his friends and allies.Baur was also present during some of the most salient moments of the Third Reich; the R�hm Putsch, the advent of Eva Braun, Ribbentrop's journey to Moscow, the B�rgerbr�ukeller attempt on Hitler's life; and when war came, he flew Hitler from front to front. He remained in Hitler's service right up to the final days in the F�hrerbunker. In a powerful account of Hitler's last hours, Baur describes his final discussions with Hitler before his suicide; and his last meeting with Magda Goebbels in the tortuous moments before she killed her three children. Remarkably, throughout it all Baur's loyalty to the F�hrer never wavered. His memoirs capture these events in all their fascinating and disturbing detail.

    That is, however, until he took it upon himself to attempt to assassinate the Führer, Adolph Hitler. Being a common man who opposed the Nazi regime, Elser took the skills from his craft and worked to assemble his own bomb detonator. Every night, he snuck out to the Munich Beer Hall, where he worked on assembling the bomb that he planned to use to kill Hitler. Hidden in a hollowed-out space near the speaker’s podium, Elser’s bomb went off successfully, killing eight people. Hitler was not one of them. This is the story, scene by scene, of the events that led up to Georg Elser taking justice into his own hands, his attempt to murder the Führer, and what happened after the bomb went off. The Lone Assassin is a powerfully gripping tale that places the reader in the dark days of Munich in 1939, following Elser from the Munich Beer Hall, across the border, and sadly, to the concentration camp where his heroic life ended.

    Jafa Wallet's "Bitter Freedom," which I first read as an untitled manuscript in the late 1970's, is one of the most compelling first-person accounts by a Holocaust survivor that I have ever encountered. She evokes scenes which have resonated inside my head for nearly thirty years, and its publication is an important event not only for those interested in the Holocaust, but for everyone seeking illumination into the complexities and mysteries of what it means to be human. "Nelson E Breen, Emmy Award-winning writer and director "

    German engineers have fortified Montfaucon, a rocky butte in northern France, with bunkers, trenches, and giant guns. Following a number of bloody, unsuccessful attacks, the French deem Montfaucon impregnable and dub it the Little Gibraltar of the Western Front. Capturing it requires 1.2 million American soldiers, and 122,000 American casualties. But at the heart of the victory is a betrayal of Americans by Americans. Now William T. Walker tells the full story in his masterful Betrayal at Little Gibraltar.In the assault on Montfaucon, American forces became strangely bogged down, a delay that cost untold thousands of lives as the Germans defended their position with no mercy. Years of archival research demonstrate that the actual cause of the failure was the disobedience of a senior American officer, Lieutenant General Robert E. Lee Bullard, who subverted orders to assist the US 79th Division, under the command of General John J. Pershing. The result was unnecessary slaughter of American doughboys. Although several officers discovered the circumstances, Pershing protected Bullard—an old friend from West Point days—and covered up the story. The true account of the battle was almost lost to time.Betrayal at Little Gibraltar tells vivid human stories of the soldiers who fought to capture the giant fortress and push the American advance. Using unpublished first-person accounts—and featuring photographs, documents, and maps that place you in the action—Walker describes the horrors of World War I combat, the sacrifices of the doughboys, and the determined efforts of two participants to pierce the cover-up and to solve the mystery of Montfaucon. Like Stephen Ambrose and S.C. Gwynne, Walker is writing popular history at its best.

    The Pawnbroker s Daughter charts her journey from a childhood in the Jewish community in Depression-era Philadelphia, where Kumin s father was a pawnbroker, to Radcliffe College, where she comes into her own as an intellectual and meets the soldier-turned Los Alamos scientist who would become her husband; to her metamorphosis from a poet of light verse to a poet of witness; to her farm in rural New England, the subject and setting of much of her later work.Against all odds, Kumin channels her dissatisfaction with the life that is expected of her as a wife and a mother into her work as a feminist and one of the most renowned and remembered twentieth-century American poets."

    With no other family, except each other, they build a world that revolves around Sidonia's extraordinary talent with a needle and thread to create beautiful garments while Hanna serves as her dutiful model. As Sidonia becomes well-known in western Massachusetts and northern Connecticut for her remarkable sewing talent, she continues to keep her inner secrets about her past hidden not only from her daughter but from everyone else. Determined to craft a life of pride, self-reliance and perseverance, Sidonia teaches her daughter to "stand up straight" in fashion and in life. Sidonia's Thread uses sewing metaphors to tell the tale of these two women as though stitched together like a handmade garment. Why did Sidonia keep these significant life secrets, and why was Hanna so afraid to ask about them? When Sidonia moves to elderly housing, Hanna steals some of her old letters and photographs hoping to find clues to her paternity, her mother's reclusive behavior, and her heritage. Combined with a trip to her mother's Hungarian homeland and a phone conversation with her father, Hanna's surprising discoveries inspire a revised view of her life with her mother, replacing her conflicting emotions toward her mother with true reverence.

    On that train were carriage after carriage of loot – gold, diamonds, furs, wedding rings – plundered in one of the most shameful crimes of the century. Commanded by Árpád Toldi, a key organizer of the Hungarian Holocaust, and harbouring a desperate group of fascist ideologues, soldiers and thieves, the gold train was destined for a Nazi stronghold in the Alps. It would never arrive. Along its crazed journey the train’s contents were pilfered, fought over, hidden and scattered, until they became the stuff of legend, with legal claims unresolved even today. What is the truth of this mythical cargo? In ‘The Gold Train’ Ronald Zweig reveals the full story of one of the most terrible mysteries of the Second World War.

    Breckinridge was married, and he once declared women's chastity "the cornerstone of human society." He seduced Pollard, and when his wife died, he asked for her hand. After a decade-long affair, they were to be married--but then Breckinridge broke off the engagement and suddenly married another woman.In 1893, Pollard sued Breckinridge for breach of promise, and their affair--in all its indecorous detail--became shockingly public. With premarital sex considered irredeemably ruinous for a woman, Pollard was asserting the unthinkable: that the sexual morality of men and women should be judged the same way. In court, she said, "I'll take my share of the blame. I only ask that he take his." The sensational five-week trial woke Victorian women up to the harsh injustice of double standards. And, surprisingly, Pollard won.Nearly 125 years after the Breckinridge-Pollard scandal, we're still obsessed with sexual morality and the role women play in maintaining it. From concern about the decline of marriage and the rise of "hook-up" culture to battles over contraception and abortion, the underlying concern is the regulation of appropriate sexual behavior for women. Bringing Down Breckinridge is the story of one of the earliest women to take a stand against that regulation. Using trial transcripts, newspaper coverage, personal journals, and letters, the journalist Patricia Miller chronicles the fascinating and virtually unknown Pollard-Breckinridge trial, arguing for its rightful place within the history of women's rights.