"Brings the Bard to the masses, makes his plays accessible, and, well, provides fun for the reader."—The New York Times.

    His adaptation of Harper Lee's To Kill a Mockingbird and his original screenplay Tender Mercies earned him Academy Awards. He received an Indie Award for Best Writer for The Trip to Bountiful and a Pulitzer Prize for The Young Man from Atlanta. In his plays and films, Foote has returned over and over again to Wharton, Texas, where he was born and where he lives, once again, in the house in which he grew up. Now for the first time, in Farewell, Foote turns to prose to tell his own story and the stories of the real people who have inspired his characters. His memoir is both a celebration of the immense importance of community and evidence that even a strong community cannot save a lost soul. Farewell is as deeply moving as the best of Foote's writing for film and theater, and a gorgeous testimony to his own faith in the human spirit.

    Written in a style familiar to his millions of listeners, rich with warmth and irony, Terry introduces his post-emergency Ireland, his chain-smoking maiden-aunts, his quick-witted mother and hard-working father and explains exactly how he's managed to avoid a hard day's work from childhood to knighthood.

    French, half-Jewish, born in Germany, Simone Signoret is not only an actress but also a political activist, a wife, and a mother. With amazing frankness, she highlights her roles in her celebrated films; her marriage to singer and actor Yves Montand; her trip to Russia and her meeting with Nitika Khruschev; her life in New York and Hollywood; and, above all, her friendships with famous people.

    But it sets the stage by looking into Mahler’s earlier career as a talented, ambitious, and often ruthless conductor.In her memoirs Alma drew Mahler as a sickly, cerebral recluse. Arnold Schoenberg called him a "saint." Leonard Bernstein, largely responsible for the Mahler "boom" in the Sixties, found a "secret shame" at the heart of Mahler’s music, "the shame of being a Jew and the shame of being ashamed." Jonathan Carr looks behind these myths, and using letters, diaries, and other material hitherto unavailable in English, he brilliantly challenges some of the most widely held assumptions about Mahler.

    Here, readers will find high comedy, betrayal, rigorous intelligence, the odd twist of faith, and mysterious grace--all the elements that have delighted her readers for more than 35 years. Photos.

    Beautiful, sensuous, and mysterious, she quickly became an essential Balanchine dancer-and the story of her personal life is as dramatic as they story of her rise to fame. Her account of a bizarre childhood, a magnificent if curious dance career, a charged, complicated domestic life with photographer Bert Stern, and a never-ending struggle with emotional, physical, and financial pressures is fascinating-as are her portraits of the other great dance figures who punctuated her life, from Balanchine to Baryshnikov.

    Covering the latest championships and trades, Boers was a Windy City constant until his retirement in 2017. In his highly-anticipated memoir, Boers delivers a trove of lively anecdotes and personal reflections from journey through sports media—from raucous banter with Mike Ditka during The Score's early days to the Cubs' World Series celebration in 2016. A must-read for any of the thousands who made Boers part of their daily routine, The Score of a Lifetime is a freewheeling, frank portrait of a man, a career, a station no one thought would survive, and a city that loves its sports.

    Set in various neighborhoods of Queens, New York, in the eras of disco and break-dancing, Freak recounts the turmoil and eccentricities within a Latino family struggling to make it. A domineering father, frustrated by his rocky quest for the American dream; a mother who finds feminism and the club scene when she tires of Pop's tight control; a pudgy, eager-to-please, easily manipulated younger brother; and John - who doesn't spare himself in telling the gory details of his teen years. Freak is the book adaptation of Leguizamo's comical and critically acclaimed one-man Broadway show. But Freak, the book, contains narrative that had to be cut from the show because of time restraints.

    Michener was an obscure textbook editor working in New York. Within three years, he was a naval officer stationed in the South Pacific. By the end of the decade, he was an accomplished author, well on the way to worldwide fame. Michener’s first novel, Tales of the South Pacific, won the Pulitzer Prize. Richard Rodgers and Oscar Hammerstein used it as the basis for the Broadway musical South Pacific, which also won the Pulitzer. How this all came to be is the subject of Stephen May’s Michener’s South Pacific.An award-winning biographer of Michener, May was a featured interviewee on the fiftieth-anniversary DVD release of the film version of the musical. During taping, he realized there was much he didn’t know about how Michener’s experiences in the South Pacific shaped the man and led to his early work.May delves deeply into this formative and turbulent period in Michener’s life and career, using letters, journal entries, and naval records to examine how a reserved, middle-aged lieutenant known as "Prof" to his fellow officers became one of the most successful writers of the twentieth century.

    Schwartz tells a tale of genius versus greed, innocence versus deceit, and independent brilliance versus corporate arrogance. Many men have laid claim to the title "father of television," but Philo T. Farnsworth is the true genius behind what may be the most influential invention of our time.Driven by his obsession to demonstrate his idea,by the age of twenty Farnsworth was operating his own laboratory above a garage in San Francisco and filing for patents. The resulting publicity caught the attention of RCA tycoon David Sarnoff, who became determined to control television in the same way he monopolized radio.Based on original research, including interviews with Farnsworth family members, The Last Lone Inventor is the story of the epic struggle between two equally passionate adversaries whose clash symbolized a turning point in the culture of creativity.

    In That Time of Year, Garrison Keillor looks back on his life and recounts how a Brethren boy with writerly ambitions grew up in a small town on the Mississippi in the 1950s and, seeing three good friends die young, turned to comedy and radio. Through a series of unreasonable lucky breaks, he founded A Prairie Home Companion and put himself in line for a good life, including mistakes, regrets, and a few medical adventures. PHC lasted forty-two years, 1,557 shows, and enjoyed the freedom to do as it pleased for three or four million listeners every Saturday at 5 p.m. Central. He got to sing with Emmylou Harris and Renée Fleming and once sang two songs to the U.S. Supreme Court. He played a private eye and a cowboy, gave the news from his hometown, Lake Wobegon, and met Somali cabdrivers who’d learned English from listening to the show. He wrote bestselling novels, won a Grammy and a National Humanities Medal, and made a movie with Robert Altman with an alarming amount of improvisation.   He says, “I was unemployable and managed to invent work for myself that I loved all my life, and on top of that I married well. That’s the secret, work and love. And I chose the right ancestors, impoverished Scots and Yorkshire farmers, good workers. I’m heading for eighty, and I still get up to write before dawn every day.”

    These pages, apparently found concealed beneath some floorboards, seemed to cast a remarkable new light on the mystery at the heart of the play. While Frayn began to lose all sense of certainty, actor David Burke, who played Niels Bohr in the London production and had some experience with documents of this sort, followed the action with particularly close interest. After the riddle was cracked and the fog had cleared, Frayn and Burke sat down together to ponder the winding trail of the Copenhagen papers.By turns comic and profound, The Copenhagen Papers explores the conundrum at the heart of all Michael Frayn's work--human fallibility and the eternal difficulty of knowing why we do what we do.

    But that success came with a price, where she was dragged down by depression and drugs. This is her story.

    During the past ten years Harold Pinter has written a new play, three film scripts, sheaves of poems, several sketches and created, with composer James Clarke, a pioneering work for radio, Voices. He has acted on stage, screen and radio, he has appeared on countless political platforms, and his work has been extensively celebrated in festivals at Dublin's Gate Theatre and New York's Lincoln Center. In 2005 he was awarded the Nobel Prize for Literature and in 2006, the European Theatre Prize. As if this were not enough, he has in the last five years twice come close to death. But he has faced hospitalisation with stoic resilience and his spirit remains as fiercely combative as ever. As he wrote in 2005 to Professor Avraham Oz, one of Israel's leading internal opponents of authoritarianism: "Let's keep fighting."