It's about each and every club in the League and about soccer, rugby and baseball too," writes the Melbourne Sun's football commentator, Lou Richards, himself a former Aussie Rules champion who has seen it all. He and fellow fanatic, Professor Ian Turner of Monash University, introduce David Williamson's latest probe into the confrontations of Australian life. If you have ever belonged to a sports club, if you have ever been part of any organisation in which the will to win prevails and the trial of strength goes on in the clubroom long after the players have left the field - then you will know the men of The Club.

    Book by McLure, James

    Unable to understand each other, they embarked on one of the most unusual experiments in British art as the pitmen learned to become painters. Within a few years the most avant-garde artists became their friends, their work was taken for prestigious collections and they were celebrated throughout the British art world; but every day they worked, as before, down the mine.The Pitmen Painters premiered at Live Theatre, Newcastle-upon-Tyne, in September 2007, before transferring to the National Theatre in 2008.

    Startling discontinuities and surprises erupt throughout these avant-garde landscapes by Poland's outstanding modern dramatist where duchesses and policemen, gangsters and surrealist painters, psychiatrists and locomotive engineers wander in and out, kill one another, and carry on philosophical conversations at the same time.

    What started as an outreach program to make sure no one spent Christmas alone, turned into a story in my head, and then a journey of soul searching that I hadn't intended to take. This novel is a work of fiction, but I hope it encapsulates the fear so many of us face in living up to our potential, and more importantly, I hope it highlights the brave life so many choose to live after the loss of a loved one. Because it is a choice; a hard choice with so many possible endings. This novel is for the readers who have shared their stories, and for those who have yet to tell. Thank you for your honesty, your bravery and your incredible will to live. I've learned so much from you all. God bless. - C. G. Cooper BOOK DESCRIPTION Elmore Thaddeus Nix, it's retirement time. You're sixty-five and ready. Take that final physical and then it's adios to your old life and hello to the new. Not so fast. Sorry, Elmore. Your plan's about to change. It's Elmore's last day of work. As part of his retirement, he heads to the family doctor for the follow-up to a routine physical. That's when the universe shifts on its axis. Cancer. Then we find out that Elmore's wife lies at home with only days to live. The stroke of injustice falls hard. And so, with a final word from his wife, and the buck passed to the opposition's corner, Elmore must decide whether to take his wife's advice or just wither away. To Elmore, the choice seems easy. Which path will he choose? Only time will tell, but time is not on our friend's side. Along the way, we'll find out what secrets Elmore's been hiding from the world, and maybe even himself...

    

    Boom tells the story of an elderly woman and her property agent son in Singapore, who are struggling over the potential en bloc sale of their home. Their destinies become interwoven with that of an idealistic civil servant, Jeremiah, who is facing the greatest challenge of his career—persuading a reluctant corpse to yield its memories. Boom is a quirky yet poignant tale about the relocation of both dead and living, and how personal stories get left behind in the inexorable march of progress.Written by economist-turned-playwright Jean Tay, Boom was conceptualised at the Royal Court Theatre in London in 2007, and developed and staged by the Singapore Repertory Theatre in September 2008. It was nominated for Best Original Script for The Straits Times’ Life! Theatre Awards in 2009 and is now an O- and N-Level Literature text in Singapore schools.“Jean Tay is one of the most gifted playwrights I have come across in years.” —Gaurav Kripalani, Artistic Director, Singapore Repertory Theatre

    Included are The Roaring Girl, The Shoemaker's Holiday, Eastward Ho!, and Every Man in His Humour. The text is freshly edited using modern spelling. A critical introduction, a wide-ranging annotation, and an informative bibliography illuminate the plays' cultural contexts and theatrical potential for reader and performer alike.

    Theatre script, playbook

    But their wives cannot get along. Kashibai is hard working with a temper, and Fatimabai is lazy with a gentle nature. Through years of irreconcilable strife, a sudden tragedy pulls the life of these women inextricably together. Can a woman really surpass her own unhappiness for the sake of her enemy's child? Sudha Murty gently tells this eternal tale of struggle and redemption through the power of a mother's love.

    It has received worldwide productions, whether as a study of parent-child relationships, as in its landmark 1976 production directed by Miller in Beijing, or as a critique of Western capitalism and has been filmed once for television and twice for movies.

    Also known as "Jet of Blood".

    Meanwhile, all's not well on the unassuming Midwestern streets of Bloggs: with local children vanishing at an alarming rate, our hero, his lady friend, and a motley assortment of poets, butchers, and punk librarians prepare to battle the darkness on the edge of town.

    There is the very questionable theme in these days of the relationship between masters and servants, which this play tends to undermine.' Lord Cromer, who banned performances of Miss Julie from the English stage in October 1925It's Midsummer's Eve in the kitchen of a nobleman's house and his haughty daughter Julie flirts and plays with Jean, her father's manservant. But it's a dangerous game and once she has been seduced by him he holds the upper hand.Miss Julie, Strindberg's mighty play on power, sex and class is presented here in a coruscating version by Frank McGuinness.

    Structured as the text of seven statements parents might say to their children either in response to the events or attempting to explain them, they express regret, anger, intelligence, blind hatred, fear, and compassion.