Aimed for readers age five to ten, Bookata’s books allow the users (parents and children alike) to change in a few minutes the whole content, from illustrations to text.

    

    His work has been seen by millions—no, hundreds of millions—in the pages of Playboy, The New Yorker, Punch, The National Lampoon, and many other magazines; there is no telling, really, how many readers he has corrupted or comforted. He is revered for his playfully sinister take on childhood, adulthood, men, women, and monsters. His brand of humor makes you laugh until you cry. And it’s about time that a collection of his cartoons was published that did justice to his vast body of work.When Gahan Wilson walked into Hugh Hefner’s office in 1957, he sat down as Hefner was on the phone, gently rejecting a submission to his new gentlemen’s magazine: “I think it’s very well-written and I liked it very much,” Hefner reportedly said, “but it’s anti-sin. And I’m afraid we’re pro-sin.” Wilson knew, at that moment, that he had found a kindred spirit and a potential home for his cartoons. And indeed he had; Wilson appeared in every issue of Playboy from the December 1957 issue to today. It has been one of the most fruitful, successful, and long-lived relationships between a contributor and a magazine, ever.Gahan Wilson: 50 Years of Playboy Cartoons features not only every cartoon Wilson drew for Playboy, but all his prose fiction that has appeared in that magazine as well, from his first story in the June 1962 issue, “Horror Trio,” to such classics as “Dracula Country” (September 1978). It also includes the text-and-art features he drew for Playboy, such as his look at Madame Tussaud’s Wax Museum, his take on our country’s “pathology of violence,” and his appreciation of “transplant surgery.”Wilson’s notoriously black sense of comedy is on display throughout the book, leaving no sacred cow unturned (an image curiously absent in the book), ridiculing everything from state sponsored executions to the sober precincts of the nouveau rich, from teenage dating to police line-ups, with scalding and hilarious satirical jabs. Although Wilson is known as an artist who relishes the creepy side of modern life, this three-volume set truly demonstrates the depth and breadth of his range—from illustrating private angst we never knew we had (when you eat a steak, just whom are you eating?) to the ironic and deadpan take on horrifying public issues (ecological disaster, nuclear destruction anyone?).Gahan Wilson has been peeling back the troubling layers of modern life with his incongruously playful and unnerving cartoons, assailing our deepest fears and our most inane follies. This three-volume set is a testament to one of the funniest—and wickedly disturbing—cartoonists alive.Nominated for two 2010 Will Eisner Comic Industry Awards (Best Archival Collection/Project: Strips; Best Publication Design).

    Her eagerness to help a mysterious bunny gets her transported to a strange world full of goblin inventors, dog armies, cosmic giants, and even stranger things! Armed with the ancestral weapon of rabbitkind (an old shovel) she must help her animal friends, and get home in time for supper. Along the way she will experience the bravery of folk heroes, the power of ancient gods and the danger of lurking monsters; all while making sure her animal friends are safe. A word book for young readers, The Tale of Tallest Rabbit is a family friendly collection of stories tied together by an overarching narrative of bravery and friendship.

    What’s the man to do? Leave the bathroom and say nothing on the matter? Or, take matters into his own hands?THE MEANTIME STORIES is a funny short read series that draws inspiration from Terry Pratchett, Monty Python, and Douglas Adams, all combined with a twist of Nordic Noir (human folly, abrupt and plentiful deaths, snappy dialogue, quirky deep thoughts, and absurd outcomes). It’s glittering darkness, and clouded light.Each story is a stand-alone, ready to be enjoyed when you yearn for 30 minutes of wacky, brainy, and laugh-out-loud entertainment. Longing for surprises, unexpected twists, and silliness with an edge? Look no further, because in the Meantime, anything can happen!

    Unable to fit in at school, she forges alliances where she can: with her housekeeper, with a pimply fellow misfit named Cynthia, and with the gorgeous Taylor, who gets her kicks out of shoplifting. Most frustrating of all is Katie's imperfect friendship with the proprietor of a local gas station, a handsome 23-year-old who shares her love of checkers but doesn't return her crush. With humour and an eye for telling detail, Berg conveys the way each uncompromising element of Katie's life ultimately offers her more than she had anticipated.Until The Real Thing Comes AlongPatty Murphy is facing that pivotal point in a woman's life when her biological clock ticks as insistently as a beating heart. Will she find Mr Right and start a family? But Patty is in love - with a man who is not only attractive and financially sound, but sensitive and warmhearted. There's just one small problem: He is also gay. Against her better judgment, and pleas from family and friends, Patty refuses to give up on Ethan. Every man she dates ultimately leaves her aching for the gentle comfort and intimacy she shares with him. But even as she throws eligible bachelors to the wayside to spend yet another platonic night with Ethan, Patty longs more and more for the consolation of loving and being loved. In the meantime she must content herself with waiting - until the real thing comes along . . .

     Meet Wally Moscowitz. His day job is top secret. As ghostwriter for Oral B, the most famous gangsta rapper in the world, Wally is the real mastermind behind Godz-Illa Records' best-selling artist, and the best-kept secret in the Industry. But if word gets out about Wally's true profession, Godz-Illa's kajillion-dollar rap empire will be sunk, and Wally will be dead meat. When Wally comes home one particularly bizarre afternoon to find a ransom note and his best friend and dog, Dr. Barry Schwartzman, missing, Wally goes to great lengths to stop the dognappers while keeping the big secret under wraps. He must, if he wants to walk away with his job, not to mention his life, intact. The hunt for Dr. Schwartzman and the blackmailing thug who is trying to reveal hip-hop's biggest conspiracy becomes a wild-goose chase in which everyone becomes a suspect: Sue Schadenfreude, Wally's girlfriend, who makes a pretty penny massaging Barbra Streisand's papillon, Yenta; Pardeep Vishvatma, Wally's neighbor, who keeps a watchful eye on all the suspicious characters lurking about the hood; Jerry Silver, Wally's slick-rick, self-styled superagent; Abraham "Dandy" Lyons, Wally's boss and Godz-Illa's CEO-badass with Suge Knight's street cred and Tony Soprano's "friends"; Jem, the fiery, achingly familiar vixen who steals Wally's heart; Yo Yo Pa and Teddy Bizzle, Oral B's entourage; and the mysterious mob crew: Five-two Lou, Six-seven Kevin, and Balsamic Vinny, who show up when Wally needs them most. Duck Duck Wally is a hilarious romp through the absurdities of Los Angeles, the bombastic details of hip-hop culture, and a day in the life of what was supposed to be the painfully ordinary existence of Wally Moscowitz.

    Originally published by Palliard Press.

    The first is that he died. The second is that he didn't stay dead. Now he's hunted by the Church, the cult that revived him, and Her Majesty's Department of Ethereal Affairs. Gilbert must keep his head long enough to save London, the Queen, and his brassy and opinionated mother from the forces of evil and good alike.

    George MacDonald Fraser is the author of the "Flashman" novels.

    The collection takes us from England to Asia with stops in Australia and the United States and it proves the point that disgusting old people are to be found just about everywhere. We enter the troubled minds of murderers, bank robbers, practical jokers, serial killers, perverts and just regular old liars all of whom are old enough to know better. You'll doubtless recognize people you know and be forced to admit to a few wiles of your own.

    Poems, sketches, cartoons, short prose pieces and doctored photos.

    He took a selfie of himself pouring a whole tube of them into his mouth, before sending it to his best mate, along with the letters LOL! The bestselling authors of We're Going on a Bar Hunt and The Very Hungover Caterpillar bring you another hilarious parody of a much-loved children's book, this time turning the spotlight not only on modern teens, but firmly on their parents too.When the doorbell rings, just as Sophie and her Dad are sitting down for their tea, they're half-expecting a visit from a tiger, but what slouches in through their doorway is even more curious than that... a teenager.A perfect read for anyone who remembers the original, or has ever been a teenager or is the parent of a teenager today.

    Bates characterizes Silas as "the original Adam, rich and lusty and robust" and "a protest against the Puritanical poison in the English blood,” and he adds: "to those who find these stories too Rabelaisian, far-fetched, or robust, my reply would be that, as pictures of English country life, they are in reality understated." This volume contains: The Lily, The Revelation, The Wedding, Finger Wet Finger Dry, A Funny Thing, The Sow & Silas, The Shooting Party, Silas the Good, A Happy Man, Silas & Goliath, A Silas Idyll, The Race, The Death of Uncle Silas, The Return. Published in England in October 1939, these 14 tales offer sly, affectionate glimpses of the narrator's great-uncle Silas--a rural oldster of the earthy, boozy, incorrigible school. In a voice at once dreamy, devilish, innocent, mysterious and triumphant, 93-year-old Silas recalls his more youthful days of poaching and wooing. In ""The Revelation,"" the narrator watches old Silas being given a bath by his surly, longtime housekeeper--and realizes for the first time that their relationship is (or at least Once was) intensely romantic. Elsewhere, Silas chortles over tall-tales of his Casanova days, trying to out-lie his dandyish, equally ancient brother-in-law Cosmo. (In one anecdote, Silas hides from a jealous husband in a cellar for days, eating ""stewed nails"" to keep from starving to death.) There are nostalgic vignettes of roof-thatching, pig-wrestling, and grave-digging--plus, in ""A Happy Man,"" a somewhat more serious sketch of Silas' old chum Walter, an outwardly cheerful ex-soldier who eventually succumbs (with traumatic memories of 1880s Asian campaigns) to madness. And, inevitably, ""The Death of Uncle Silas"" arrives at the close--though, even on his deathbed, Silas is sneaking snorts of wine . . . while, in an epilogue, the narrator shows that he's inherited a wee bit of his great-uncle's mischief.

    She is certain she and Jason have a strong and loving relationship that can weather any storm. Hooked by the beauty of Torringham with its quaint harbour and stunning coastline, they purchase Flotsam Guesthouse which needs more than a lick of paint to keep it afloat. Soon, Katie finds that renovating and running a guesthouse is taking its toll, especially when dealing with challenging guests and madcap neighbours, Shona and Kim. Katie comes to learn that trouble is afoot whenever Shona begs a favour. However, when her adored daughter moves back to their old hometown, she wonders if they’ve made a huge mistake, especially when cracks begin to show in her marriage. Her seaside idyll is crumbling along with her relationship. Should she let Flotsam Guesthouse founder while she salvages her marriage? Katie needs to decide where her priorities lie. The only issue is, she doesn’t know.