Quake, now in development as a film by Repo Man director Alex Cox, is a deadpan, nihilistic look at how fear unravels people?s emotions, how terror can liberate, and how people manage to survive?even panhandler drifters, Hollywood Cretins, and hippies. A true underground classic.

    Here are the funniest and most feline cats ever assembled in 101 cartoons, the cream of the cream, from sixty-five years of the New Yorker.

    Angel-like Blengins with butterfly wings, natural catastrophes, innocent girls, and murderous soldiers all appear in Darger's scenes, which are reproduced in this book in double-page and gatefold spreads. In the volume's introductory essay, Klaus Biesenbach examines the radical originality of Darger's art, including his use of collage, incorporation of religious themes and iconography, and frequent juxtaposition of innocence with violence. An essay by Brooke Davis Anderson illuminates Darger's source materials and techniques. Michael Bonesteel puts Darger's life in the context of his work and selects key texts to accompany the illustrations. The book also includes for the first time the text of Darger's History of My Life, A" the artist's autobiography. The only book of its kind, Henry Darger offers an authoritative, balanced, and insightful look at an American master

    Have you felt the terror of a failed Szechuan dinner? Have you seen what happens at precisely 6:15? Do you know where the beards are stored? Either way, this is the book for you.Baxter’s drawings are a delicious stew of pulp adventure novels, highbrow hjinks, and outright absurdity: lonesome cowboys confront the latest in modern art, brave men tremble before moussaka, schoolgirls hoard hashish, and the world’s fruits are in constant peril. Wimples abound.This new selection of Baxter’s work brings together highlights from the full sweep of his long career, and is sure to enchant both confirmed Baxterians and those iin dire need of an introduction.

    Alexander Isleys lively, sophisticated design incorporates 200 black-and-white drawings from Mad masters, as well as over 350 color shots, including reproductions of every one of the magazines covers since 1952. Completely Mad is a must for every all-American rec room!

    Laughter deflates pretension and a good rap on the head sometimes transcends so-called logic. In the words of Zen, "Nothing is left for you but to laugh!"

    Whether blasting Bush for his “Bring ’em on!” speech, spanking pedophile priests, questioning capital punishment, debating the disputed 2000 election, or just mocking baseball mascots, they learned that newspapers and magazines increasingly play it safe by suppressing satire.With censored cartoons, many unpublished, by the likes of Garry Trudeau, Doug Marlette, Paul Conrad, Mike Luckovich, Matt Davies, and Ted Rall (all Pulitzer Prize winners or finalists), as well as unearthed editorial illustrations by Norman Rockwell, Edward Sorel, Anita Kunz, Marshall Arisman, and Steve Brodner, you will find yourself surprised and often shocked by the images themselves—and outraged by the fact that a fearful editor kept you from seeing them. Needed now more than ever because of a neutered press that’s more lapdog than watchdog, Killed Cartoons will make you laugh, make you angry, and make you think.

    His immediately recognizable style--featuring bulbous noses, wild sound effects, and the legendary "hinged feet"--was filled with broad and daring slapstick and routinely broke new ground. A surprisingly quiet man, Martin's work spoke volumes as he left an indelible mark on several generations, influencing the style of many illustrators while shaping the sense of humor of countless misguided youths. He was inducted into the Comic Book Hall of Fame in 2004. Says Gary Larson, creator of The Far Side: "Don Martin was the one who really stood out."Now, it is with great pride that Running Press, in collaboration with MAD, launches the MAD’s Greatest Artists: The Completely MAD Don Martin (MAD’s Greatest Artists Series). For the first time ever, here is the complete collection of every piece of art Don Martin published in MAD throughout his extraordinary thirty-year tenure (1957-1987). With all of Martin's strips, covers, posters, and stickers--presented in chronological order--it is nothing less than a masterpiece of comic genius. Complementing Martin's opus of published works are letters, sketches, and rare photos providing an in-depth look at the artist at work. Plus, scattered throughout are notes and original illustrations--commissioned for this volume--paying tribute to the artist and penned by MAD's most-notable personalities, including Al Jaffee, Mort Drucker, Jack Davis, Sergio Aragonés, and more. There are also notes by the likes of Jim Davis (Garfield) and a foreword by Gary Larson. A collector's item and object d'art in its own right, this deluxe two-volume slipcased edition will be the season's must-have gift book for the millions whose childhoods--and subsequent adulthoods--would not have been the same without MAD MAGAZINE and Don Martin.

    If this is true for students, it is exponentially true for teachers-those hearty souls who have taken on the education of the youth of the world.This wonderful collection of the best and funniest cartoons published over the last eighty years in The New Yorker takes a wry look into the classroom-at the students, at their blindly devoted but demanding parents, and, especially, at the teachers who negotiate the delicate balance between those forces every day.With 118 cartoons, this is a perfect gift for teachers and a treasure of laughs for all!

    cartoons but were afraid to ask, this complete and indispensable reference will delight adults, children, and audiences all over the world.

    Never seen in print before anywhere else!A new cartoon collection from the mind of Eisner Award-winning, Harvey nominated and current NewYorker Magazine cartoonist, Shannon Wheeler! It's the best-of-the-best of what's left on the cutting room floor from Wheeler's cartoon submissions to The New Yorker Magazine. Never seen in print before anywhwere else!

    

    Then there was the Little Mermaid. Today, thanks to Jim Toomey, it's Sherman's Lagoon, a satirical, sea-floor look at popular culture as showcased through the lives of a lovable shark and his waterborne cronies. Sherman's the somewhat dim-witted but happy-go-lucky shark who takes us for a wonderful ride beneath the waves. This Jaws-less jokester teams up with a veritable school of bottom-dwelling denizens to deliver one of the funniest creations on land or sea. With an imaginative storyline and creatively rendered characters, Sherman's Lagoon has captured a considerable following.  Sherman—who never allows thinking to interfere with life's simple pleasures, especially eating—is joined by Fillmore, his trusty turtle sidekick; Megan, his significant shark other; Hawthorne, the irascible hermit crab; and a host of other Neptunian neighbors occupying the lagoon of an imaginary South Pacific island called Kapupu.  In Sherman's Lagoon: Ate That, What's Next?, this cast of coral reef critters never fails to amuse. Consider Sherman opening a wrapped holiday gift box only to find a putrid dead fish—and loving it! Or the day he and Fillmore contemplate plunging to the deepest depths of the ocean, in order to recover Fillmore's fumbled Ninja Turtle Decoder Ring. The fun and laughs never end!

    Wiggling out of every predicament in unique and unexpected ways, this poet-jester reminds us of Birbal at the court of Akbar. Read his tales and laugh with joy even as his plain common sense leaves you gasping.

    . . It is a period steeped in cinematic lore. Rebel filmmaker George Lucas, striking from a base in Northern California, won a tremendous box office victory against all odds with Star Wars, his sci-fi spectacular.During the ensuing craze, MAD's "Usual Gang of Idiots" managed to steal a few laughs at the movie's expense, soon discovering that Star Wars was the ultimate pop culture punching bag.Pursuing each Star Wars film's release with more mockery, the MAD men spent the next three decades making a farce of the Force and spreading mirth across the galaxy.Now, in this special edition volume, you'll chuckle as the Star Wars saga's greatest moments are mocked by such MAD greats as Dick DeBartolo, Mort Drucker, Don Martin, and Sergio Aragones; smirk as the striking similarities between the space battles created by Industrial Light & Magic and by the "Usual Gang of Idiots" are revealed; hum along to the unforgettable Star Wars musical, as penned by MAD's master lyricist, Frank Jacobs; gasp at the startling insights into R2-D2's love life; and marvel at the real reason why Lucas's lawyers never sued MAD.And that's just the beginning. . . .So, pick up this book and see why, when Star Wars gets the MAD treatment . . . Sith happens! It is your destiny.