Each success noted had to be verified by a witness and signed by a superior officer.The journal of Sutkus is one of only a few such books to have survived the war. It records more than 200 kills, placing him as one of the wars most successful snipers. A large part of his journal is reproduced for the first time here.As a Hitler Youth member his skill as a marksman was quickly noted and, in July 1943, aged 19, he was drafted into the Wehrmacht. A month later he was sent on a five month snipers course in Wilna, after which he was posted to the Eastern Front. He was so successful that his superiors sent him to crucial positions. Despite his age, he was regarded as one of Germanys best snipers and in November 1944 he was awarded the Scharfshtzenabzeichen 3 Stufe the highest award for a sniper.After being wounded in January 1945, Sutkus was given time to recuperate away from the Eastern Front. During this time he met a Red Cross nurse, to whom he gave all his journal.When the war finished, Sutkus was forced to join the Red Army. He deserted to join the Lithuanian resistance fighters. After being captured again he was tortured by the KGB and deported to Siberia to endure forced labor. It was not until the collapse of the Soviet Union that he was able return to Germany and find his journal, still in the hands of the same nurse.Introduction written by David L. Robbins.

    Tolkien and C. S. Lewis C.S. Lewis is the twentieth century’s most widely read Christian writer and J.R.R. Tolkien its most beloved mythmaker. For three decades, they and their closest associates formed a literary club known as the Inklings, which met weekly in Lewis’s Oxford rooms and in nearby pubs. They discussed literature, religion, and ideas; read aloud from works in progress; took philosophical rambles in woods and fields; gave one another companionship and criticism; and, in the process, rewrote the cultural history of modern times.In The Fellowship, Philip and Carol Zaleski offer the first complete rendering of the Inklings’ lives and works. C. S. Lewis accepts Jesus Christ while riding in the sidecar of his brother's motorcycle, maps the medieval and Renaissance mind, becomes a world-famous evangelist and moral satirist, and creates new forms of religiously attuned fiction while wrestling with personal crises. J.R.R. Tolkien transmutes an invented mythology into gripping story in The Lord of the Rings, while conducting groundbreaking Old English scholarship and elucidating, for family and friends, the Catholic teachings at the heart of his vision. Owen Barfield, a philosopher for whom language is the key to all mysteries, becomes Lewis's favorite sparring partner, and, for a time, Saul Bellow's chosen guru. And Charles Williams, poet, author of "supernatural shockers," and strange acolyte of romantic love, turns his everyday life into a mystical pageant.Romantics who scorned rebellion, fantasists who prized reality, wartime writers who believed in hope, Christians with cosmic reach, the Inklings sought to revitalize literature and faith in the twentieth century's darkest years--and did so in dazzling style.

    A collection of the notoriously private Beckett's reminiscences about his life and remembrances of Beckett fromthose who knew him.

    You'll see how each philosopher created a complete and coherent system of thought, including their views on ethics, metaphysics, politics, and esthetics. You'll learn about their epistemology -- how we know what we know. And you'll learn how each thinker related to his times and to the work of other philosophers over the centuries.The sophisticated, complex, and subtle ideas of great philosophers are now available in a dramatized format that entertains and informs. Yet like all Knowledge Products productions, the full substance and content of these ideas are presented in clear and understandable language. Each presentation invites the intelligent listener to ponder the great ideas without struggling through an academic or simplified writing style.Each presentation in The Giants of Philosophy is sensitively and intelligently narrated by Charlton Heston, one of America's most respected actors. Known for his rich voice and dramatic acting skills, Mr. Heston makes your journey through the history of philosophy both compelling and provocative.

    His range is virtuosic, encompassing Mark Twain and Richard Wright, Mahalia Jackson and Charlie Parker, The Birth of a Nation and the Dante-esque landscape of Harlem—“the scene and symbol of the Negro’s perpetual alienation in the land of his birth.” Throughout, he gives us what amounts to an episodic autobiography that traces his formation as a writer as well as the genesis of Invisible Man.On every page, Ellison reveals his idiosyncratic and often contrarian brilliance, his insistence on refuting both black and white stereotypes of what an African American writer should say or be. The result is a book that continues to instruct, delight, and occasionally outrage readers.

    Like classic L'Amour fiction, Education of a Wandering Man mixes authentic frontier drama--such as the author's desperate efforts to survive a sudden two-day trek across the blazing Mojave desert--with true-life characters like Shanghai waterfront toughs, desert prospectors, and cowboys whom Louis L'Amour met while traveling the globe. At last, in his own words, this is a story of a one-of-a-kind life lived to the fullest . . . a life that inspired the books that will forever enable us to relive our glorious frontier heritage.

    Featuring many photographs, this book also candidly recounts a gifted and celebrated writer's descent into the life of alcohol and drugs that would ultimately consume his bulldog spirit and staggering talent--but not before he'd hobnob with the likes of Grace Paley and Lee Radziwill, feud outrageously with Gore Vidal and Jacqueline Susann, and stage at New York's Plaza Hotel the sensational Black and White Ball.

    Love, anger, danger, estrangement, and emptiness are revealed in the author's recollections of his relationship with his world-famous father, Ernest Hemingway.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    She remembers the exhilaration of whipping a snowball at a car and having it hit straight on. She remembers playing with the skin on her mother's knuckles, which "didn't snap back; it lay dead across her knuckle in a yellowish ridge." She remembers the compulsion to spend a whole afternoon (or many whole afternoons) endlessly pitching a ball at a target. In this intoxicating account of her childhood, Dillard climbs back inside her 5-, 10-, and 15-year-old selves with apparent effortlessness. The voracious young Dillard embraces headlong one fascination after another--from drawing to rocks and bugs to the French symbolists. "Everywhere, things snagged me," she writes. "The visible world turned me curious to books; the books propelled me reeling back to the world." From her parents she inherited a love of language--her mother's speech was "an endlessly interesting, swerving path"--and the understanding that "you do what you do out of your private passion for the thing itself," not for anyone else's approval or desire. And one would be mistaken to call the energy Dillard exhibits in An American Childhood merely youthful; "still I break up through the skin of awareness a thousand times a day," she writes, "as dolphins burst through seas, and dive again, and rise, and dive."

    He praises the virtues of everything from a lime Dr. Pepper to the lost art of oral storytelling, and describes the brutal effect of the sheer vastness and emptiness of the Texas landscape on Texans, the decline of the cowboy, and the reality and the myth of the frontier.​ McMurtry writes frankly and with deep feeling about his own experiences as a writer, a parent, and a heart patient, and he deftly lays bare the raw material that helped shape his life's work: the creation of a vast, ambitious, fictional panorama of Texas in the past and the present. Throughout, McMurtry leaves his readers with constant reminders of his all-encompassing, boundless love of literature and books.

    The book overall contains less detail concerning specific events than typical autobiographies. This is because his purpose in writing wasn't primarily historical. His aim was to identify & describe the events surrounding his accidental discovery of & consequent search for the phenomenon he labelled "Joy". This word was the best translation he could make of the German idea of Sehnsucht, longing. That isn't to say the book is devoid of information about his life. He recounts his early years with a measure of amusement sometimes mixed with pain. However, while he does describe his life, the principal theme of the book is Joy as he defined it. This Joy was a longing so intense for something so good & so high up it couldn't be explained with words. He's struck with "stabs of joy" throughout life. He finally finds what it's for at the end. He writes about his experiences at Malvern College in 1913, aged 15. Though he described the school as "a very furnace of impure loves" he defended the practice as being "the only chink left thru which something spontaneous & uncalculating could creep in." The book's last two chapters cover the end of his search as he moves from atheism to theism & then from theism to Christianity. He ultimately discovers the true nature & purpose of Joy & its place in his own life. The book isn't connected with his unexpected marriage in later life to Joy Gresham. The marriage occurred long after the period described, though not long after the book was published. His friends were quick to notice the coincidence, remarking he'd really been "Surprised by Joy". "Surprised by Joy" is also an allusion to Wordsworth's poem, "Surprised by Joy-Impatient As The Wind", relating an incident when Wordsworth forgot the death of his beloved daughter.

    Vladimir Nabokov) brings to shimmering life one of the greatest literary love stories of our time. Vladimir Nabokov--the émigré author of Lolita; Pale Fire; and Speak, Memory--wrote his books first for himself, second for his wife, Véra, and third for no one at all."Without my wife," he once noted, "I wouldn't have written a single novel." Set in prewar Europe and postwar America, spanning much of the century, the story of the Nabokovs' fifty-two-year marriage reads as vividly as a novel. Véra, both beautiful and brilliant, is its outsized heroine--a woman who loves as deeply and intelligently as did the great romantic heroines of Austen and Tolstoy. Stacy Schiff's Véra is a triumph of the biographical form.

    Feeling alienated in the America of the 1920s, Fitzgerald, Crane, Hemingway, Wilder, Dos Passos, Cowley, and many other writers "escaped" to Europe, some forever, some as temporary exiles. As Cowley details in this intimate, anecdotal portrait, in renouncing traditional life and literature, they expanded the boundaries of art.

    The feud that erupted as a result has continued for over a century. Lyndall Gordon, an award-winning biographer, tells the riveting story of the Dickinsons, and reveals Emily as a very different woman from the pale, lovelorn recluse that exists in the popular imagination. Thanks to unprecedented use of letters, diaries, and legal documents, Gordon digs deep into the life and work of Emily Dickinson, to reveal the secret behind the poet's insistent seclusion, and presents a woman beyond her time who found love, spiritual sustenance, and immortality all on her own terms. An enthralling story of creative genius, filled with illicit passion and betrayal, "Lives Like Loaded Guns" is sure to cause a stir among Dickinson's many devoted readers and scholars.