Clementine is twenty-five and still living in the place where she grew up, rooted there by memories and her own inability to make changes until she has understood her past.That past is dominated by memories of her mother, and her mother's attempts to dramatise and enrich small-town life and the perceptions of her three, clever, receptive daughters.But only Clementine has stayed. Is this out of loyalty to her mother's memory? Or to comfort her father? Perhaps she wants to find peace with Hugh, the earnest husband in whose house she most uncomfortably lives? Or is Thomas the lure, who alone can appreciate Clementine's own sensuality, and her humour, but who must remain another of her secrets.Already widely known and praised for her short stories, Gillian Mears has written a wonderful debut novel which will be read with pleasure and remembered with joy.

    The injuries she sustained that evening ended her gymnastics career, and eventually manifested in life-long chronic illnesses, which medical professionals now believe can be caused by untreated trauma.In a brilliantly researched and deeply affecting essay, Osborne-Crowley invites the reader to her on decade-long journey to recovery: from the immediate aftermath of the assault, through years of misdiagnosis, to the solace and strength she found in writers like Elena Ferrante.The author’s investigations reveal profound societal failures – of law, justice, education and the healthcare system. An essential contribution to the field of literature on assault and trauma, I Choose Elena argues that it is only through empathy than we can begin to address the self-perpetuating cycle of sexual violence.

    Rowan’s brother Albert, the natural heir to the farm, has died and Rowan’s dad’s health is failing. Although he longs to, there is no way that Rowan can refuse his mother’s request as she prepares the farm for sale.This is the story of the final harvest – the story of a young man in a place he doesn’t want to be, being given one last chance to make peace before the past, and those he has loved, disappear.

    There are two stories here.Hannah Mulvey left her island home as a teenager. But her stubborn, defiant mother is dying, and now Hannah has returned to Chesil, taking up a teaching post at the tiny schoolhouse, doing what she can in the long days of this final year.But though Hannah cannot pinpoint exactly when it begins, something threatens her small community. A girl disappears entirely from class. Odd reports and rumours reach her through her young charges. People mutter on street corners, the church bell tolls through the night and the island's women gather at strange hours...And then the miracles begin.A page-turning, thought-provoking portrayal of a remote community caught up in a collective moment of madness, of good intentions turned terribly awry. A blistering examination of truth and power, and how we might tell one from the other.'Catherine Noske's debut novel grapples with questions of familial obligation, complicity, remorse and the fallibility of memory...The Salt Madonna will appeal to readers who enjoyed Laura Elizabeth Woollett's Beautiful Revolutionary.' Books+Publishing'Catherine Noske's The Salt Madonna is Australian Gothic at its most sublime and uncanny. Superbly atmospheric and darkly unsettling, the characters are haunted by their colonial pasts, manifested in guilty silence...Noske's taut, subversive writing exposes unspeakable truths buried in dazzling stories, miracles and epiphanies.' Cassandra Atherton

    " ReadingsA grieving daughter navigates the morning commute, her mind bursting with memories pleading to be shared.A man made entirely of well-cut suits and strictly enforced rules swims his regular morning laps and fantasises about his self-assured promotion.A young lawyer sits in a fluorescent-lit office, typing indecipherable jargon and dreaming of everything she didn't become.A failed news hack hides under the covers from another looming deadline, and from a past that will not relent its pursuit.And a young woman seeking asylum sits tensely on an unmoving train, praying that good news waits at the other end of the line...In this charming, moving and affectionate novel, Claire Varley paints a magical portrait of five ordinary people, and the sometimes heartbreaking power of the stories we make of ourselves.PRAISE FOR THE BIT IN BETWEEN"Tragic, mysterious, insightful, sometimes humorous and often heartbreaking." Daily Telegraph"Varley writes with confidence and brio, and her main characters are believable and loveable." The Age"Full of heart and humour." West Australian

    It’s a place populated by those who are beholden to it, those who were born to it and those who took a wrong turn while trying to go somewhere else.City-born Carra married into Nowhere River, Lucie was brought to it by tragedy, Josie is root-bound and Florence knows nowhere else. All of them, though familiar with every inch of their tiny hometown, are as lost as the place itself.The town’s social cornerstone — St Margery’s Ladies’ Club — launches a rescue plan that turns everything around and upside down, then shakes it until all sorts of things come floating to the surface. And none of its inhabitants will ever be the same again.This is the highly original and heartfelt story of a place where everybody knows everything, but no one really knows anyone at all. Brimming with heart and humour, this is a delightful novel that celebrates the country people and towns of Australia.

    If nobody asks, you never have to tell.'Christopher Bright is a well-respected conservation architect, good neighbour and friend. He has a devoted wife, two talented children and an old Rover. He plays tennis on Saturdays and enjoys a beer with his business partner after work.Life is orderly, yet an unresolved question has haunted him for as long as he can remember: Who was his birth father?Devotion to his adoptive parents has always prevented Chris from enquiring too deeply, but when his mother dies, information emerges that becomes the catalyst for changes he has never imagined.As light is cast on his father, attention turns to his birth mother, but when he goes in search of the person behind the photo, he encounters a conspiracy of silence. His quest for information, however, reveals not only the truth about his mother's life but exposes the fault lines in his own, and Chris finds the price of knowledge increasingly heavy. Nevertheless, the truth must be told ...Or must it?

    How did he get here? From the vantage point of his prison cell, Toby pens his memoir, trying to piece together how he fell so far, all the while fielding the uninvited literary opinions of his murderous cellmate, Gary.What Toby unspools is a tale of twisted bureaucracy, public servants gone rogue, and the ever-present pervasive stench of rotting prawns (don't ask). Realizing that his political career is far from the noble endeavor he'd once imagined it would be, Toby makes a bid for freedom...before the terrible realization dawns: it's impossible to get fired from the public service. Refusing to give up (or have to pay for his relocation fee), Toby's attempts to get fired grow more and more extreme, and he finds himself being propelled higher and higher through the ranks of bureaucracy.

    More than a place to stalk the white-tail, this is a place to get together, chase armadillos, swap campfire stories, listen to quail, make biscuits, and enjoy the antics of ringtails. It's the sort of place where a man is only as good as his dog, where memories last longer, where the hunter's moon is the perfect light for chasing raccoons. Most important, it is a place to recharge the spirit and renew family ties.

    And so she begins to unravel all that has been tying her up, picking through that day, piece by piece, from beginning to end. Over and over again. But sometimes what you uncover is not what you were searching for, and Elise finds herself face to face with a truth she had not expected.

    Where other people see junk he sees potential ... My dad collects broken people too ... Vincent is nearly forty years old, with little to show for his life except his precious sixteen-year-old daughter, Gemma: sensitive, insightful and wise beyond her years. When a stranger crashes her car outside Vincent and Gemma's bush home, their lives take a dramatic turn. In an effort to help the stranded woman, father and daughter are drawn into a world of unexpected and life-changing consequences. DARKNESS ON THE EDGE OF TOWN is a haunting tale that beguiles the reader with its deceptively simple prose, its gripping and unrelenting tensions, and its disturbing yet tender observations.

    A colonial belle from Tasmania, vivacious and warm-hearted, Julia’s marriage to Tom Arnold in 1850 propelled her into one of the most renowned families in England and into a circle that included Lewis Carroll and George Eliot. Her eldest daughter became a bestselling novelist, while her grandchildren included the writer Aldous Huxley, author of Brave New World, and the evolutionary biologist Julian Huxley.With these family connections, Julia is a presence in many documented and famous lives, but she is a mostly silent presence. When extracted from her background of colonial life, extracted from the covers of marriage and family life, her story reveals an extraordinary woman, a paradox who defied convention as much as she embraced it.What began as a marriage born of desire soon turned into a relationship riven by discord. Tom’s sudden decision to become a Catholic and Julia’s refusal to convert with him plunged their lives into a crisis wherein their great love for each other would be pitted against their profoundly different understandings of marriage and religion. It was a conflict that would play out over three decades in a time when science challenged religion, when industrialisation challenged agrarian forms, when democracy challenged aristocracy, when women began to challenge men. It was a conflict that would shape not only their own lives and that of their children, but also touch the lives of all those who came into contact with them.Told with the pace, depth, and psychological richness of a great novel, An Unconventional Wife is a riveting biography that shines a shaft of light on a hidden but captivating life.

    Dorothy Porter's posthumous book of poems, written over the last five years of her life.

    Rich in characterisation and feeling, Mother of Pearl, and the timely issues it raises, will generate discussion amongst readers everywhere.

    Each chapter of this nature writing-memoir explores a particular species of tree, layering description, anecdote, and natural history to tell the story of a scrap of forest in the Sunshine Coast hinterland - how the author came to be there and the ways it has shaped her life. In many ways, it's the story of a treechange, of escaping suburban Brisbane for a cottage on ten acres in search of a quiet life. Of establishing a writers retreat shortly before the Global Financial Crisis, and losing just about everything. It is also the story of what the author found: the literature of nature. "I see the world through trees. Every window and doorway frames trunks, limbs, and leaves. My light is their light, filtered green. My air is their exhalation."