Eight years ago, he lost his wife and child at the hands of a killer known only as Mr. Gray. But now, Mr. Gray is back, and with strange powers that allow him to appear anywhere at will. Scott must protect a new family – a woman and her autistic son – from the madman's attacks. All they can do is run...and try to find the secret behind THE MERIDIANS.

    Two men, united by tragedy, with one goal - to keep the world save from black magic occult threats. Their chilling missions will take them across the globe and pit them against apocalyptic cults, cursed relics and supernatural terrorists bent on world destruction. The box set omnibus edition includes the first three books plus a bonus novella. Experience a series that readers are describing as a perfect mix of action-adventure and paranormal horror. DAMNATION CODE (BOOK 1) After a decade spent fighting the enemy abroad and keeping his country safe, Delta Force Operator Mark Talon is ready to settle down with the love of his life. But Talon's world crumbles when his fiancée becomes the victim of a murderous cult. The military man now has a new foe in his crosshairs, and this promises to be a very different war. The person responsible for his beloved's death is a Silicon Valley tycoon allied with the forces of darkness. Fusing cutting-edge computer technology with an ancient evil, the enemy here cannot be stopped by bullets alone. If Talon is to be victorious in his mission of vengeance, he will need to master a new method of warfare -- the arcane arts! He must become... the Occult Assassin. APOCALYPSE SOLDIER (BOOK 2) At age 15, Nicole Robertson was possessed by a demonic entity. She survived this ordeal, thanks to a successful exorcism. Now, 8 years later, Nicole is still haunted by the memory of the demon. But the nightmare isn't over. She is about to become the target of an apocalyptic cult led by a former elite soldier with a chilling plan for her future. Only one man can save Nicole from a fate worse than death. Only one man stands between her and the apocalypse. His name is Mark Talon. And he is about to go up against his most dangerous enemy yet. < ICE SHADOWS (Book 3) Talon heads to Norway to stop a Black Metal musician who plans on using an ancient Norse ritual to trigger a frozen cataclysm. PRAISE FOR THE SERIES: "James Bond meets the Punisher versus the forces of darkness." -- Amazon reviewer. "Occult Assassin moves like a bullet exploding from Talon's 9mm Glock." -- Nicholas Sansbury Smith, best-selling author of EXTINCTION HORIZON/ORBS. "Good mix of the supernatural and action/thriller." -- Mark Lukens, best-selling author of ANCIENT ENEMY.

    From an early age he entertained his family with impressions and was often told he should 'be on the telly'. Failing to get into any of the London-based drama schools, he accepted a place at Manchester Polytechnic School of Theatre and before graduating had been given his first break as a voice artist on the satirical puppet show Spitting Image. The late eighties and early nineties saw Coogan developing characters he could perform on the comedy circuit, from Ernest Moss to Paul Calf, and in 1992 he won a Perrier award with John Thomson. It was around the same time, while working with Armando Iannucci and Patrick Marber on On The Hour and The Day Today, that Alan Partridge emerged, almost fully formed. Coogan, once a tabloid fixture, is now a respected film actor, writer and producer. He runs his own production company, Baby Cow, has a raft of films to his name (from 24 Hour Party People to Alpha Papa, the critically-acclaimed Partridge film), six Baftas and seven Comedy Awards. He has found huge success in recent years with both The Trip and Philomena, the latter bringing him two Oscar nominations, for producing and co-writing.In Easily Distracted he lifts the lid on the real Steve Coogan, writing with distinctive humour and an unexpected candour about a noisy childhood surrounded by foster kids, his attention-seeking teenage years and his emergence as a household name with the birth of Alan Partridge.

    He entered college just as World War II began and dreamed of being a naval aviator. It seemed as if every night his fraternity was having a party to send off a brother to the service. Young Arness got his interview with a naval flight program officer, but his hopes vanished as he was informed that his six foot seven inch height disqualified him automatically. He wrote his draft board asking that they call him up as soon as possible and so he ended up as a private in the famed Third Infantry Division where he earned a Bronze Star and the Purple Heart. Because of his stature, he was chosen to be first off the landing craft (to test the depth of the water) when his division landed at Anzio, Italy. He was subsequently wounded by enemy machine gun fire and spent eighteen months recovering in overseas and stateside hospitals. Later his height would help him strike a commanding figure in the role of U.S. Marshal Matt Dillon of Dodge City. After Arness had toiled in Hollywood for a decade, John Wayne recommended him to CBS executives for the Gunsmoke part (after Wayne turned it down). As the principal performer of Gunsmoke for twenty years (1955-1975), the actor and the character took on mythic proportions--a born leader, honest and strong. Rare is the actor who has been cast in a role that so deeply fits his true self. James Arness gives a full account of his early years, his family, his military career, his film work in Hollywood which included appearances in the cult-favorite science fiction movies Them! and The Thing. He had a long run on Gunsmoke, a role in the highly popular television miniseries How The West Was Won, and his post-theatrical period is also covered. This is the long anticipated, never-before-told account of one of the icons of twentieth-century television. There are many personal revelations of interacting with some of the Gunsmoke family ensemble, such as Miss Kitty, Doc and Festus. His own work as a producer is covered. Throughout are rare, previously unpublished photographs from the author's personal collection. Appendices include comments by show biz colleagues and fellow Gunsmoke alumni, and a sampling of letters received from his legions of fans. As befits the man, this large-size book is a beautifully printed work in accord with the highest library standards--a luxurious and extra-strong cloth binding, acid-free paper, carefully designed photographic and textual layouts and sophisticated typography. Actor and fellow Gunsmoke performer Burt Reynolds has written a foreword to the book.

    Host Peter Marshall recounts his years on this revolutionary hit game show, featuring stories of stars Paul Lynde, Karen Valentine, Charlie Weaver, and a host of superstars from the movies, the pop charts and more! Includes a discount on the newly reissued CD ZINGERS FROM THE HOLLYWOOD SQUARES.

    It's a good question: since its beginnings during WW2, television has assumed a central role in our houses and our lives, just as satellite dishes and aerials have become features of urban skylines. Television (or 'the idiot's lantern', depending on your feelings about it) has created controversy, brought coronations and World Cups into living rooms, allowed us access to 24hr news and media and provided a thousand conversation starters. As shows come and go in popularity, the history of television shows us how our society has changed.Armchair Nation reveals the fascinating, lyrical and sometimes surprising history of telly, from the first demonstration of television by John Logie Baird (in Selfridges) to the fear and excitement that greeted its arrival in households (some viewers worried it might control their thoughts), the controversies of Mary Whitehouse's 'Clean Up TV' campaign and what JG Ballard thought about Big Brother.Via trips down memory lane with Morecambe and Wise, Richard Dimbleby, David Frost, Blue Peter and Coronation Street, you can flick between fascinating nuggets from the strange side of TV: what happened after a chimpanzee called 'Fred J. Muggs' interrupted American footage of the Queen's wedding, and why aliens might be tuning in to The Benny Hill Show.As Alfred Hitchcock said: 'The invention of television can be compared to the introduction of indoor plumbing. Fundamentally it brought no change in the public's habits. It simply eliminated the necessity of leaving the house.

    The series has been a critically acclaimed Amazon bestseller worldwide and it is optioned for TV.The two-part box set features the books with the ancillary novellas and short stories presented in the order the author Caimh McDonnell thinks they should be read in, with new introductions written especially for this edition.Please note: this is the second part!The Dublin Trilogy Deluxe Part 2 contains:Angels in The Moonlight (The Dublin Trilogy Book 3): For Detective Bunny McGarry, life is complicated, and it is about to get more so. He’s set the task of bringing down the most skilled and ruthless armed robbery gang in Irish history. So, the last thing he needs in his life is yet another complication. Her name is Simone. She is smart, funny, talented and, well, complicated.Sisters Gonna Work it Out (Novella): Annoying a drug baron is usually a very bad idea but it is just another day at work for The Sisters of the Saint. An ex-communicated order of kick-ass nuns, they take no prisoners, but they might just free a few.How to Send a Message (Short Story): Bunny McGarry is the kind of man who is inclined to take it personally when someone tries to threaten his life. Two gangland thugs find out to their cost that if you’re going up against the meanest copper in Dublin, you’d better be prepared for a truly unforgettable experience.Last Orders (The Dublin Trilogy Book 4): As a wise man once said, just because you're done with the past, doesn't mean the past is done with you. When long-buried bodies are discovered in the Wicklow Mountains, Bunny's past starts closing in on him. Who can he trust when he can't even trust himself? When he’s got nowhere left to run and nobody he can turn to, will the big fella make the ultimate sacrifice to protect the ones he loves?Please note: All the novels and short stories have been previously available to readers separately.

    

    It’s time for her and Fyre to visit New Atlantis and find out what the fuss is all about.Both gangs in the Crescent City are fighting for control, with Cali and her friends in the middle. To do nothing is to risk those she cares about on a daily basis.One of those, Tanyith, has his own people to protect, as the people who broke him out of Trevilsom prison finally reveal themselves.Her parents left behind secrets she needs to understand, mysteries with no clear solution. The shadowy figures behind the Kraken attack might be involved, or might be just another bunch of people seeking to mess with her life for no apparent reason.Watch out, New Atlantis, Caliste Leblanc is on her way to New Atlantis to bring the fight to you. Assuming nothing crazy happens when she travels through the Bermuda Triangle on the way there.For magic, mystery, martial arts, and all the mayhem a canine-sized dragon can bring, join the Blues right away!Scroll up and click 'Read for Free' or 'Buy Now' and read it today.

    From Sex, Drugs, and Cocoa Puffs; Chuck Klosterman IV; and Eating the Dinosaur, these essays are now available in this ebook collection for fans of Klosterman’s writing on film and television.

    Made specifically for the small screen, within the tight constraints of broadcasting standards, what these humble movies lacked in budget and star appeal, they made up for in other ways. Often they served as an introduction to genre films, particularly horror, mirroring their theatrical counterparts with a focus on sinister cults, women in prison, haunted houses and even animals in revolt. They were also a place to address serious contemporary issues - drugs, prostitution, sexual violence and justice -albeit in a cosy domestic environment. Production of telefilms continues to this day, but their significance within the history of mass media remains under-discussed. Are You in the House Alone? seeks to address this imbalance in a series of reviews and essays by fans and critics. It looks at many of the films, the networks and names behind them, and also specific genres - everything from Stephen King adaptations to superheroes to true-life dramas. So, kickback and crack open the TV guide once more for the event that is the Movie of the Week!

    Having shot her little brother dead, Annie Radford was sent to Lakehurst psychiatric hospital, where she discovered that the voices in her head might in fact be real. Something terrible was lurking beneath Lakehurst, something that desperately wanted to break free. When a strange little girl is found in Iowa, dark forces begin to gather. An ancient evil is stirring, preparing to take on a devastating new form. Teaming up with Elly Blackstock, Annie sets out to find the little girl and keep her safe, but she's not the only one who's searching. Soon, Annie realizes that a face from her past is also involved, and that the wheels of a hidden plan are slowly beginning to turn. Horror is the third and final book in the Asylum trilogy. Readers are advised to start with the first book in the series.

    It has since become the longest-running children's show in history, and today reaches 8 million preschoolers on 350 PBS stations and airs in 120 countries. Street Gang is the compelling and often comical story of the creation and history of this media masterpiece and pop culture landmark, told with the cooperation of one of the show's cofounders, Joan Ganz Cooney. Sesame Street was born as the result of a discussion at a dinner party at Cooney's home about the poor quality of children's programming and hit the air as a big bang of creative fusion from Jim Henson and company, quickly rocketing to success. Street Gang traces the evolution of the show from its inspiration in the civil rights movement through its many ups and downs-from Nixon's trying to cut off its funding to the rise of Elmo-via the remarkable personalities who have contributed to it. Davis reveals how Sesame Street has taught millions of children not only their letters and numbers, but also cooperation and fair play, tolerance and self-respect, conflict resolution, and the importance of listening. This is the unforgettable story of five decades of social and cultural change and the miraculous creative efforts, passion, and commitment of the writers, producers, directors, animators, and puppeteers who created one of the most influential programs in the history of television.

    They teach you how to discover the "Franchise" or structure of a television show in order to write a successful and eye catching spec script. The four-act structure is covered, along with the elements that go into telling a good story. After you've blown them away with your spec script, learn how to pitch confidently and concisely. You'll also find invaluable information on how to work with producers, how to handle your first writing assignment, and tackle revisions. Also included are Writer's Guidelines, and beat sheets, from several television shows to help you familiarize yourself with the way writer's work.

    And the past couple of years have shown that this annoying never stops. To give just three examples:After a mid-Atlantic collision between French and British nuclear submarines, France's Minister of Defence seemed to blame the accident on ... shrimps.When French political superstar Dominique Strauss-Kahn was arrested in New York, France's establishment was outraged. It soon emerged that sexual harassment was regarded as a basic human right by the country's male �lite. (This theme provided so much excellent material that I decided to include it in the plot of my soon-to-be published novel, The Merde Factor.)And when David Cameron walked out of a Eurosummit, a French politician accused him of being 'like a man at a wife-swapping party who refuses to bring his own wife.' Yes, a very French image, and it just one of the many anti-Anglais insults that came flying across the Channel.You will find all this, and much more, in Annoying the French Encore! Because, for the French, the merde never ends.Yours historically,Stephen Clarke, Paris, August 2012'Tremendously entertaining' Sunday Times'Relentlessly and energetically rude' Mail on Sunday