She’s almost off her meds and at a new college where no one knows her as the girl-who-went-crazy. She’s even going to parties and making friends. There’s only one thing left to tick off her list…But relationships are messy – especially relationships with teenage guys. They can make any girl feel like they’re going mad. And if Evie can’t even tell her new friends Amber and Lottie the truth about herself, how will she cope when she falls in love?

    The name inspires resent in every male at Sinclair University, want in every female, and contempt in Charlie Chase.Charlie can be summed up in three words: independent, independent, and independent. To Charlie, Knox epitomizes everything that’s wrong with college males: prolific one-night stands, drunken senseless fights, and a body that hints at prioritizing gym time over study time.As an up-and-coming writer for Sinclair University’s newspaper, Charlie’s tasked with getting to the bottom of who’s been dropping little white pills into girls’ drinks at parties. In an ocean of All-American boys sporting polo shirts and innocent smiles, Knox is the obvious suspect. As evidence piles up against the bad boy of Sinclair, Charlie becomes more and more certain it isn’t Knox. But when her drink is dosed at a party and she wakes up on Knox’s couch the next morning, Charlie’s left with more questions than answers when it comes to Knox Jagger.How can Charlie ever hope to uncover the truth behind a guy so closed off he’s become . . .Hard Knox.

    The beginning is marked by a vivid memory, which I can reconstruct down to the last detail. Before, there is nothing, and after, everything is an extension of the same vivid memory, continuous and unbroken, including the intervals of sleep, up to the point where I took the veil ." So starts Cesar Aira's astounding "autobiographical" novel. Intense and perfect, this invented narrative of childhood experience bristles with dramatic humor at each stage of growing up: a first ice cream, school, reading, games, friendship. The novel begins in Aira's hometown, Coronel Pringles. As self-awareness grows, the story rushes forward in a torrent of anecdotes which transform a world of uneventful happiness into something else: the anecdote becomes adventure, and adventure, fable, and then legend. Between memory and oblivion, reality and fiction, Cesar Aira's How I Became a Nun retains childhood's main treasures: the reality of fable and the delirium of invention.A few days after his fiftieth birthday, Aira noticed the thin rim of the moon, visible despite the rising sun. When his wife explained the phenomenon to him he was shocked that for fifty years he had known nothing about "something so obvious, so visible." This epiphany led him to write How I Became a Nun. With a subtle and melancholic sense of humor he reflects on his failures, on the meaning of life, and the importance of literature.

    

    Bantam brings three generations into sharp focus – Kay’s own, her father’s, and his own father’s – to show us how the body holds its own story. Kay shows how old injuries can emerge years later; how we bear and absorb the loss of friends; how we celebrate and welcome new life; and how we how we embody our times, whether we want to or not. Bantam crosses borders, from Rannoch Moor to the Somme, from Brexit to Bronte country. Who are we? Who might we want to be? These are poems that sing of what connects us, and lament what divides us; poems that send daylight into the dark that threatens to overwhelm us – and could not be more necessary to the times in which we live."

    Childhood tells the story of a misfit child's single-minded determination to become a poet; Youth describes her early experiences of sex, work, and independence. Dependency picks up the story as the narrator embarks on the first of her four marriages and goes on to describe her horrible descent into drug addiction, enabled by her sinister, gaslighting doctor-husband.Throughout, the narrator grapples with the tension between her vocation as a writer and her competing roles as daughter, wife, mother, and drug addict, and she writes about female experience and identity in a way that feels very fresh and pertinent to today's discussions around feminism. Ditlevsen's trilogy is remarkable for its intensity and its immersive depiction of a world of complex female friendships, family and growing up--in this sense, it's Copenhagen's answer to Elena Ferrante's Neapolitan Novels. She can also be seen as a spiritual forerunner of confessional writers like Karl Ove Knausgaard, Annie Ernaux, Rachel Cusk and Deborah Levy. Her trilogy is drawn from her own experiences but reads like the most compelling kind of fiction.Born in a working-class neighborhood in Copenhagen in 1917, Ditlevsen became famous for her poetry while still a teenager, and went on to write novels, stories and memoirs before committing suicide in 1976. Having been dismissed by the critical establishment in her lifetime as a working-class, female writer, she is now being rediscovered and championed as one of Denmark's most important modern authors, with Tove fever gripping readers.

    She's smart, funny, witty and charming but there's one little problem. No one knows these things about Chelsea except for her blog readers. You see, Chelsea isn't exactly the Prom Queen or captain of the cheer leading team. In fact, she's just as relevant as the ten year old stale gum on the bottom of her desk. Well, at least that's what she thinks of herself. Join Chelsea as she blogs through three and a half weeks of torn friendships, betrayal, love interests and crumbling relationships.

    In the end, however, it is a meditation on the nature of totalitarian regimes, on the transition to democracy after the end of such regimes, and on the power of language to create and define reality. Ricardo Piglia combines his trademark avant-garde aesthetics with astute cultural and political insights into Argentina’s history and contemporary condition in this conceptually daring and entertaining work.The novel follows Junior, a reporter for a daily Buenos Aires newspaper, as he attempts to locate a secret machine that contains the mind and the memory of a woman named Elena. While Elena produces stories that reflect on actual events in Argentina, the police are seeking her destruction because of the revelations of atrocities that she—the machine—is disseminating through texts and taped recordings. The book thus portrays the race to recover the history and memory of a city and a country where history has largely been obliterated by political repression. Its narratives—all part of a detective story, all part of something more—multiply as they intersect with each other, like the streets and avenues of Buenos Aires itself. The second of Piglia’s novels to be translated by Duke University Press—the first was Artifical Respiration—this book continues the author’s quest to portray the abuses and atrocities that characterize dictatorships as well as the difficulties associated with making the transition to democracy. Translated and with an introduction by Sergio Waisman, it includes a new afterword by the author.

    Titled after the poem that burned up on Tumblr and has inspired wedding vows, paintings, songs, YouTube videos, and even tattoos among its fans, Mouthful of Forevers brings the first substantial collection of this gifted young poet’s work to the public.Clementine von Radics writes of love, loss, and the uncertainties and beauties of life with a ravishing poetic voice and piercing bravura that speak directly not only to the sensibility of her generation, but to anyone who has ever been young.

    The long, lavish, and utterly unpredictable sentences that Schiff has assembled contort as much to discover what can’t be contained as what can.     This is a book of extremes relentlessly contemporary in scope. And like the eighty-blade sportsman’s knife also described here, Revolver keeps opening and reopening to the daunting possibilities of transformation—“Splayed it is a bouquet of all the ways a point mutates.”from “Silverware by J. A. Henckels”Let me beas streamlined as my knife when I say this.As cold as my three-pronged fork thatcools the meat even as it steadies it.A pettiness in me was honedin this cutlers’ town, later bombed,in which Adolf Eichmann, who was born therealongside my wedding pattern, could hearthe constant sharpening of kniveslike some children hear the corn in their hometownstalking to them through the wind.The horizon is just the score they breathe throughlike a box of chickensbreathing through a slit.

    Poems: Stevens contains a selection, chosen by Helen Vendler, of over sixty of Stevens's poems, revealing with renewed force his status as our supreme acrobat of the imagination.

    About the experience of violence, abuse, love, loss, and femininity. It is split into four chapters, and each chapter serves a different purpose. Deals with a different pain. Heals a different heartache. 'milk and honey' takes readers through a journey of the most bitter moments in life and finds sweetness in them because there is sweetness everywhere if you are just willing to look.

    It contains yarns about his childhood in the Depression and his early literary passions, his apprentice days as a hard-drinking, starving poetic aspirant, and his later years when he looks back at fate with defiance.

    John has it all—loyal best friends, a hot guy, and artistic talent. And she’s right on track to win the Miss Scarlet pageant. Her perfect life is possible because of just one thing: her long, wavy, coppery red hair.Having red hair is all that matters in Scarletville. Redheads hold all the power—and everybody knows it. That’s why Felicity is scared down to her roots when she receives an anonymous note:I know your secret.Because Felicity is a big fake. Her hair color comes straight out of a bottle. And if anyone discovered the truth, she’d be a social outcast faster than she could say "strawberry blond." Her mother would disown her, her friends would shun her, and her boyfriend would dump her. And forget about winning that pageant crown and the prize money that comes with it—money that would allow her to fulfill her dream of going to art school.Felicity isn’t about to let someone blackmail her life away. But just how far is she willing to go to protect her red cred?

    . . and the enduring mystery of love.   Traveling to France on business, Alexandra Dawson has decided to seize the opportunity to explore a mysterious piece of her own heritage—a half-burnt picture of a woman who looks eerily like her, taken more than a hundred years ago in a local castle. In the charming rural village of Chandeniers, she discovers something else too—the gruff, ruggedly good-looking heir of the crumbled chateau.   Eric Lagnel is completely uninterested in Alex’s queries, until he realizes that she may have stumbled on a way to save the building. Their unlikely partnership is a surprise. But as Alex slowly unravels the secrets of her great-great-grandmother’s photograph—and the true history of the chateau—she begins to understand that no one is ever prepared for the ways love can heal old wounds and open the hardest hearts.