The first published play by an African American writer, The Escape explored the complexities of American culture at a time when tensions between North and South were about to explode into the Civil War. This new volume presents the first-edition text of Brown’s play and features an extensive introduction that establishes the work’s continuing significance.The Escape centers on the attempted sexual violation of a slave and involves many characters of mixed race, through which Brown commented on such themes as moral decay, white racism, and black self-determination. Rich in action and faithful in dialect, it raises issues relating not only to race but also to gender by including concepts of black and white masculinity and the culture of southern white and enslaved women. It portrays a world in which slavery provided a convenient means of distinguishing between the white North and the white South, allowing northerners to express moral sentiments without recognizing or addressing the racial prejudice pervasive among whites in both regions.John Ernest’s introductory essay balances the play's historical and literary contexts, including information on Brown and his career, as well as on slavery, abolitionism, and sectional politics. It also discusses the legends and realities of the Underground Railroad, examines the role of antebellum performance art—including blackface minstrelsy and stage versions of Uncle Tom's Cabin—in the construction of race and national identity, and provides an introduction to theories of identity as performance.A century and a half after its initial appearance, The Escape remains essential reading for students of African American literature. Ernest's keen analysis of this classic play will enrich readers’ appreciation of both the drama itself and the era in which it appeared.The Editor: John Ernest is an associate professor of English at the University of New Hampshire and author of Resistance and Reformation in Nineteenth-Century African-American Literature: Brown, Wilson, Jacobs, Delany, Douglass, and Harper.

    

    Its lyrical scenes still etch a portrait of Cyrano as a man of uncompromising bravery except in matters of the heart. They come off beautifully in the intimate off-Broadway-size Roundabout Theater. To the open minded, Langella's work will hardly seem felonious and it may be a breakthrough!" --David Patrick Stearns, U S A Today"Frank Langella has abridged the text and given the play a bare-bones production shorn of extravagance. CYRANO is compelling enough in its characterizations, dialogue and situations to withstand minimalism." --Frank Scheck, Hollywood Reporter"Frank Langella's adaptation is relatively short, fast and intimate. The speed of the shortened version allows the ideas behind the play to emerge with great force and clarity. The result is a terrifically enjoyable and surprising thought-provoking piece of theater." --Fintan O'Toole, Daily News, New York

    Author and historian Albert Buchanan recreates the engagements of the Pacific and Atlantic combat theaters with near clinical detail, from the Pearl Harbor Attack to the Japanese surrender aboard the USS Missouri. Interwoven within these aerial combat narratives is background information on technological innovations, production methods, training programs, and the important players involved. This new edition of The Navy's Air War: A Mission Completed includes annotations and photographs from World War 2. *Annotations. *Images.

    

    A German pilot is shot down over the English Channel and rescued by the British. It is discovered that he is a high ranking ace, and one of several royal princes flying for the Luftwaffe. His capture also opens a whole new avenue for British and American intelligence to determine the effectiveness of their counterintelligence activities to deceive Adolf Hitler as to Allied intentions for an invasion of Europe. Operation Gemini is launched and is one of the most successful spy operations of the war. Although this is a work of fiction, many of the characters were real and worked in the positions portrayed in the story. The main characters are fictitious. Wars are replete with secrets, deceptions and lies, prompting Winston Churchill to have famously said, and oft-quoted, “In wartime, truth is so precious that she should always be attended by a bodyguard of lies.” This tale could be one such lie. Chinese philosopher Sun Tzu said, All warfare is based upon deception. So are novels. 575 Pages.

    

    The Iron Age. The Age of Oil.The Stone Age didn't end for want of stones. What do you do when you know it's going to run out? Oil follows the lives of one woman and her daughter in an epic, hurtling crash of empire, history and family.Ella Hickson's explosive new play drills deep into the world's relationship with this finite resource.Oil premiered at the Almeida Theatre, London, in October 2016.

    They missed the liquidation of their ghetto by mere hours, hiding in a shed all night listening to the screams of their fellow Jews. Then went into Germany and took up work in a hotel housing Gestapo officers. Many close escapes and daring moments make this book chilling.

    The poor man will be either hopelessly embarrased or pleased to escape with his life. With an unfailing eye for human weakness, Birbal protects the innocent. People, from every strata of society, flock to him for help with endless lists of woes. Known for his compassion and tact, Birbal never fails them, even if it means pitting his wits against the all-powerful Emperor.

    Overcoming great odds with indomitable courage, discipline and skill, he rose from humble beginnings to become the greatest figure in the sport.Under his leadership, India humbled the Europeans who were till then regarded as masters of the game and then went on to conquer all global hockey powers. The world still remembers how the Indian team gave the Nazis a bloody nose, when he led it to an 8-1 victory over the aggressive German side in the 1936 Berlin Olympics.The story of Dhyan Chand is the story of Indian hockey at its very best. The game defined his personality and his life. He strove for the glory of his country, desiring nothing for himself. India reigned supreme in hockey during Dhyan's playing years and for some decades afterwards, earning the country the respect of the world.

    In the 1920s, Josh Goff runs away from school and enlists under another name in the ranks of what to his family was always simply known as The Regiment.Soon enough, he finds himself on the front lines in the Second World War, from France to the Western Desert, from the D-Day beaches to Nazi Germany.The time of cavalrymen has long since passed, but Josh finds himself thinking that the mindset still prevails. Though the weapons have changed, the men have not, and so he moves forward bravely, in his iron stallion. The awe-inspiring finale to the Goff war trilogy, perfect for fans of Alistair MacLean, Jack Higgins and Frederick Forsyth.

    It tells the woeful tale of a group of 'fallen' women who have had their babies snatched from them at birth to be given up for adoption, and their wretched lives of drudgery earning their keep in the laundry.

    While his courtiers were jealous of Birbal, the emperor was quick to notice his agile mind. While the two men loathed hypocrisy and deceit; they also relished a good joke.

    The house was owned by Henry Mullins, big, burly, and a hard drinker. Henry made life hell for his four stepchildren who looked half-starved and frequently got bashed. Seventeen-year-old Kitty was the one Jamie felt most sorry for. She took the brunt of Henry Mullins' bad temper whilst trying to protect her sisters and brother. When Mullins suddenly died - in somewhat suspicious circumstances - Kitty realised they could be in trouble. If she wasn't careful the authorities would take the younger children away - split the family up. She wasn't having that, not after all they'd gone through, and nice, kind Jamie Blair was the one to save them. Too late Jamie found himself with a ready-made family and a stubborn and fiery young termagant called Kitty who was determined not to let him go.