She fled London after her husband was brutally murdered, but the bucolic town in the countryside where she lands will offer her no solace. She still doesn’t know who killed her husband, but she knows one thing: The murderer is still out there. This becomes all too clear when Bess’s brother-in-law, a prosperous merchant, is himself found dead—dangling from a tree, an apparent suicide.But Bess doesn’t believe that for a moment, and nor do her neighbors. Competition is cutthroat in the 17th century, and word around the town holds that the dead man is a victim of rival merchants scheming to corner the wool market. Bess, though, is convinced the killer is out to destroy her family.Town constable Christopher Harwoode will cross members of his own family to help Bess find the killer—whose next target may very well be Queen Elizabeth I—in this unshakably gripping, devilishly unpredictable series debut that will delight fans of Alison Weir and Philippa Gregory.

    But unlike her famous detective Hercule Poirot, she can’t neatly unravel the mysteries she encounters on this fateful journey.Agatha isn’t the only passenger on board with secrets. Her cabinmate Katharine Keeling’s first marriage ended in tragedy, propelling her toward a second relationship mired in deceit. Nancy Nelson—newly married but carrying another man’s child—is desperate to conceal the pregnancy and teeters on the brink of utter despair. Each woman hides her past from the others, ferociously guarding her secrets. But as the train bound for the Middle East speeds down the track, the parallel courses of their lives shift to intersect—with lasting repercussions.Filled with evocative imagery, suspense, and emotional complexity, The Woman on the Orient Express explores the bonds of sisterhood forged by shared pain and the power of secrets.

    Mary in Catherine Lloyd's charming Regency-set mystery debut.Major Robert Kurland has returned to the quiet vistas of his village home to recuperate from the horrors of Waterloo. However injured his body may be, his mind is as active as ever. Too active, perhaps. When he glimpses a shadowy figure from his bedroom window struggling with a heavy load, the tranquil façade of the village begins to loom sinister. . .Unable to forget the incident, Robert confides in his childhood friend, Miss Lucy Harrington. As the dutiful daughter of the widowed rector, following up on the major's suspicions offers a welcome diversion--but soon presents real danger. Someone is intent on stopping their investigation. And in a place where no one locks their doors, a series of thefts and the disappearance of two young serving girls demands explanation. . .As Robert grapples with his difficult recovery, he and Lucy try to unearth the dark truth lurking within the village shadows, and stop a killer waiting to strike again...

    Will her death end the ceaseless plotting against Mary’s red-haired cousin, Elizabeth?1588, the year of the Spanish Armada, is a time of more terror and triumph, not just for queen and court but for the whole of England. The turmoil is reflected in its theatres and under the galleries of inns like London’s “The Queen’s Head” where Lord Westfield’s Men perform. The scene there grows even more tumultuous when one of the actors is murdered by a mysterious stranger during a brawl.Nicholas Bracewell, the company’s bookholder (a role far wider than mere producer) faces two immediate repercussions. The first is to secure a replacement acceptable to its temperamental star — and chief shareholder — Lawrence Firethorn. The second is to keep his promise to the dying Will Fowler and catch his killer.Soon further robberies, accidents, and misfortunes strike Lord Westfield’s Men even as their stage successes swell. Bracewell begins to suspect a conspiracy, not a single murderous act, but where lies the proof? Then the players are rewarded with the ultimate accolade — an appearance at court — and the canny bookholder senses the end to the drama is at hand…First published to great acclaim in 1988, The Queen’s Head anticipated the lure of bawdy, boisterous, yet elegant epics like Shakespeare in Love. Actor and playwright Marston has followed with, to date, ten more lusty, historically grounded, theatrically sound Bracewell mysteries that explore the face of England and reveal his deep love for its rich literary and dramatic heritage. The Roaring Boy was nominated for a 1996 Edgar Award for Best Novel.

    Breaking into the homes of the rich and picking the locks on their safes may not be condoned by British law enforcement, but World War II is in full swing, Ellie's cousins Colm and Toby are off fighting against Hitler, and Uncle Mick's more honorable business as a locksmith can't pay the bills any more.So when Uncle Mick receives a tip about a safe full of jewels in the empty house of a wealthy family, he and Ellie can't resist. All goes as planned--until the pair are caught redhanded. Ellie expects them to be taken straight to prison, but instead they are delivered to a large townhouse, where government official Major Ramsey is waiting with an offer: either Ellie agrees to help him break into a safe and retrieve blueprints that will be critical to the British war effort, before they can be delivered to a German spy, or he turns her over to the police.Ellie doesn't care for the Major's imperious manner, but she has no choice, and besides, she's eager to do her bit for king and country. She may be a thief, but she's no coward. When she and the Major break into the house in question, they find instead the purported German spy dead on the floor, the safe already open and empty. Soon, Ellie and Major Ramsey are forced to put aside their differences to unmask the double-agent, as they try to stop allied plans falling into German hands.

    The Pentangle, the movement's underground society whose members are known to practice the black arts, is thought to be behind the apparent suicide of Lawrence Duket, one of the King's loyal subjects, in revenge for Duket's murder of one of their supporters. The King, deeply suspicious of the affair, orders his wily Chancellor, Burnell, to look into the matter. Burnell chooses a sharp and clever clerk from the Court of King's Bench, Hugh Corbett, to conduct the investigation. Corbett - together with his manservant, Ranulf, late of Newgate - is swiftly drawn into the tangled politics and dark and dangerous underworld of medieval London.

    Arriving in the ancient Byzantine city in the year 1273, Anna Zarides has only one mission: to prove the innocence of her twin brother, Justinian, who has been exiled to the desert for conspiring to kill Bessarion, a nobleman.Disguising herself as a eunuch named Anastasius, Anna moves freely about in society, using her skills as a physician to manoeuver close to the key players involved in her brother’s fate. With her medical practice thriving, Anna crosses paths with Zoe Chrysaphes, a devious noblewoman with her own hidden agenda, and Giuiliano Dandolo, a ship’s captain conflicted not only by his mixed Venetian-Byzantine heritage but by his growing feelings for Anastasius.Trying to clear her brother’s name, Anna learns more about Justinian’s life and reputation—including his peculiar ties to Bessarion’s beautiful widow and his possible role in a plot to overthrow the emperor. This leaves Anna with more questions than answer, and time is running out. For an even greater threat lies on the horizon: Another Crusade to capture the Holy Land is brewing, and leaders in Rome and Venice have set their sights on Constantinople for what is sure to be a brutal invasion. Anna’s discoveries draw her inextricably closer to the dangers of the emperor’s treacherous court—where it seems that no one is exactly who he or she appears to be.Richly detailed and finely wrought, The Sheen on the Silk is a bold and brilliant work that affirms Anne Perry’s talent as a master storyteller.

    This is no ordinary journey—it is a time of rival popes, a boy king, and a shaky peace in the savage aftermath of Wat Tyler’s murder—and Hildegard has embarked on a perilous mission to try to secure the future of her priory. Traveling alone, she discovers danger, encountering first a gibbet with five bloodied corpses and then the body of a youth, brutally butchered. Who was the boy, how was he connected to the men hanging from the gibbet, and what do these gruesome deaths mean? Hildegard is determined to uncover the truth, no matter how terrible it may be. When even her childhood home, Castle Hutton, turns out not to be a safe haven from murder, Hildegard realizes she will have to summon all of her courage and wisdom to counter the dark forces that threaten her friends and family as well as her country.

    . . In the winter of 1835, young Charles Dickens is a journalist on the rise at the Evening Chronicle. Invited to dinner at the estate of the newspaper's co-editor, Charles is smitten with his boss's daughter, vivacious nineteen-year-old Kate Hogarth. They are having the best of times when a scream shatters the pleasant evening. Charles, Kate, and her father rush to the neighbors' home, where Miss Christiana Lugoson lies unconscious on the floor. By morning, the poor young woman will be dead.When Charles hears from a colleague of a very similar mysterious death a year ago to the date, also a young woman, he begins to suspect poisoning and feels compelled to investigate. The lovely Kate offers to help--using her social position to gain access to the members of the upper crust, now suspects in a murder. If Charles can find justice for the victims, it will be a far, far better thing than he has ever done. But with a twist or two in this most peculiar case, he and Kate may be in for the worst of times . . .

     1192. Returning from the Holy Land at the end of the Third Crusade with Richard the Lionheart, King of England, Sir John de Wolfe, a Devon knight, finds England simmering with rebellion. Discovering a body washed up on the shores of the River Exe, its throat cut, Sir John deduces that he was a king’s courier. Tasked by Hubert Walter, the Chief Justiciar, to find out why the man died and who killed him, Sir John de Wolfe finds himself drawn unwillingly into affairs of state.  His new career as a king’s coroner is about to begin . . .

    . . An Unpardonable Sin? England, 1919. Verity Kent’s grief over the loss of her husband pierces anew when she receives a cryptic letter, suggesting her beloved Sidney may have committed treason before his untimely death. Determined to dull her pain with revelry, Verity’s first impulse is to dismiss the derogatory claim. But the mystery sender knows too much—including the fact that during the war, Verity worked for the Secret Service, something not even Sidney knew. Lured to Umbersea Island to attend the engagement party of one of Sidney’s fellow officers, Verity mingles among the men her husband once fought beside, and discovers dark secrets—along with a murder clearly meant to conceal them. Relying on little more than a coded letter, the help of a dashing stranger, and her own sharp instincts, Verity is forced down a path she never imagined—and comes face to face with the shattering possibility that her husband may not have been the man she thought he was. It’s a truth that could set her free—or draw her ever deeper into his deception . . .

    But when it comes to selling secrets, India's price cannot be paid by any man...In the winter of 1876, the beautiful, young madam, India Black, is occupied with her usual tasks—keeping her tarts in line, avoiding the police, and tolerating the clergyman bent on converting her girls. But when Sir Archibald Latham of the War Office dies from a heart attack while visiting her brothel, India is unexpectedly thrust into a deadly game between Russian and British agents who are seeking the military secrets Latham carried.French, the handsome, British spy, discovers India disposing of Latham's body and blackmails her into recovering the missing documents. Their quest takes them from the Russian embassy to Claridge's Hotel, from London to the English coast, all the while dodging Russians intent to do them harm.But it is their own tempestuous relationship they will have to weather as India and French attempt to resist the mutual attraction between them—an attraction that can prove as deadly as the conspiracy entangling them.

    M. Powell, Karen Maitland and S J Parris. All is not as it seems… 1322, Yorkshire, England Sir Richard Lee, Sergeant-at-Law, has been sent to Sandal Castle by King Edward II to preside over the court of the Manor of Wakefield. On the way, he is threatened with his life when he comes across the outlaw Robin Hood. The Hood lets Sir Richard pass, but before long a man is found murdered – with an arrow through his eye. With the vicious murder and a brutal rape to be investigated, Sir Richard must make his mark and solve the mysteries. But with the current authority against him, and Robin Hood on his trail, it may not be as easy as it first appears… THE PARDONER’S CRIME is the first book in the Sandal Castle Medieval Thriller series: historical murder mysteries set in Yorkshire. ‘anybody who enjoys a pacy story ought to find plenty to praise’ - My Shelf Blog

    Although the Simon de Montfort rebellion is over, the smell of death still hangs like smoke over the land. Even in the small priory of Tyndal on the remote East Anglian coast, the monks and nuns of the Order of Fontevraud long for a return to tranquil routine. Their hopes are dashed, however, when the young and inexperienced Eleanor of Wynethorpe is appointed their new prioress over someone of their own choosing. Nor are Eleanor's own prayers for a peaceful transition answered. Only a day after her arrival, a brutally murdered monk is found in the cloister gardens, and Brother Thomas, a young priest with a troubled past, arrives to bring her a more personal grief. Now she must not only struggle to gain the respect of her terrified and resentful flock but also cope with violence, lust and greed in a place dedicated to love and peace.

    Despatched to a monastery at the age of seven, sent back at seventeen when his father and two older brothers are killed by the Plague, Oswald has no experience of running an estate. He finds the years of pestilence and neglect have changed the old place dramatically, not to mention the attitude of the surviving peasants.Yet some things never change. Oswald's mother remains the powerful matriarch of the family, and his sister Clemence simmers in the background, dangerous and unmarried.Before he can do anything, Oswald is confronted by the shocking death of a young woman, Alison Starvecrow. The ambitious village priest claims that Alison was killed by a band of demonic dog-headed men. Oswald is certain this is nonsense, but proving it by finding the real murderer is quite a different matter. Every step he takes seems to lead Oswald deeper into a dark maze of political intrigue, family secrets and violent strife.And then the body of another girl is found.Sarah Sykes brilliantly evokes the landscape and people of medieval Kent in this thrillingly suspenseful debut."