Then she hits on a brilliant idea – a kids’ clothing shop with a twist – and is thrilled when it really takes off. When husband Lee offers to quit his job to look after the family while her business grows, it seems a godsend – but will their marriage stand the test of reversing their roles?Jo soon recruits Holly and Mel to help her in the shop. Designer Holly’s high-flying career has come crashing down and she’s moved back home – but is she ready to manage a major family crisis? Meanwhile, Mel worries her teenage daughter Serena is going off the rails. Is finding out more worth risking her daughter’s trust?At the crossroads of their lives, friendship could be the only the thing keeping these wonder women strong.

    Drama. Elisa Gabbert's L'HEURE BLEUE, OR THE JUDY POEMS, goes inside the mind of Judy, one of three characters in Wallace Shawn's The Designated Mourner, a play about the dissolution of a marriage in the midst of political revolution. In these poems, Gabbert imagines a back story and an emotional life for Judy beyond and outside the play. Written in a voice that is at once intellectual and unselfconscious, these poems create a character study of a many-layered woman reflected in solitude, while engaging with larger questions of memory, identity, desire, surveillance, and fear.

    Incorporating poems published over the past fifteen years, The Alphabet in the Park is a book of passion and intelligence, wit and instinct. These are poems about human concerns, especially those of women, about living in one's body and out of it, about the physical but also the spiritual and the imaginative life. Prado also writes about ordinary matters; she insists that the human experience is both mystical and carnal. To Prado these are not contradictory: "It's the soul that's erotic," she writes.As Ellen Watson says in her introduction, "Adelia Prados poetry is a poetry of abundance. These poems overflow with the humble, grand, various stuff of daily life - necklaces, bicycles, fish; saints and prostitutes and presidents; innumerable chickens and musical instruments...And, seemingly at every turn, there is food." But also, an abundance of dark things, cancer, death, greed. These are poems of appetite, all kinds.

    

    Best-selling author Pierre Alex Jeanty helps to bring clarity and understanding to the countless women who are faced with the reality of heartbreak. Ashes of Her Love exposes the fire for what it truly was, and encourages women to drown out the embers that threaten to reignite. With this book, women are inspired to free themselves from the weight of dead relationships, find freedom in walking away, and are empowered to stay away and avoid the reoccurring cycle of heartache. If you’re in a dying relationship, walking away from a terrible love story, learning to put what is no longer good in the past, Ashes of Her love is the fire you need to turn the pages and start writing a new love story. The ending is just the beginning…

    In And Short the Season she muses on mortality: her own and that of the earth. Always deeply personal, always political, these poems blend myth and modernity, fecundity and death, and the violence and tenderness of humankind.

    Included in this volume is the work from Eavan Boland's five early volumes of poetry: New Territory, The War Horse, In Her Own Image, Night Feed, and The Journey.The poems from Boland's first book, New Territory, show her to be, at twenty-two, a master of formal verse reflecting Irish history and myth. This collection charts the ways in which Boland's work breaks from poetic tradition, honors it, and reinvents it. Poems like "Anorexic," "Mastectomy," and "Witching" have an intensity reminiscent of Sylvia Plath and Anne Sexton. In later poems, her subjects become more personal, sequencing Boland's life as a woman, poet, and mother. Boland writes, "I grew to understand the Irish poetic tradition only when I went into exile with it," becoming, in effect, "a displaced person / in a pastoral chaos."This collection demonstrates how Boland's mature voice developed from the poetics of inner exile into a subtle, flexible idiom uniquely her own.

    But when Kriya vanishes without a trace, Shakti is unwittingly swept into a cataclysmic vortex of greed, lust and betrayal. Shakti meets Shiva, a struggling Silicon Valley entrepreneur, and discovers that love is an enigmatic cosmic force. Shakti and Shiva are thrust on a frantic race against time through the dark Mumbai underbelly, forbidden Thailand islands, and treacherous cliffs in the Andaman Sea, where danger lurks in every shadow. As they get closer to the truth, they realize that millions of innocent lives are at stake. Quest for Kriya is an epic saga of love, friendship and sacrifice. The journey is incredible. The emotions are real. The transformation is eternal.

    Everything you need to hear, but already know.

    . . must be the most accessible and enjoyable major poet in America. His lines are so clear and simple." --Michael Dirda, The Washington Post"Nothing escapes him; everything is illuminated." --Library Journal"Will one day rank alongside of Edgar Lee Masters, Robert Frost, and William Carlos Williams." --Minneapolis Tribune"Kooser's ability to discover the smallest detail and render it remarkable is a rare gift." --The Bloomsbury ReviewFour decades of poetry--and a generous selection of new work--make up this extraordinary collection by Pulitzer Prize winner Ted Kooser. Firmly rooted in the landscapes of the Midwest, Kooser's poetry succeeds in finding the emotional resonances within the ordinary. Kooser's language of quiet intensity trains itself on the intricacies of human relationships, as well as the animals and objects that make up our days. As Poetry magazine said of his work, "Kooser documents the dignities, habits, and small griefs of daily life, our hunger for connection, our struggle to find balance."From "March 2" Patchy clouds and windy.All morningour house has been flashing in and out of shadelike a signal, and far across the waves of grassa neighbor's house has answered, offering help.Ted Kooser is the author of eleven collections of poetry, including Delights & Shadows, which won the Pulitzer Prize. He served as the Poet Laureate of the United States, and is a visiting professor at the University of Nebraska-Lincoln.

    Brown. Brown is the winner of the Texas Book of The Year Prize, 2013. The New York Times calls his work a rekindling of the faith in the shocking, weird and beautiful power of words. Brown finally sold the ship, The Sea Section, upon which he lived for years in the Long Beach harbor, after which he took to hunting for a city that was affordable and had a bustling writer s community. He landed in Austin, Texas and when the progress of that town got to be intense, he moved to the nearby countryside in Elgin, Texas, and from that pastoral setting came unfurling this new collection of his most personal work to date. Brown has been known as one of the most touring, well travelled living poets in America. He has based his whole writing career on changing peoples minds about poetry and he feels a quality, unforgettable live experience can achieve that. Brown told himself he needed a 10-year hiatus from writing poetry when he felt the well of creativity had dried up. 2 years ago, he wrote a one-hour long poetic play called Strange Light, commissioned by The Noord Nederlands Dans Group in Holland. The piece was performed by 14 dancers and accompanied by a live orchestra using music composed by fellow Americans, Emily Wells and Timmy Straw. While he was working on a new libretto for Wayne State University in Detroit, he was set up in a seemingly pastoral country setting, where, as Brown says, an incredible war broke out inside and out, such bright, massive storms, snakes, guns, howling wind, hard sun: all kinds of poems gushed forth. I gave in to the process and my best work to date was born, this will be my 5th book. Our Poison Horse touches on more autobiography than the romantic and fantastical that was so present in his past work. In Derrick Brown s words: I found a poetry in the real events that shaped or broke me. Every morning, I would quiet down, stare out into the field where we were watching our neighbors horse, a horse that was poisoned with pesticide by some local boys, a horse with massive scars all down its body from it s skin peeling from the poison sprayed upon it maliciously by some bastard kids. I watched the horse heal and finally come to me, and trust me and eat carrots. Something about that horse, Lacey, about it not trusting me and then warming up pulled something out of me that I didn t know I was ready for. There is a theme that in beautiful places, you will"

    Then she is told that her father has hanged himself. His death brings back intense memories of her childhood and all that remains unspoken in her family. Zelda hides much from her mother, even the lover she would give anything to keep. With questions she can no longer ignore, Zelda for the first time begins to search for her father's truth and pieces together clues to his suffering. And by confronting her dark and disturbing memories, she opens up to intimacy with her family, with her lover, with herself.

    It tells about love desired, love lost, love enjoyed, love lost and love -- a different kind of love -- found again.

    Here is a mouth after a recent excavation, black with soot, devoid of kisses. Here are hands, trembling against the soft ache of morning, here are eyes, wet, wide, half-full of sky and loneliness. Here is belly, back, femur, spine, ragged and smooth all at once, all at once. Here are dreams, ink black and speckled, lost behind the eyes. Here is a muted elegy, crow’s feet feathered over the eyes like lace. Here are the last strains of a dirge, wild, discordant, free.

    It is about the constant hunger for love. It is about feeding that hunger with another person and finding that sometimes it isn’t enough. Salgado creates a world in which the heart can live anywhere; her fat brown body, her parents home country, a lover, a toothbrush, a mango, or a song. It is a celebration of heartache, of how it can ruin us, but most importantly how we always survive it and return to ourselves whole.