Out on the pitch a lone brass player sounds the haunting Post Horn Gallop, for 80 years the home players' entrance tune. Spines tingle. Air is gulped into opposition lungs. Game time, time to begin the chase. Burning fox eyes peer down from between the decks of one of the stands. On the stadium's outside wall a royal blue LCD display says #Fearless.Welcome to Leicester City. They were always a club with a difference but in 2015-16 they created a story that in modern football stands unique. Who could believe it: from relegation certainties to champions of England? It was when, on behalf of every small club, dreams were hunted at the King Power, a season where the impossible became merely quarry.5,000-1 shots when the campaign started, Leicester's transformation has been remarkable. This is the most incredible cast of written-offs, grafters, misfits and journeymen, coming together in a special time and place to simultaneously have the season of their lives. Fearless will document Leicester's hunt of their impossible dream. It will tell the greatest football tale of the Premier League era, in loving detail, with the inside track. Now that Leicester have gone all the way and won the title, it is the best story in world sports - for years.Premier League champions. The side who'd been adrift at the bottom 12 months previously, who's started the season as relegation favourites, whose manager was favourite to be the first one sacked once the campaign got underway. A League One side only seven seasons previously. A squad of �500,000 and �1m men. Leicester. Ridiculous. Miraculous. Fearless.

    Lately he’s been bored out of his mind writing about the PGA Tour, which he says has become “Tiger and a bunch of slugs playing pushover courses.” So he decides to check out what he calls “the Lolitas,” a new breed of young chicks on the LPGA Tour. Jack chooses as a magazine subject Ginger Clayton, a fiery eighteen-year old with flowing blond locks, legs up to here, and a personality that combines mischief with confidence. With her killer looks and killer game, Ginger looks very much like the kind of star who can take the LPGA to the next level of excitement and acceptance. She is, indeed, The Franchise Babe, and everyone seems to want a part of her.Jack’s interest in Ginger’s career might have something to do with her mother, Thurlene Clayton, a knockout herself who looks plenty okay in a jacked-up mini-to use Jack’s description of her outfit. As Ginger shows her grit on the ladies’ tour, the greedy hordes looking to benefit from the kid’s talent and personality aren’t the ones who worry Thurlene-and Jack-the most. Someone is trying to knock Ginger out of the competition-permanently.Jenkins captures the growing buzz around the Franchise Babe and all the insane and hilarious things that happen when the sports world anoints someone new to the throne of super-stardom. Along the way, Jenkins issues bawdy, dead-on takedowns of selfish sports moms, gasbag corporate sponsors, adventurous promoters, sleazy sports agents, point-missing magazine editors, and all the other modern annoyances that make life hard for a guy who, as they say in Texas, is just tryin' to get by without gettin' hurt.

    With the previous season's failed playoff bid still as fresh as the paint job on the new Yankee Stadium, a 27th championship flag represented both the floor and the ceiling in the eyes of a squad. It was the last title for the "Core Four"—Derek Jeter, Mariano Rivera, Jorge Posada, and Andy Pettitte—who would each retire over the course of the next five years. It would be the lone title for Alex Rodriguez, Mark Teixeira, A.J. Burnett, and Nick Swisher, each of whom saw memorable peaks and valleys during their time in the Bronx. For CC Sabathia and Brett Gardner, it was their first championship, though the veterans were still in pinstripes as the latest generation of Yankees arrived for what they hope will be the next dynasty. Mission 27 is a thoroughly reported examination of an unforgettable season, packed with interviews with the full cast of key players, team executives, broadcasters, and more.

    

    I just want to be known as a clown because to me that's the height of my profession. It means you can do everything-sing, dance, and above all, make people laugh.” – Red Skelton “All I want to do is to make people laugh, to take the word ‘heartache’ out of their vocabulary” – Red Skelton A lot of ink has been spilled covering the lives of history’s most influential figures, but how much of the forest is lost for the trees? In Charles River Editors’ American Legends series, readers can get caught up to speed on the lives of America’s most important men and women in the time it takes to finish a commute, while learning interesting facts long forgotten or never known. Among radio personalities and television entertainers, almost nobody had a career as long or storied as Red Skelton, one of America’s foremost comedians during the 20th century. Over the course of 70 years, Skelton made crowds laugh from vaudeville to performing as a clown, and while he is best known for The Red Skelton Show and his other variety shows, he also managed a 45 year stage career, as a pantomime or one of the other characters he created over the years. Although Skelton was extremely popular in America at the peak of his career, his entertainment was also a throwback to the early 20th century, which compelled television studios to balk at the notion of continuing to air his shows by 1970, even though his shows had spent almost two straight decades with Top 10 ratings on the air. Understandably bitter, Skelton refused to have his shows in syndication until the 1980s, and by then, the same concerns about his appeal to younger crowds had only gotten worse as he and his show had aged. Skelton is still best remembered for his performances and his television career, but he was also a noted artist who fittingly excelled at depicting clowns on canvas. Despite the seemingly silly content of his work, Skelton’s skills as an artist were so impressive that he made millions of dollars a year selling his art and having it displayed. By the time he died in 1997, it’s estimated that he may have made more money through art than through performing. American Legends: The Life of Red Skelton chronicles the life and career of one of America’s most beloved comedians. Along with pictures of important people, places, and events, you will learn about Red Skelton like never before, in no time at all.

    After an eventful sojourn among the Galacticos of Real Madrid he has savoured silverware at Arsenal, while in 2014 he lifted the World Cup with Germany.But his life and career have been a test of resilience. Growing up in Germany's Turkish community, he faced prejudice from those who claimed his dual identity would prevent him giving his all for the national team. Later came questions over a different type of commitment, the kind levelled against those, like Mesut Ozil, who excel in football's finer arts rather than relying simply on running and ruggedness. He has proved concerns on both these issues lack substance.In Gunning for Greatness, Mesut Ozil reveals the inside stories of his relationships with Jose Mourinho and Arsene Wenger, his quest to help the under-fire Frenchman restore Arsenal's pre-eminence - and how he silenced the sceptics by conquering the world.

    Following his passing in 2019, tributes to Bob came flooding in in every major news outlet and from every major figure in the industry - and outside of it. His career spanned decades, from his days as a cricketer for England to his time as a pundit on Sky TV. This autobiography includes never-before-seen writing from Bob alongside contributions from key figures as well as a detailed account of the great England victory over Australia at Headingly in 1981.The book, edited by Bob's brother David, combines a new biography, written by Daily Mail sportswriter Mike Dickson, with a celebration of a truly legendary man. Tributes from some of his many friends in the world of cricket and beyond are accompanied by reflections on highlights from an eventful life, drawing on autobiographical and personal material by Bob himself, contemporary press reports and the accounts of team-mates and opponents.

    From their humble beginnings as a team bought with rainy-day money by a man who had no idea what he was doing to the fateful season that saw them win their first Super Bowl, Jerry Thornton shares the wild, humiliating, unbelievable, and wonderful stories that comprised the first forty years of what would ultimately become the most dominant franchise in NFL history. Witty, hilarious, and brutally honest, From Darkness to Dynasty returns to the thrilling, perilous days of yesteryear—a welcome corrective for those who hate the Patriots and a useful reminder for those who love them that all glory is fleeting.

    

    Winner of multiple Olympic gold medals and setter of world records, Libby wasn't just a champion, she was Australia's girl next door, the humble superstar from suburban Brisbane with the infectious grin and sunny nature. Yet what we saw on the surface - the confidence, competitiveness and warmth that were her hallmarks - belied the very private battles she fought in her own head. Beneath the incredible achievements and that trademark smile, Libby suffered from crippling depression. During her swimming career she managed to keep her demons more or less at bay, but when an injury forced her to retire in 2013 Libby was suddenly thrust into an unfamiliar world. With few, if any, qualifications to handle it, her self-doubts began to overwhelm her. The birth of her first baby added further complications to her fragile mental health, and she suffered intense postnatal depression. When she finally recognised the depression for what it was, and sought help for it, it was a major turning point in her life.Libby's memoir is an extraordinarily candid, revealing and inspiring account of both her public life as one of our greatest swimming champions, and her struggle to overcome her mental health challenges.

    1 pick in the 2000 AFL draft, to six-time winner of St Kilda's best and fairest award, to five-time All Australian, to captaining his club for a record 220 games, to more than 330 games as a star of the AFL, Nick Riewoldt is an out-and-out champion.The Things that Make Us is Nick's autobiography, written with a deep intelligence and insight, and giving a fascinating perspective on his extraordinary life and career. As Nick describes it:'I hope there's something in these pages for everyone who's known grief, especially anyone who's lost a sibling. I hope, too, that my story brings a deeper understanding of a footballer's crazy world. An insight into what goes into making it, what it takes to stay there, and the crippling anxiety that can consume you when your burden is to accept only the best. I hope it paints a picture of what it's like to be the focus of acclamation and scandal, the good and bad of a searing spotlight, and how these experiences can bring out the best and worst in us.'I hope it honours my family - the German and Tasmanian sides with their stories of struggle and endurance - who are the essence of the book's title. I hope it gives thanks for the love I found on the other side of the world, and the beautiful next generation Cath and I are building together. 'I hope above all that it honours my sister Maddie. 'These are the things that made me.'The Things That Make Us is the intimate, powerful and revealing account of the life of an AFL superstar, and a classic in the making.

    His photographic memory takes the reader along on his journey from the dusty maidansof Mumbai to the world stage as the diminutive batsman faces up to the fearsome West Indian andPakistani pace attacks.In his precise plainspeak, Sanjay reflects on his father Vijay Manjrekar, and the effects of thatlegend on his game; comments on the complex equations with the India greats with whom he sharedthe dressing room and on the lessons learnt from his opponents; and reveals his own excruciatingobsession with batting technique, the quest for perfection, and the battle to try to shake off hismental shackles.This remarkable memoir sets a new standard for cricket writing in India, with significant life lessonsfor those who aren t cricket fans as well.

    Even though the past two years have witnessed the Red Sox' finally putting an end to the Curse of the Bambino and the White Sox' bringing a championship to the South Side of Chicago for the first time in eighty-seven years, the sad truth is that the 2005 and 2006 seasons may be remembered as much for the league's scandals and blockbuster free-agent signings as they are for historic accomplishments on the field. Something has gone horribly wrong with the game, and according to Schmidt, it's time to do something about it.Clearing the Bases is a much-needed call to arms by one of baseball's most respected players. Drawing on his experiences as a third baseman, a manager, and, most recently, a fan, Schmidt takes on everything from skyrocketing payrolls, callous owners, and unapproachable players to inflated statistics, and, of course, ersatz home run kings. With bold and spirited counsel, Schmidt offers his own prescription for restoring integrity to the game and bringing baseball back, once and for all, to its rightful place.More than just an old-timer's screed against the modern game, however, Clearing the Bases goes beyond the BALCO investigation and never-ending free-agent bonanzas that dominate the back pages. It also examines all that's right -- and what still needs work -- with our national pastime, including interleague play, expansion, and, most surprisingly, better all-around hitters.Riveting, wise, and illuminating, Clearing the Bases is a Hall of Famer's look at how Major League Baseball has lost its way and how it can head back home.

    The year was 1962. He was all of twenty-three. No player in basketball history had ever done this. No one has done it since--not Magic Johnson, not Larry Bird, not Michael or Kobe. Throughout the first five years of his career, he averaged a triple-double.Videotape does not do him justice. The images are washed out, the colors faded and fuzzy in a manner associated with bygone eras, the fashions and style of play not aging well. And yet there is palpable greatness.He was voted into the Basketball Hall of Fame on the first ballot, and the National Association of Basketball Coaches named him their player of the century. ESPN put him among their fifty greatest athletes of the century, the National Basketball Association on their list of the fifty greatest players. On and on. So many accolades that they run into one another.But the story of Oscar Robertson is about much more than basketball. The story of Oscar Robertson is one of a shy black child growing up in a city so segregated that, until he is ten years old, his only exposure to white people is the distant memory of two Tennessee farm owners whose land his father had worked. It is the story of a poor family, and absent parents working long hours without complaint or reward.The story of Oscar Robertson is also the story of the basketball-crazed state of Indiana and Crispus Attucks High School, the high school he led to the state championship. He joins the University of Cincinnati's basketball team and handles the ball on the perimeter in a way that has never been seen before.Oscar Robertson enters the NBA with the Cincinnati Royals, who have been just barely holding on as they wait for the fledgling star. Robertson does not disappoint. Moving to the backcourt, he simply revolutionizes the game.The story of Oscar Robertson is one of a superstar at the height of his career becoming the president of a union, the National Basketball Players Association, using his fame to try to improve conditions for all basketball players. It is the story of the man who sues the NBA for the right to free agency.He is thirty-one years old when the Milwaukee Bucks trade for him. And so Oscar Robertson's story is also the story of a veteran player who joins young superstar Lew Alcindor (the future Kareem Abdul-Jabbar) and leads Milwaukee to an NBA championship.It is the story of a man who, at thirty-four years old, is forced to leave the game. Who is blacklisted from coaching and is forced out of broadcasting. Who must face questions not about whether he fought the good fight, but how he fought it.Two years after he leaves basketball, after six years of legal wrangling, Robertson wins his lawsuit with the NBA. It is the story of a man who revolutionized the game of basketball twice: once on the court, and once in the way that the business of basketball is conducted. It is the story of how the NBA, as we now know it, was built. Of race in America in the second half of the twentieth century. Of a complex hero. An uncompromising man. It is Oscar Robertson's story.

    Among the prospects are Virginia defensive end Chris Canty, who overcomes a devastating early-season knee injury to reestablish himself as a top draft hopeful, only to suffer a detached retina in a nightclub skirmish; and Fred Gibson, a talented but rail-thin Georgia wide receiver who struggles to put on the weight needed to go over the middle in the NFL.It's a complex environment, with college coaches attempting to protect their student-athletes from exploitation (while fully aware that they can only remain competitive if they attract NFL-caliber players to their schools), along with sports agents and NFL scouts trying to stay a step ahead of their competition. These parties provide a multi-angled view of the world of emerging NFL talent. The reader follows the season through the eyes of a host of power players and scouts, from veteran agent Pat Dye Jr. to Jerry Maguire clone Jack Scharf, to the coaching divisions of Florida State University and the University of Virginia---headed by longtime Bill Parcells disciple Al Groh. Also central to the narrative are the Atlanta Falcons and executives Rich McKay and Tim Ruskell (now with Seattle), who use a character-based evaluation system to set their draft board. These parallel stories weave together, culminating in draft weekend, to create a gripping and fascinating look at a world few see from the inside.