Her mother is dying and needs constant care; her father has returned to Leicester from the Second World War but is an emotional wreck; and her brother Mickey has turned to a life of crime that is putting the whole family at risk. Kelly's boyfriend Rodney and his sister Glenda know that she's scared of what Micky might do next. But they turn a blind eye to her fears - with disastrous consequences for them all. When Kelly has lost eveything she holds dear, she and Glenda pick up the pieces and start again. And one man in particular, Alec Alderman, is there when she needs him most. But Alec has problems of his own...

    The runaway evacuees who give her shelter call her Nellie, the only girl in 'Toff' Hecht's gang, until, yet again, tragedy strikes, and she is forced to move on. But when Nellie meets the great music hall illusionists, Monsieur and Madame Pierre - alias Bert and Doris Beckwith - her life begins again. In the magical world of bright lights and greasepaint she finds a wonderful new family. But even as she is happily stitching costumes backstage, Nellie can't stop thinking about her old life in the bombed-out rubble - and more particularly, about the restless young Jewish boy, 'Toff' Hecht...

    After all, he was the heir to the biggest clay works in all of Cornwall, and she was but the daughter of one of their workmen.For just as an unexpected passion began to blossom between Morwen Tremayne and Ben Killigrew, the fates seemed determined to stifle its growth. A long, bitter struggle between owner and workforce brought about Charles Killigrew’s sudden illness, and with it Ben’s summons to the head of the family firm.Morwen and Ben, innocent victims of other men’s antagonisms, find themselves party to a conflict not of their making, that threatens to cut them off not only from their families, but from each other…A touching, heartbreaking tale of a love that conquers all, Killigrew Clay is perfect for fans of Rosie Goodwin, Lesley Pearse and Linda Finlay

    Morris' classes. Foreword by Jack Nicholson.

    But the drama they project on screen is only half the picture. Stretching back from its earliest days of two-reel silent films to the latest 3-D digital blockbusters, film history provides a cast of characters ready to spill witty bon mots, outrageous pronouncements, and heartfelt reflections. The Filmmaker Says is a colorful compendium of quotations from more than one hundred of history's most influential and opinionated creators of filmed entertainment. Paired like guests at the ultimate filmgeek dinner party—a celebrated filmmaker of today might sit next to a giant from the silent era—the members of this raucous crew puts on a show arguing, complimenting, and disagreeing with each other about every step of the moviemaking process. A perfect gift for working filmmakers, aspiring auteurs, and avid moviegoers, The Filmmaker Says will delight anyone who has dreamed of yelling "action" or just can't wait for the lights to go down and the curtain to go up.

    The saga of Britain's best-loved martini hound (who we all know prefers his favorite drink "shaken, not stirred") has adapted to changing times for four decades without ever abandoning its tried-and-true formula of diabolical international conspiracy, sexual intrigue, and incredible gadgetry.James Chapman expertly traces the annals of celluloid Bond from its inauguration with 1962's Dr. No through its progression beyond Ian Fleming's spy novels to the action-adventure spectaculars of GoldenEye and Tomorrow Never Dies. He argues that the enormous popularity of the series represents more than just the sum total of the films' box-office receipts and involves questions of film culture in a wider sense.Licence to Thrill chronicles how Bond, a representative of a British Empire that no longer existed in his generation, became a symbol of his nation's might in a Cold War world where Britain was no longer a primary actor. Chapman describes the protean nature of Bond villains in a volatile global political scene--from Soviet scoundrels and Chinese rogues in the 1960s to a brief flirtation with Latin American drug kingpins in the 1980s and back to the Chinese in the 1990s. The book explores how the movies struggle with changing societal ethics--notably, in the evolution in the portrayal of women, showing how Bond's encounters with the opposite sex have evolved into trysts with leading ladies as sexually liberated as Bond himself.The Bond formula has proved remarkably durable and consistently successful for roughly a third of cinema's history--half the period since the introduction of talking pictures in the late 1920s. Moreover, Licence to Thrill argues that, for the foreseeable future, the James Bond films are likely to go on being what they have always been, a unique and very special kind of popular cinema.

    There is a two-year waiting list for his advanced acting classes. But now everyone–professionals and amateurs alike–can discover Moss’s passionate, in-depth teaching.Inviting you to join him in the classroom and onstage, Moss shares the techniques he has developed over thirty years to help actors set their emotions, imagination, and behavior on fire, showing how the hard work of preparation pays off in performances that are spontaneous, fresh, and authentic. From the foundations of script analysis to the nuances of physicalization and sensory work, here are the case studies, exercises, and insights that enable you to connect personally with a script, develop your character from the inside out, overcome fear and inhibition, and master the technical skills required for success in the theater, television, and movies.Far more than a handbook, The Intent to Live is the personal credo of a master teacher. Moss’s respect for actors and love of the actor’s craft enliven every page, together with examples from a wealth of plays and films, both current and classic, and vivid appreciations of great performances. Whether you act for a living or simply want a deeper understanding of acting greatness, The Intent to Live will move, instruct, and inspire you.From the Hardcover edition.

    In a manner that is direct, down-to-earth, accessible, and articulate, Arkin reveals insights not only about himself (and his audience and students), but also truths for the rest of us about work, relationships, and sense of self.

    This new revised and expanded edition features great photos throughout, with chapters on: Preparation, In Front of the Camera - Before You Shoot, The Take, Characters, Directors, On Being a Star, and much more. "Remarkable material ... A treasure ... I'm not going to be looking at performances quite the same way ... FASCINATING!" - Gene Siskel

    Inside tips on the studio system and acting guilds make it particularly helpful for people new to the business, and numerous anecdotes from actors such as Morgan Freeman and Anthony Hopkins and examples from current movies illustrate its many lessons. It is perfect for acting classes, workshops, all actors who work in front of the camera -- and all those who want to.

    Unfortunately, The Holy Spirit isn't the only spirit alive in between the walls. The Blanks are the first family of First Assembly. Pastor Edwin Blanks II (Junior) is the head pastor. Along with his brothers, sisters and Mama Eloise, First Assembly is run like a well-oiled machine. That is until a new family enters the picture. The Harlot family. Three identical triplets; Jezebel, Delilah, Tamar and the matriarch Lilith make themselves at home at First Assembly. Temptation seems to be lurking around every corner, and the members of the congregation seem to forget that what's done in the dark will soon come to the light. Be prepared to be shocked. Church Whore...

    This junior novel retells the whole hilarious story and features eight pages of full-color scenes from the movie! It’s perfect for boys and girls ages 8 to 12.

    Cushing was widely known as ‘the gentleman of horror’, his kind and sensitive nature a sharp contrast with the Hammer Horror roles that dominated his work from the 1950s onwards. This is Cushing’s own account of his remarkable career, and the devastating sense of loss he suffered following the death of his wife. It offers unparalleled insight to the meticulous professionalism and private torment of a legendary film star.

    Caught in the crossfire, it’s everything Lucius and Boz can do to save Ruby from the slaughter and bring her back alive. Only thing is, they have to save themselves first . . .“A writer who can tell a great adventure with authority and wit.” —John S. McCord, author of the Baynes Clan novels“One of the top writers of Westerns working in the genre today.” —Peter BrandvoldAbout the Author:J. Lee Butts is the author of 22 published books and numerous magazine articles and short works. His book Brotherhood of Blood was runner-up for the Western Writers of America Spur Award in 2005. He’s worn many hats over the years (teacher, administrator, pool manager, IBM supervisor, and western author), and he and his late wife lived everywhere from Los Angeles to Dallas. Currently he’s hanging those hats back in White Hall, Arkansas.

    So when years later her husband dies, leaving her penniless and with three young children to support, Caroline's first thought is to head for the place she has envisaged as home: Dept Ford. But to her horror, she finds that Dept Ford is not the country village she'd imagined, but in the middle of London, a huge, teeming city the likes of which she's never seen.Luckily a kindly passer-by takes pity on her weary children and puts them on the tram to a place where she might find lodgings which, as it turns out, is in Rotherhithe, not Deptford. And so it is Culver Road that becomes her true home, where Carrie - as her neighbours call her - and her family, helped out by the irrepressible Flo and her soft-hearted docker husband Alf, find themselves battling through times both good and bad. And it is in Culver Road that Carrie meets Jim, the enigmatic sailor who is to change her life ...