There is nothing so complicated as a human being and sometimes nothing so horrific!

    Not since Terry McMillan's Breaking Ice have so many African-American writers been brought together in one volume. A stellar collection of works from more than fifty hot names in fiction, Gumbo represents remarkable synergy. Edited by bestselling luminaries Marita Golden and E. Lynn Harris, this collection spans new and previously published tales of love and luck, inspiration and violation, hip new worlds and hallowed heritage from voices such as: Edwidge Danticat , Eric Jerome Dickey, Kenji Jasper, John Edgar Wideman, Terry McMillan, David Anthony Durham, Bertice Berry, and many, many more. Also featuring original stories by Golden and Harris themselves, Gumbo heralds the debut of the Hurston / Wright Legacy Awards for Published Black Writers (scheduled for October 2002), and all advances and royalties from the book will support the Hurston/ Wright Foundation. Combining authors with a variety of flavorful writing, Gumbo will have readers clamoring for second helpings.

    Mad Woman, Anchors & Vacancies, Redamancy, and most of Throes are sectioned here to take you on a journey. From madness to love and the heartache in between, it's all here.

    40 Haiku in English inspired by the practice of Zen Buddhism and Zazen (seated meditation) in particular.I hope you enjoy!

    This timeless truth is showcased in Three Little Words, a charming compilation of short stories written by a trio of popular LDS romance novelists. Readers are invited to follow the journeys of three young women as they encounter love where they least expect it.Rescuing Bailey by Jennie HansenFor as long as she can remember, Bailey has loved the boy next door. But despite her feelings, his schedule and his little brother keep getting in the way. Will her childhood crush finally blossom into something real, or will she discover that true love is waiting just around the corner? Three Little Words by K.C. GrantThe bet is simple: Elizabeth, a speech therapist, has three days to teach a country bumpkin with a drawl as thick as molasses how to speak like a gentleman. But as she gets to know her charming student, it soon becomes clear that there may be more to him than meets the ear. A Crying Shame by Aubrey MaceCassidy is in love with the idea of love, though after her most recent breakup, the possibility of finding Mr. Right seems hopeless. But when she meets a handsome classmate in her painting class, she may end up learning more about chemistry than about art.

    The Holy Forest, now spanning five decades, is Blaser's highly acclaimed lifelong serial poem. This long-awaited revised and expanded edition includes numerous published volumes of verse, the ongoing "Image-Nation" and "Truth Is Laughter" series, and new work from 1994 to 2004. Blaser's passion for world making draws inspiration from the major poets and philosophers of our time—from friends and peers such as Robert Duncan, Jack Spicer, Charles Olson, Charles Bernstein, and Steve McCaffery to virtual companions in thought such as Hannah Arendt, Maurice Merleau-Ponty, Michel Foucault, and Jacques Derrida, among others. This comprehensive compilation of Blaser's prophetic meditations on the histories, theories, emotions, experiments, and countermemories of the late twentieth century will stand as the definitive collection of his unique and luminous poetic oeuvre.

    How it works: Ten poets choose a poem of their own and a poem by another poet, who then does the same, and so on unto the fifth generation. Thus D. C. Berman leads to Charles Simic by way of James Tate, and other chains run through Mary Karr, Denis Johnson, C. D. Wright, Michael Ondaatje, John Ashbery, Mark Doty, C. K. Wright, Dean Young, Yusef Komunyakaa, and dozens more.

    Tales of humanity pushed to its limits, of striving, ingenuity, brilliance, desperate action, violence, and resolution, . Eighteen tales of Conflict, of Science Fiction at its absolute best.Contents:1.Introduction – Ian Whates2.The Wake – Dan Abnett3.Psi.Copath – Andy Remic4.Unaccounted – Lauren Beukes 5.The New Ships – Gareth L Powell6.The Harvest – Kim Lakin-Smith7.The War Artist – Tony Ballantyne8.Proper Little Soldier – Martin McGrath9.The Maker’s Mark – Michael Cobley10.Brwydr Am Ryddid – Stephen Palmer11.Occupation – Colin Harvey12.Sussed – Keith Brooke13.The Soul of the Machine – Eric Brown14.Extraordinary Rendition – Steve Longworth15.The Legend of Sharrock – Philip Palmer16.The Cuisinart Effect – Neal Asher17.The Ice Submarine – Adam Roberts18.War Without End – Una McCormack19.Welcome Home, Janissary – Tim C Taylor

    The world was 'somewhere inside his skull. And it hurt.' These poems and dramatic sketches, however, delight even when they hurt" -- ROSMARIE WALDROP"BORIS BY THE SEA was born when Aesop was reading Chekhov, and Chekhov was reading Nietzsche, and Nietzsche was watching The Brother From Another Planet. Actually Matvei Yankelevich wrote this book, but 'wrote' is incomplete... he seems more to inhabit this stateless, beautiful being who uses language to move his body or erase the sea: 'Boris looked over himself and realized there were many parts of him that he could not see. And only a small part of these parts was on the surface.' BORIS BY THE SEA could be a children's fable if it weren't so freakin' real, unreal, hyper-real: 'But people need each other to open each other up and see what is inside.' This is Boris--and he, like Pinnochio--has a clever master." -- ROBERT FITTERMANMatvei Yankelevich's first full-length book, BORIS BY THE SEA, is a work of existential theater that destroys the distance between puppeteer and puppet, between ego and id, between what is real and what is absurd. Consisting of prose, poems, and plays, the book creates its own world and then confronts the loneliness of having to exist within one's own creation. Like Daniil Kharms, Yankelevich has written a children's book for only the bravest of adults.

    Mosquito blends autobiography and poetry, bearing witness to a young man’s journey through serious illness and his emergence into a world where eroticism, hope, and wisdom allow him to see life in a wholly new way. Mosquito is a resilient meditation that is as much Zen as it is explosive, as clinical as it is philosophical and lyrical.

    For anyone who's been let down by life and love, these poems reveal that the most important person one can fall in love with is oneself.

    Each tale in author Kevin Moore’s debut collection celebrates the hope, magic, and memories so central to the true meaning of Christmas. Celebrate the season of miracles with this collection of short stories about the lives of ordinary people and the lessons they learn during an extraordinary time of year. You’ll meet a young boy who reevaluates his perceptions after he’s forced to spend Christmas with his stern grandfather, an attorney who seemingly has everything but really has very little; a burned-out homecoming queen who grows weary of her own excuses for failure; and many other memorable characters. As Moore’s protagonists face adversity and sadness, they learn important lessons, gain hope, and experience powerful transformations. The perfect length for reading before bed, on your daily commute, or during a quiet hour, these tales offer you the opportunity to step away from your own life and into a world where it’s always Christmas and where—despite the often painful realities of life—there is always a lesson to learn and a reason to celebrate.

    This collection suggests that a person is like a world, full of mysteries and wonders–and equally in need of an encyclopedia, a compendium of everything known. The long title sequence offers entries such as “The Sun” (“There is one mind in all of us, one soul, / who parches the soil in some nations / but in others hides perpetually behind a veil”), “The Elephant” (“How to explain my heroic courtesy?”), “The Pigeon” (“Once startled, you shall feel hours of weird sadness / afterwards”), and “Randall Jarrell” (“If language hurts you, make the damage real”). The mysteriously emotional individual poems coalesce as a group to suggest that our natural world is populated not just by fascinating creatures–who, in any case, are metaphors for the human as Chiasson considers them– but also by literature, by the ghosts of past poetries, by our personal ghosts. Toward the end of the sequence, one poem asks simply, “Which Species on Earth Is Saddest?” a question this book seems poised to answer. But Chiasson is not finally defeated by the sorrows and disappointments that maturity brings. Combining a classic, often heartbreaking musical line with a playful, fresh attack on the standard materials of poetry, he makes even our sadness beguiling and beautiful.

    These poems have been selected by the simple yet telling criteria that they are the personal favorites of the editors, themselves two of contemporary literature's leading poets.Moreover, Heaney and Hughes have elected to list their favorites not by theme or by author but simply by title (or by first line, when no title is given). As they explain in their Introduction: "We hope that our decision to impose an arbitrary alphabetical order allows the contents [of this book] to discover themselves as we ourselves gradually discovered them--each poem full of its singular appeal, transmitting its own signals, taking its chances in a big, voluble world."With undisputed masterpieces and rare discoveries, with both classics and surprises galore, The Rattle Bag includes the work of such key poets as William Shakespeare, Walt Whitman, Emily Dickinson, Lewis Carroll, Dylan Thomas, Wallace Stevens, Elizabeth Bishop, and Sylvia Plath among its hundreds of poems. A helpful Glossary as well as an Index of Poets and Works are offered at the conclusion of this hefty, unorthodox, diverse, inspired, and inspiring collection of poetry.

    Here are the early poems which first brought Denise Levertov's work to prominence -- from early uncollected poems, selections from The Double Image (London, 1946), and her three books Here and Now (1957), Overland to the Islands (1958) and With Eyes at the Back of Our Heads (1960), which established her as one of the more lyrical and most influential poets of the New American poetry.