Now, in her first novel, she builds on that early promise.Mona Gray was ten when her father contracted a mysterious illness and she became a quitter, abandoning each of her talents just as pleasure became intense. The only thing she can’t stop doing is math: She knocks on wood, adds her steps, and multiplies people in the park against one another. When Mona begins teaching math to second-graders, she finds a ready audience. But the difficult and wonderful facts of life keep intruding. She finds herself drawn to the new science teacher, who has an unnerving way of seeing through her intricately built façade. Bender brilliantly directs her characters, giving them unexpected emotional depth and setting them in a calamitous world, both fancifully surreal and startlingly familiar.

    That was the way it was since the beginning, and the way it was to be until the end. In the barn they tended to the animals, but also to each other, transforming the hollowed-out shed into a place of human refuge, a source of intimacy and hope in a world ruled by vicious masters. But when an older man—a fellow slave—seeks to gain favor by preaching the master’s gospel on the plantation, the enslaved begin to turn on their own. Isaiah and Samuel’s love, which was once so simple, is seen as sinful and a clear danger to the plantation’s harmony.With a lyricism reminiscent of Toni Morrison, Robert Jones, Jr. fiercely summons the voices of slaver and the enslaved alike to tell the story of these two men; from Amos the preacher to the calculating slave-master himself to the long line of women that surround them, women who have carried the soul of the plantation on their shoulders. As tensions build and the weight of centuries—of ancestors and future generations to come—culminate in a climactic reckoning, The Prophets masterfully reveals the pain and suffering of inheritance, but is also shot through with hope, beauty, and truth, portraying the enormous, heroic power of love.

    He imagines us capable of disinterested curiosity in the behaviour of our kind.' In this, the most dazzlingly intellectual of all his novels, Meredith tries to illuminate the pretensions of the most powerful class within the very citadel of security which its members have built. He develops to their logical extremity his ideas on egoism, on sentimentality and on the power of comedy. Meredith saw egoism as the great enemy of truth, feeling and progress, and comedy as the great dissolver of artifice. The Egoist is the extreme expression of his recurrent theme: the defeat of egoism by the power of comedy.

    But when athletic Chloé suddenly drowns, Gabriel is left to grapple with the mysterious circumstances of her death. Brokenhearted, he pours out his grief in a bereavement group and is consoled by photographer Emma. While the two grow closer, Gabriel can’t help but feel Chloé’s presence everywhere he goes. And as revelations about Chloé slowly emerge, he begins to wonder, is Emma really that different?From prize-winning and bestselling author Amélie Antoine comes a dark and evocative novel that will keep readers guessing until the final moments—will Gabriel be able to move on with Emma, or will the mystery of Chloé’s death consume him?

    Christopher's life has so far been rather short of charm - growing up in an unlovely suburb, with unambitious parents and a semi-vagrant brother - and he is captivated by his generous and cultured mentors. However, on the brink of realising his dream, Christopher makes a desperate misjudgement which results in disaster for all involved. Shattered, he withdraws from London and buries himself in rural Yorkshire, embracing a career and a private life marked by mediocrity.Twenty years on a young academic researching into Owen Goddard seeks him out, and Christopher is forced to exhume his past, setting him on a path to a life-changing discovery.

    As the walk unwinds, a story of love and tragedy emerges, and he begins to see the chance meeting as fate. He is entranced, wholly clear in his mind: her story must surely form the basis for his next film.This is a novel about cinema, flâneurs, and queer love - it is about the sometimes troubled, sometimes ecstatic creative process, and the toll it takes on its makers.But it is also a novel about stories, and the ongoing question of who has the right to tell them.

    But after the idealistic Felix Holt also returns to the town, the difference between Harold's opportunistic values and Holt's profound beliefs becomes apparent. Forthright, brusque and driven by a firm desire to educate the working-class, Felix is at first viewed with suspicion by many, including the elegant but vain Esther Lyon, the daughter of the local clergyman. As she discovers, however, his blunt words conceal both passion and deep integrity. Soon the romantic and over-refined Esther finds herself overwhelmed by a heart-wrenching decision: whether to choose the wealthy Transome as a husband, or the impoverished but honest Felix Holt.

    And in their midst travels Madeleine, the dreamer, who is trying to make sense of her own metamorphosis as she leaves home, joins a gypsy circus, and falls into an unexpected triangle of desire and love.

    This is the story of Jim Dixon, a hapless lecturer in medieval history at a provincial university who knows better than most that “there was no end to the ways in which nice things are nicer than nasty ones.” Kingsley Amis’s scabrous debut leads the reader through a gallery of emphatically English bores, cranks, frauds, and neurotics with whom Dixon must contend in one way or another in order to hold on to his cushy academic perch and win the girl of his fancy.More than just a merciless satire of cloistered college life and stuffy postwar manners, Lucky Jim is an attack on the forces of boredom, whatever form they may take, and a work of art that at once distills and extends an entire tradition of English comic writing, from Fielding and Dickens through Wodehouse and Waugh. As Christopher Hitchens has written, “If you can picture Bertie or Jeeves being capable of actual malice, and simultaneously imagine Evelyn Waugh forgetting about original sin, you have the combination of innocence and experience that makes this short romp so imperishable.”

    Her father’s dealings with the dark society known as the Trust cost Nim her freedom. There’s one way out of the contract on her life and that’s to bide her time and pay the tithes. But when the Trust assigns Nim to a task in the king’s own castle, her freedom is not the only thing she’ll risk.Warrick Spenser has a secret. As king’s seneschal, he should be the last soul in Inara to risk association with dark magic, but long-hidden ties to the Trust are harder to shed than simply cutting the threads. When the Trust sends a thief to his rooms, Warrick thinks he’s finally found a way to be rid of them for good. But Nimona Weston is hiding secrets of her own.Magical contracts, blood-debt accountants, and a deadly game. A dark and twisty fantasy that pits magic against kings, perfect for fans of Sorcery of Thorns and Serpent & Dove.

    Maas, Kristin Cashore, and Tamora Pierce! This bundle includes the prequel novella, The Golden Cage, as well as the first full-length novel, The Shadow Soul.~~~THE GOLDEN CAGE (A Dance of Dragons #0.5)In the land of Ourthuro, cruelty is a way of life. The king rules with an iron fist and no one dare defy him--no one except his daughter. Princess Leena is keeping a dangerous secret, she has fallen in love with a soldier and it would mean both of their lives if her father ever discovered their affair.But Leena will risk it all to be with the man she loves--her heart, her life, her freedom. And when her brother's birthday celebration takes a dangerous turn, Leena is forced to make a decision that will change the fate of her nation and eventually the world.THE SHADOW SOUL (A Dance of Dragons #1)When Jinji's home is destroyed, she is left with nowhere to run and no one to run to--until she meets Rhen, a prince chasing rumors that foreign enemies have landed on his shores. Masquerading as a boy, Jinji joins Rhen with vengeance in her heart. But traveling together doesn't mean trusting one another, and both are keeping a deep secret--magic. Jinji can weave the elements to create master illusions and Rhen can pull burning flames into his flesh.But while they struggle to hide the truth, a shadow lurks in the night. An ancient evil has reawakened, and unbeknownst to them, these two unlikely companions hold the key to its defeat. Because their meeting was not coincidence--it was fate. And their story has played out before, in a long forgotten time, an age of myth that is about to be reborn...

    He is entranced by her image, flooded by memories of their teenage summer together, and utterly conpelled to make contact with her again. Charles sends Sian a letter, knowing all the while that "from the very first sentence of the very first note there was nothing innocent about it." Sian writes back - she is now a poet living with her husband and small child on an onion farm in Pennsylvania. She is intrigued that Charles has sought her out after so many years but wary of where their correspondence might lead. For Charles, troubled by financial woes, on the verge of losing his home, and concerned about the security of his family, the letters become a secret obsession and another source of instability in his already complicated life. Despite their reservations, the power of Charles and Sian's attraction leads them to meet again . . . and again. As Charles understands it, "for the two of them, eros is linked with time. It is the very urgency of time he dreads, the sense that their minutes together are short and numbered, that he must say what he has come to say before she leaves, that gestures and words cannot be wasted." Anita Shreve takes the classic theme of "Romeo and Juliet" and gives it an unusual twist: two lovers struggle against formidable odds, reaching across a lifetime to reclaim what they once lost. In doing so, they set in motion a tumultuous series of events that moves inexorably to a shocking conclusion.

    This short novel about a wedding was written in 1932 by a niece of Lytton Strachey and first published by The Hogarth Press.

    John Galsworthy, a Nobel Prize-winning author, chronicles the ebbing social power of the commercial upper-middle-class Forsyte family through three generations, beginning in Victorian London during the 1880s and ending in the early 1920s.

    Ivan Farrell is an astronomer, wife Polly a photographer, eight-year-old Charlie a budding biologist and 11-year-old Amanda a talented gymnast. And then one day, unimaginable tragedy strikes.