But that's before she realizes that Dax Miller is locked in with her.Autumn doesn't know much about Dax except that he's trouble. Between the rumors about the fight he was in (and that brief stint in juvie that followed it) and his reputation as a loner, he's not exactly the ideal person to be stuck with. Still, she just keeps reminding herself that it is only a matter of time before Jeff, her almost-boyfriend, realizes he left her in the library and comes to rescue her.Only he doesn't come. No one does.Instead it becomes clear that Autumn is going to have to spend the next couple of days living off vending-machine food and making conversation with a boy who clearly wants nothing to do with her. Except there is more to Dax than meets the eye.As he and Autumn at first grudgingly, and then not so grudgingly, open up to each other, Autumn is struck by their surprising connection. But can their feelings for each other survive once the weekend is over and Autumn's old life, and old love interest, threaten to pull her from Dax's side?

    It sounds strange because it is, and it is, because I am strange.After the sudden collapse of her family, Mim Malone is dragged from her home in northern Ohio to the "wastelands" of Mississippi, where she lives in a medicated milieu with her dad and new stepmom. Before the dust has a chance to settle, she learns her mother is sick back in Cleveland.So she ditches her new life and hops aboard a northbound Greyhound bus to her real home and her real mother, meeting a quirky cast of fellow travelers along the way. But when her thousand-mile journey takes a few turns she could never see coming, Mim must confront her own demons, redefining her notions of love, loyalty, and what it means to be sane.Told in an unforgettable, kaleidoscopic voice, Mosquitoland is a modern American odyssey, as hilarious as it is heartbreaking.

    Fed up with her small-town Texas high school that thinks the football team can do no wrong. Fed up with sexist dress codes and hallway harassment. But most of all, Viv Carter is fed up with always following the rules.Viv’s mom was a punk rock Riot Grrrl in the ’90s, so now Viv takes a page from her mother’s past and creates a feminist zine that she distributes anonymously to her classmates. She’s just blowing off steam, but other girls respond. Pretty soon Viv is forging friendships with other young women across the divides of cliques and popularity rankings, and she realizes that what she has started is nothing short of a girl revolution.

    But they start with just three:Grace Salter is the new girl in town, whose family was run out of their former community after her southern Baptist preacher mom turned into a radical liberal after falling off a horse and bumping her head.Rosina Suarez is the queer punk girl in a conservative Mexican immigrant family, who dreams of a life playing music instead of babysitting her gaggle of cousins and waitressing at her uncle’s restaurant.Erin Delillo is obsessed with two things: marine biology and Star Trek: The Next Generation, but they aren’t enough to distract her from her suspicion that she may in fact be an android.When Grace learns that Lucy Moynihan, the former occupant of her new home, was run out of town for having accused the popular guys at school of gang rape, she’s incensed that Lucy never had justice. For their own personal reasons, Rosina and Erin feel equally deeply about Lucy’s tragedy, so they form an anonymous group of girls at Prescott High to resist the sexist culture at their school, which includes boycotting sex of any kind with the male students.Told in alternating perspectives, this groundbreaking novel is an indictment of rape culture and explores with bold honesty the deepest questions about teen girls and sexuality.

    You can’t rewind the past.The only way to learn the secret . . . is to press play.Clay Jensen returns home from school to find a strange package with his name on it lying on his porch. Inside he discovers several cassette tapes recorded by Hannah Baker–his classmate and crush–who committed suicide two weeks earlier. Hannah’s voice tells him that there are thirteen reasons why she decided to end her life. Clay is one of them. If he listens, he’ll find out why. Clay spends the night crisscrossing his town with Hannah as his guide. He becomes a firsthand witness to Hannah’s pain, and as he follows Hannah’s recorded words throughout his town, what he discovers changes his life forever.

    . . they weren’t anymore.   When her best friend Meg drinks a bottle of industrial-strength cleaner alone in a motel room, Cody is understandably shocked and devastated. She and Meg shared everything—so how was there no warning? But when Cody travels to Meg’s college town to pack up the belongings left behind, she discovers that there’s a lot that Meg never told her. About her old roommates, the sort of people Cody never would have met in her dead-end small town in Washington. About Ben McAllister, the boy with a guitar and a sneer, who broke Meg’s heart. And about an encrypted computer file that Cody can’t open—until she does, and suddenly everything Cody thought she knew about her best friend’s death gets thrown into question.  I Was Here is Gayle Forman at her finest, a taut, emotional, and ultimately redemptive story about redefining the meaning of family and finding a way to move forward even in the face of unspeakable loss.

    A list is posted, and one girl from each grade is chosen as the prettiest, and another is chosen as the ugliest. Nobody knows who makes the list. It almost doesn't matter. The damage is done the minute it goes up.This is the story of eight girls, freshman to senior, "pretty" and "ugly." And it's also the story of how we see ourselves, and how other people see us, and the tangled connection of the two.

    So when the handsome and popular Derek asks her out, Marisa thinks her long wait for happiness is over. But several bumps in the road—including her parents’ unexpected separation, a fight with her best friend, and a shocking disappointment in her relationship with Derek—test Marisa’s ability to maintain her new outlook. Only the anonymous DJ, whose underground podcasts have the school’s ear, seems to understand what Marisa is going through. But she has no idea who he is—or does she?In Waiting For You, Marisa learns how to “be in the Now” and realises that the love she’s been waiting for has been right in front of her all along.

    But I should've been. It was raining, of course. And he and Sylvie were arguing as he drove down the slick road. No one ever says what they were arguing about. Other people think it's not important. They do not know there is another story. The story that lurks between the facts. What they do not know—the cause of the argument—is crucial.So let me tell you...

    Everyone says guys and girls can’t be just friends, but these two are. They hang out after school, share tons of inside jokes, their families are super close, and Levi even starts dating one of Macallan’s friends. They are platonic and happy that way.Eventually they realize they’re best friends—which wouldn’t be so bad if they didn’t keep getting in each other’s way. Guys won’t ask Macallan out because they think she’s with Levi, and Levi spends too much time joking around with Macallan, and maybe not enough time with his date. They can’t help but wonder . . . are they more than friends or are they better off without making it even more complicated?

    First-time novelist Swati Avasthi has created a riveting and remarkably nuanced portrait of what happens after. After you’ve said enough, after you’ve run, after you’ve made the split—how do you begin to live again? Readers won’t be able to put this intense page-turner down.Reading Level: Age 14 and Up

    She wasn't the first victim, and now she watches it happen again and again. She tries to hold on to her happier memories in order to get past the cold days, waiting for someone to find her.The problem is, no one searches for a girl they never noticed in the first place.

    Because yes, I do know that Owen would never do that, but I also know Hannah would never lie about something like that."Mara and Owen are about as close as twins can get. So when Mara's friend Hannah accuses Owen of rape, Mara doesn't know what to think. Can the brother she loves really be guilty of such a violent crime? Torn between the family she loves and her own sense of right and wrong, Mara is feeling lost, and it doesn't help that things have been strained with her ex-girlfriend and best friend since childhood, Charlie.As Mara, Hannah, and Charlie navigate this new terrain, Mara must face a trauma from her own past and decide where Charlie fits in her future. With sensitivity and openness, this timely novel confronts the difficult questions surrounding consent, victim blaming, and sexual assault.

    It's a book about loyalty and the choices that come with it. But above all it's a book about love.

    I’ll tell her, okay? Just let me think about the best way to do it.""Okay.""Promise me? Promise you won’t say anything?""Don’t worry.” I laughed. “It’s our secret, right?"According to Anna’s best friend, Frankie, twenty days in Zanzibar Bay is the perfect opportunity to have a summer fling, and if they meet one boy every day, there’s a pretty good chance Anna will find her first summer romance. Anna lightheartedly agrees to the game, but there’s something she hasn’t told Frankie–she’s already had her romance, and it was with Frankie’s older brother, Matt, just before his tragic death one year ago.TWENTY BOY SUMMER explores what it truly means to love someone, what it means to grieve, and ultimately, how to make the most of every beautiful moment life has to offer.