He is an orphan, and he spends half of each year with his mother's people in the Lowlands, while the other half finds him in the Highlands with his father's kin. Both sides of Gillis's family are eager for him to settle down and adopt their ways. In the Lowlands, he is taught to herd cattle, learning how to call them to him in even the heaviest of evening fogs. In the rocky Highlands, he stalks stags from outcrop to outcrop, holding his breath so as not to make a sound. Wee Gillis is a quick study, and he soon picks up what his elders can teach him. And yet he is unprepared when the day comes for him to decide, once and for all, whether it will be the Lowlands or the Highlands that he will call his home.Robert Lawson and Munro Leaf's classic picture book is a tribute to the powers of the imagination and a triumph of the storyteller's and illustrator's art.

    Johnny is leaving the farm because of hard times when his Journey Cake leads him on a merry chase that results in a farm yard full of animals and the family all together again.

    We weren't allowed to touch the box. The stories I heard as a little boy faded to a hazy dream, and my drawings from that time make no sense. I cannot decipher them. It was not until I myself had gone far, far away and received the message from my father that I became interested in the red box again . . .In New York, Peter Sis receives a letter from his father. "The Red Box is now yours," it says. The brief note worries him and pulls him back to Prague, where the contents of the red box explain the mystery of his father's long absence during the 1950s.Czechoslovakia was behind the iron curtain; Vladimir Sis, a documentary filmmaker of considerable talent, was drafted into the army and sent to China to teach filmmaking. He left his wife, daughter, and young son, Peter, thinking he would be home for Christmas. Two Christmases would pass before he was heard from again: Vladimir Sis was lost in Tibet. He met with the Dalai Lama; he witnessed China's invasion of Tibet. When he returned to Prague, he dared not talk to his friends about all he had seen and experienced. But over and over again he told Peter about his Tibetan adventures. Weaving their two stories together - that of the father lost in Tibet and that of the small boy in Prague, lost without his father - Sis draws from his father's diary and from his own recollections of his father's incredible tales to reach a spiritual homecoming between father and son. With his sublime pictures, inspired by Tibetan Buddhist art and linking history to memory, Peter Sis gives us an extraordinary book - a work of singular artistry and rare imagination. This title has Common Core connections.Tibet Through the Red Box is a 1999 Caldecott Honor Book and the winner of the 1999 Boston Globe - Horn Book Award for Special Citation.

    And who is the best partner? The wind, of course!   Grandmama Beasley says, “Can’t nobody put shackles on Brother Wind, chile. He be special. He be free.” With neighbors up and down Ridgetop suggesting all manner of strategies, and friend Ezel laughing at each foiled one, Mirandy grows ever more determined: she’ll get hold of that Brother Wind yet!             Patricia C. McKissack’s thoroughly engaging tale dances with spirit and rollicking good humor. Complemented by Jerry Pinkney’s rich, eye-catching watercolors of the rural South, here’s one of those rare, rewarding picture books that is sure to be read and enjoyed again and again.

    The first "manned" hot-air balloon is about to take off! But what are those noises coming from the basket? Based on the (POSSIBLY) true report of a day in 1783, this is the story of (PERHAPS) the bravest collection of flyers the world has ever seen, as (SORT OF) told to Marjorie Priceman.

    It certainly wasn't the day that Alan Mitz stumbled into the garden of Abdul Gasazi. For in this bizarre and eerie place—where strange topiary trees loomed—the evil visage of Gasazi casts its shadow. And even after Alan escaped, the spell of Gasazi still seemed to penetrate into his everyday world. In this extraordinary, unusual, and unique picture book, Chris Van Allsburg explores both the real and surreal worlds with incredible deftness. In doing so, he has created exquisite and beautiful images that will continue to haunt readers long after they have left the enchanted garden of Abdul Gasazi.

    an entirely absorbing narrative made all the more rich by its wordlessness." Kirkus Reviews hailed it as "a splendid debut."

    In the song, a fox forages for food in the village to bring to his family back in the den. The music is also included so everyone can sing along.

    Its author would rather have seen it forgotten. Instead, Ernest Thayer's poem has taken a well-deserved place as an enduring icon of Americana. Christopher Bing's magnificent version of this immortal ballad of the flailing 19th-century baseball star is rendered as though it had been newly discovered in a hundred-year-old scrapbook. Bing seamlessly weaves real and trompe l'oeil reproductions of artifacts-period baseball cards, tickets, advertisements, and a host of other memorabilia into the narrative to present a rich and multifaceted panorama of a bygone era. A book to be pored over by children, treasured by aficionados of the sport-and given as a gift to all ages: a tragi-comic celebration of heroism and of a golden era of sport.

    When he realizes that humans are upset by mice sampling their leftovers, he is shocked! He must provide for his beloved family--but he is determined to find a way to earn his supper. And so he heads for the tasting room at the Duvall Cheese Factory. On each cheese, he leaves a small note--"good," "not so good," "needs orange peel"--and signs his name. When workers at the Duvall factory find his notes in the morning, they are perplexed--but they realize that this mysterious Anatole has an exceptional palate and take his advice. Soon Duvall is making the best cheese in all of Paris! They would like to give Anatole a reward--if only they could find him...

    He faces many obstacles on his quest and sacrifices much to help others in need. But the mouse's compassion and faith in himself prove to be a source of great power...and bring him rewards even beyond his dreams.

    The illustrator won the American Library Association's Caldecott Medal for Where the Wild Things Are, in 1964.

    Inspired by seventeenth-century French trade engravings, Anita Lobel's brilliant paintings of the shopkeepers on Market Street—each composed of his or her wares—will provide blissful hours for all who join the Lobels on an unforgettable shopping spree. "In a delightful and unusual book, a boy trots down Market Street buying presents for a friend, each one starting with a letter of the alphabet. Every letter is illustrated by a figure ingeniously composed of, for instance, apples or wigs or quilts. The notion is original, and the sum total enjoyable and unique."—The Horn BookA Caldecott Honor Book, a New York Times Best Illustrated book, an ALA Notable Book, and a Boston Globe/Horn Book Honor Book for IllustrationSupports the Common Core State Standards

    Lazy Taro gets his comeuppance when his wise mother uses his trick to avoid work to her own advantage.

    In this Caldecott Honor book, illustrator Pam Zagarenski's interpretations go beyond the concrete, allowing us to not just see color, but feel it.