For Jim Nashe, it all started when he came into a small inheritance and left Boston in pusuit of "a life of freedom." Careening back and forth across the United States, waiting for the money to run out, Nashe met Jack Pozzi, a young man with a temper and a plan. With Nashe's last funds, they entered a poker game against two rich eccentrics, "risking everything on the single turn of a card." In Paul Auster's world of fiendish bargains and punitive whims, where chance is a shifting and powerful force, there is redemption, nonetheless, in Nashe's resolute quest for justice and his capacity for love.

    One day, when tidying Lady Dant's wardrobe, she comes across the most beautiful thing she has ever seen in her life - a Dior dress. In all the years of her drab and humble existence, she's never seen anything as magical as the dress before her and she's never wanted anything as much before. Determined to make her dream come true, Mrs Harris scrimps, saves and slaves away until one day, after three long, uncomplaining years, she finally has enough money to go to Paris. When she arrives at the House of Dior, Mrs Harris has little idea of how her life is about to be turned upside down and how many other lives she will transform forever. Always kind, always cheery and always winsome, the indomitable Mrs Harris takes Paris by storm and learns one of life's greatest lessons along the way. This treasure from the 1950s introduces the irrepressible Mrs Harris, part charlady, part fairy-godmother, whose adventures take her from her humble London roots to the heights of glamour.

    Intent upon his private dream he is unaware that he, his laboratory, and his accomplishments are pawns in a savage game of espionage and nuclear terror.

    Castle Richmond was written between 4 August 1859 and 31 March 1860, and was published in three volumes on 10 May 1860. It was his tenth novel. Trollope signed the contract for the novel on 2 August 1859. He received �600, �200 more than the payment for his previous novel, The Bertrams, reflecting his growing popular successCastle Richmond is set in southwestern Ireland at beginning of the Irish famine. Castle Richmond is situated on the banks of the Blackwater River in County Cork. Trollope's work in Ireland from 1841 to 1859 had given him an extensive knowledge of the island, and Richard Mullen has written that "All the principal strands of his life were formed in Ireland

    Broch's characters—an apathetic man who can barely remember his own name (Broch mostly refers to him as A.); a high-school teacher and his lover who return from the brink of a suicide pact to carry on a dishonest relationship; Zerline, the lady's maid who enslaves her mistresses, prostitutes the young country girl Melitta to gentleman A., and metes out her own justice against the "empty wickedness" of her betters—are trapped in their indifference, prisoners of a sort of "wakeful somnolence." These men and women may mention the "imbecile Hitler," yet they prefer a nap or sexual encounter to any social action. In Broch's mind this kind of ethical perversity and political apathy paved the way for Nazism.Broch believed that writing can purify, and by revealing Germany's underlying guilt he hoped to purge indifference from his own and future generations. In The Guiltless, Broch captures how apathy and ennui?very human failings—evolve into something dehumanizing and dangerous.About the Translator:Ralph Manheim translated Hourglass by Danilo Kis and numerous works by Gunter Grass, including The Tin Drum. He has edited and translated novels and plays by Bertolt Brecht, Hermann Hesse, and Erich Maria Remarque.

    But the people around Inez have made careers out of losing track. Her senator husband wants to forget the failure of his last bid for the presidency. Her husband's handler would like the press to forget that Inez's father is a murderer. And, in 1975, the year in which much of this bitterly funny novel is set, America is doing its best to lose track of its one-time client, the lethally hemorrhaging republic of South Vietnam.As conceived by Joan Didion, these personages and events constitute the terminal fallout of democracy, a fallout that also includes fact-finding junkets, senatorial groupies, the international arms market, and the Orwellian newspeak of the political class. Moving deftly from Honolulu to Jakarta, between romance, farce, and tragedy, Democracy is a tour de force from a writer who can dissect an entire society with a single phrase.

    The child of a well-to-do family, Myrsini enthusiastically joins the underground resistance, making common cause with a varied cast of characters from backgrounds very different from her own. After an early failed love affair she gets engaged to George, a political prisoner, only to find her human instincts increasingly difficult to reconcile with her idealistic philosophy once he is released. The story moves towards its climax as Myrsini becomes involved in the bloody events of 17th November 1973, when tanks were used to evict students from the Athens Polytechnic. At the same time the fortunes of Myrsini's family form a backdrop at once touching and bizarre to an impressionable girl's unflinching search for a true identity, both for herself and for her country.

    It follows the interwoven destinies of families of Indians, lordly Dutch patrons, and yeomen.

    In their obsessions, Gass’s Midwestern dreamers are like the "grotesques" of Sherwood Anderson, but in their hyper-linguistic streams of consciousness, they are the match for Joyce’s Dubliners. First published in 1968, this book begins with a beguiling thirty-three page essay and has five fictions: the celebrated novella "The Pedersen Kid," "Mrs. Mean," "Icicles," "Order of Insects," and the title story.

    When word comes that her long-estranged daughter, Maud, has disappeared in Quebec City, she decides to return home, accepting the part of Winnie, the old crone in Samuel Beckett's Happy Days, at a local theatre. The visit unexpectedly turns into a devastating confrontation with her past and present illusions, as Flora finds she must come to terms with all the roles she has ever played in life, as actress, woman, mother, child, and lover.

    In this award-winning novel, an informer’s body is found on the estate of a wealthy Irish family shortly after the First World War, and an appalling cycle of revenge is set in motion. Led by a zealous sergeant, the Black and Tans set fire to the family home, and only young Willie and his mother escape alive. Fatherless, Willie grows into manhood while his alcoholic mother’s bitter resentment festers. And though he finds love, Willie is unable to leave the terrible injuries of the past behind.First time in Penguin ClassicsWinner of the Whitbread Novel of the Year Award

    Harlov, the Lear and his daughter are remarkably portrayed characters. Turgenev has predilection for portraying delicate female characters and his prowess in capturing complete emotional process in love is evident here.

    Zapparoni, a brilliant businessman, has turned his advanced understanding of technology and his strategic command of the information and entertainment industries into a discrete form of global domination. But Zapparoni is worried that the scientists he depends on might sell his secrets. He needs a chief of security, and Richard, a veteran and war hero, is ready for the job. However, when he arrives at the beautiful country compound that is Zapparoni's headquarters, he finds himself subjected to an unexpected ordeal. Soon he is led to question his past, his character, and even his senses....

    So when he meets a down-at-heel stranger in the park one day and finds himself being accused of ruining the man's life, he half believes it.

    The collection consists of five short stories: 'The Small Rain', 'Lowlands', 'Entropy', 'Under the Rose', and 'The Secret Integration', as well as an introduction written by Pynchon himself for the 1984 publication. The five stories were originally published individually in various literary magazines but in 1984, after Pynchon had achieved greater recognition, Slow Learner was published to collect and copyright the stories into one volume. The introduction also offers a rare insight into Pynchon's own views on his work and influences.