Jack Vance is one of the most remarkable talents ever to grace the world of science fiction. His unique, stylish voice has been beloved by generations of readers. Some of his enduring classics are the 1950 novel The Dying Earth and its sequels, The Eyes of the Overworld, Cugel's Saga, and Rialto the Marvelous.

    Dick wrote more than one hundred short stories, each as mind-bending and genre-defining as his longer works. Philip K. Dick’s Electric Dreams collects ten of the best from across his career. In “Autofac,” Dick shows us one of the earliest examples (and warnings) in science fiction of self-replicating machines. “Exhibit Piece” and “The Commuter” feature Dick exploring one of his favorite themes: the shifting nature of reality, and whether it is even possible to really perceive the world as it is. And “The Hanging Stranger” provides a thrilling, dark political allegory as relevant today as it was when it was written at the height of the Cold War.   Strange, funny, and powerful, the stories in this collection highlight a master at work, drawing on his boundless imagination and deep understanding of the human condition.

    An odyssey of discovery, from a shattered society through the solar system with a handful of men and women who ride a cold, hurtling ball of ice to the shaky promise of a distant, unknowable future.

    But mankind is too busy hating, stealing, scheming, and killing to care. As luminous green trails of cosmic dust and vapor stream across the heavens, blood flows beneath: nations wage all-out war, bitter strikes erupt, and jealous lovers plot revenge and murder. The earth slips past the comet by the narrowest of margins, but all succumb to the gases in its tail. When mankind wakes up, everyone is completely and profoundly different. An ill-fated romance between Willie Leadford and Nettie Stuart unfolds in a world buried in misery and bent on its own destruction. After the earth passes through the comet's tail, suffering, pettiness, and injustice melt away. Willie, Nettie, and everyone around them are reborn. They now see themselves and their world in a dramatically new and wonderful way.

    As the planet is transformed from an unexplored and forbidding terrain to a troubled image of a re-created Earth, we meet the First Hundred explorers—men and women who are bound together by Earth’s tenuous toehold on Mars. Presenting unforgettable stories of hope and disappointment, of fierce physical and psychological struggles, The Martians is an epic chronicle of a planet that represents one of humanity’s most glorious possibilities.The Martians is a unique collection of previously unpublished fiction, a fascinating addition to Robinson’s oeuvre, and a must for all lovers of the red planet.

    Earth establishes extrasolar colonies and discovers alien races--including the warlike Fallers, the only spacefaring race besides humans. Mysterious, uncommunicative, and relentlessly bent on humanity's extinction, the Fallers have mastered the star gates, and are closing in on earth. Dr. Bazargan commands the scientific team sent to a newly discovered world to study its humanoid natives: beings who literally perceive only one reality. To lie is to be unreal--and condemned to death. The humans must flee for their lives across the unknown planet when they and the aliens learn the scientific mission is a lie. It's the cover for a secret military exploration of the moon Tas, which is another artifact of the gate-makers: a superweapon capable of annihilating all life in a star system, and already known to the Fallers. Nancy Kress has won the Hugo, the Sturgeon, and three Nebula Awards. She is justly acclaimed as a literary SF writer, but receives little acknowledgement that her work is hard SF. Probability Moon should change this, winning her many new readers while pleasing her fans. It's a rare and desirable hybrid: a literary, military, hard-SF novel. Set in the same world as her Nebula- and Sturgeon-winning novelette, "Flowers of Aulit Prison," Probability Moon is the first book of a trilogy, but it has a self-contained story line. The sequel, Probability Sun, will appear in 2001, and the concluding book will be The Fabric of Space. --Cynthia Ward

    L. Moore '75 essay by Lester del Rey Shambleau [Northwest Smith] '33 novelette by C. L. Moore Black Thirst [Northwest Smith] '34 novelette by C. L. Moore The Bright Illusion '34 story by C. L. Moore Black God's Kiss [Jirel of Joiry] '34 novelette by C. L. Moore Tryst in Time '36 novelette by C. L. Moore Greater Than Gods '39 novelette by C. L. Moore Fruit of Knowledge '40 novelette by C. L. Moore No Woman Born '44 novelette by C. L. Moore Daemon '46 story by C. L. Moore Vintage Season '46 novella by Henry Kuttner & C. L. Moore Afterword--Footnote to Shambleau & Others '75 essay by C. L. Moore

    Helliconia is emerging from its centuries-long winter. The tribes of the equatorial continent emerge from their hiding places and are again able to dispute possession of the planet with the ferocious phagors. In Oldorando, love, trade and coinage are being redisovered,This is the first volume of the Helliconia Trilogy -- a monumental saga that goes beyond anything yet created by this master among today's imaginative writers.

    But instead of listening to garbled announcements in the airport, she has found a method of bypassing the crowds at the desks, the long lines at the toilets, the nasty lunch, the whimpering children and punitive parents, the bookless bookstores, and the blue plastic chairs bolted to the floor.This method - changing planes - enables Sita to visit fifteen societies not found on Earth. She will encounter cultures where the babble of children fades over time into the silence of adults; where whole towns exist solely for holiday shopping; where personalities are ruled by rage; where genetic experiments produce less than desirable results. And many other exotic landscapes whose denizens are fundamentally human...

    Under the bottom is the top--and the power to smash the Machine. After humanity becomes inextricably linked to the computers, a heroic couple makes a scale-ship journey beneath the smallest particles and through the largest cosmic structures, seeking a perfect world.

    Only his second collection (the first was Dark Carnival, later reworked into The October Country), it is a marvelous, if mostly dark, quilt of science fiction, fantasy, and horror. In an ingenious framework to open and close the book, Bradbury presents himself as a nameless narrator who meets the Illustrated Man--a wanderer whose entire body is a living canvas of exotic tattoos. What's even more remarkable, and increasingly disturbing, is that the illustrations are themselves magically alive, and each proceeds to unfold its own story, such as "The Veldt," wherein rowdy children take a game of virtual reality way over the edge. Or "Kaleidoscope," a heartbreaking portrait of stranded astronauts about to reenter our atmosphere--without the benefit of a spaceship. Or "Zero Hour," in which invading aliens have discovered a most logical ally--our own children. Even though most were written in the 1940s and 1950s, these 18 classic stories will be just as chillingly effective 50 years from now. --Stanley WiaterContents:· Prologue: The Illustrated Man · ss * · The Veldt [“The World the Children Made”] · ss The Saturday Evening Post Sep 23 ’50 · Kaleidoscope · ss Thrilling Wonder Stories Oct ’49 · The Other Foot · ss New Story Magazine Mar ’51 · The Highway [as by Leonard Spalding] · ss Copy Spr ’50 · The Man · ss Thrilling Wonder Stories Feb ’49 · The Long Rain [“Death-by-Rain”] · ss Planet Stories Sum ’50 · The Rocket Man · ss Maclean’s Mar 1 ’51 · The Fire Balloons [“‘In This Sign...’”] · ss Imagination Apr ’51 · The Last Night of the World · ss Esquire Feb ’51 · The Exiles [“The Mad Wizards of Mars”] · ss Maclean’s Sep 15 ’49; F&SF Win ’50 · No Particular Night or Morning · ss * · The Fox and the Forest [“To the Future”] · ss Colliers May 13 ’50 · The Visitor · ss Startling Stories Nov ’48 · The Concrete Mixer · ss Thrilling Wonder Stories Apr ’49 · Marionettes, Inc. [Marionettes, Inc.] · ss Startling Stories Mar ’49 · The City [“Purpose”] · ss Startling Stories Jul ’50 · Zero Hour · ss Planet Stories Fll ’47 · The Rocket [“Outcast of the Stars”] · ss Super Science Stories Mar ’50 · Epilogue · aw *

    He knew where he was--Rome. He was there to study archaeology, and even though the lightning had left him dazed, he could see the familiar Roman buildings. But the buildings looked newer and the crowds in the street were wearing tunics, not suits! And a rich barnyard smell had replaced the gasoline-and-garlic aroma of modern Rome. So, when was he? And he was suddenly cold with fear of the answer...

    Three of these special ships were built to explore and make contact with the many sentient races inhabiting the universe. Suddenly, one of the ships mysteriously disappears. And then it is discovered that an unidentifiable creature is marauding through the universe, totally annihilating intelligent life on planet after planet. Ramstan, a thoughtful and moral man, becomes a fascinated yet reluctant pawn in the hands of the strange forces which arise to fight the deadly destroyer. Ultimately, he is the one man who, in a fearful race against time, can stop the destruction. But what price must he pay for becoming the savior of intelligent-kind? The Unreasoning Mask is Farmer at his best: fast-paced, complex, slightly mystical, high-action adventure.

    In the first installment, Carter wins the affections of the "princess of Mars" and the respect of the Martian warlords whom he befriends. The excitement continues in The Gods of Mars when Carter engages the Black Pirates in airborne combat above the dead seas of Mars and leads a revolt to free the Martian races from a religion that thrives on living sacrifices. In the third book, Warlord of Mars, Carter overcomes the forces of evil that would destroy the planet. By the end of the trilogy the Martians all clamor for a triumphant John Carter to be their king.About the Author:Born in Chicago, Illinois, on September 1, 1875, Edgar Rice Burroughs grew to maturity during the height of the Industrial Revolution and witnessed the emergence of the United States as a twentieth-century world power. Hailing from a well-to-do family, Burroughs was given an aristocratic education steeped in Latin and Greek, but he was drawn more to an itinerant life of adventure than to a life in the boardroom. The author of Tarzan of the Apes (1912), Burroughs did not confine himself to a single genre; he also wrote medieval romances (The Outlaw of Torn, 1914), westerns (The War Chief of the Apaches, 1927), and mainstream novels (The Girl from Hollywood, 1922).

    Starflight is possible but hugely expensive, so humakind's efforts are focused on Isis, the one nearby Earthlike world. Isis is verdant, Edenic, rich with complex DNA-based plant and animal life. And every molecule of Isian life is spectacularly toxic to human beings. The entire planet is a permanent Level Four Hot Zone.Despite that, Isis is the most interesting discovery of the millennium: a parallel biology with lessons to teach us about our own nature. It's also the hardest of hardship posts, the loneliest place in the universe.Zoe Fisher was born to explore Isis. Literally. Cloned and genetically engineered by a faction within the hothouse politics of Earth, Zoe is optimized to face Isis's terrors. Now at last Zoe has arrived on Isis. But there are secrets implanted within her that not even she suspects--and the planet itself has secrets that will change our understanding of life in the universe.Bursting with ideas, replete with human insight, Bios is science fiction in the grand tradition: a novel of bravery, exploration, and discovery in a universe charged with awe.