The family in focus is that of two brothers, Jiten and Nitin, who run an advertising agency and are married to sisters: Dolly and Alka. Their mother, Baa, moves between the two households, attached more to her memories of the past than to any present reality. Marital friction, sibling rivalry, the traditional tension between mother-in-law and daughters-in-law, the darker moments of business and personal dealings, the play takes us through the entire gamut of emotional experience as it winds to a climactic finish. With its relentless pace, crisp idiom and unflinching insight into the urban milieu, this is a play that confirms Mahesh Dattani's reputation as India's most influential playwright.

    The life-changing decision leads her away from the security of her family and the footprint of larger-than-life brothers and sisters. Jade makes the decision to follow her passion to dance. The odds of success are against her, but hey, she is a Lassiter, damn it. Lassiter’s can make anything happen… right?The Momma’s BoyBlake Thornton. voted the sexiest man alive for three years in a row, is living the life of fame, and fortune, with women from coast to coast at his beck and call. Then he realizes that fame and fortune do not equal happiness. A child star turned adult heartthrob brings its own set of problems. His overbearing mother is willing to take out anyone—anyone who threatens to intervene in her control of her son, especially if their last name happens to be Lassiter.The ConundrumThe past is threatening to interfere with the future when a dance between Blake and Jade exposes an attraction, they were fighting for ten years. The two open their hearts, their bodies, and their souls to each other. When Blake’s mother finds the two together all hell breaks loose. Several attempts made on Jade’s life cause Blake to think his mother has gone too far.Can the chemistry between Blake and Jade turn into something more…something that is strong enough to save both of their lives?

    Searching Manchester in desperation, she finds all roads lead to Pomona - an abandoned concrete island at the heart of the city.Here at the centre of everything, journeys end and nightmares are born.A sinister and surreal thriller from Alistair McDowall, Pomona received its world premiere at the Orange Tree Theatre, London, on 12 November 2014.

    is a series of women's monologues tackling many different aspects of the complex female psyche.

    Enormously likable and a habitual screw-up, Eric Mercer has settled into a sometimes raucous, underachieving life in his one-stoplight hometown—a life cobbled together from his part-time activities as bartender at the American Legion, assistant mortician, and father to his beloved 5-year-old daughter, Tess. Tess seems to be the main reason smart, talented, twenty-four-year-old Eric is staying in town, though her mom, a centerfold-quality beauty, would have it otherwise. When Jill, the lost love of his life, returns to Pinely in the same week that the town goes nuts in preparation for the high school football team's Big Game, life unexpectedly shifts into high gear, and Eric must blunder his way toward enlightenment—fast. Authentic and refreshingly unpredictable, Small Town Odds is written with an acute sense of place and character reminiscent of Richard Russo.

    She spends her nights sleeping beneath the cemetery’s Warrior Angel statue for protection, and her days battling the mean streets of Remington, Texas, hell-bent on discovering what happened the night her Mama disappeared. While Copper and her rag-tag group of friends find danger at every corner, two horror are certain: her Mama’s really missing and someone’s after Copper, too. In the tradition of The Lovely Bones and Room, Pennies from Burger Heaven tells a dark story through the eyes of a child. With wit and wisdom, Copper Daniels will steal your heart, then break it in two.

    When Agnes finds Tilly's Dungeons & Dragons notebook, however, she stumbles into a journey of discovery and action-packed adventure in the imaginary world that was Tilly's refuge. In this high-octane dramatic comedy laden with homicidal fairies, nasty ogres, and 90s pop culture, acclaimed young playwright Qui Nguyen offers a heart-pounding homage to the geek and warrior within us all.

    Real and his lady, Constance, were living in the lap of luxury, with fancy cars, expensive clothes and a million dollar home until someone close to them alerted the feds to their illegal activity.At the blink of an eye their perfect life was turned upside down. Just as Real was sorting things out on the home front, the head of Miami's most powerful Cartel gave him an ultimatum that would eventually force him back into the life he had swore off forever. Knowing this lifestyle would surely put Constance in danger, he made plans to send her away until the score was settled but things spiraled out of control. Now Real and Constance are in a fight for survival where friends become enemies and murder is essential. Atlanta's underworld to Miami's most affluent community—no stone was left unturned as Real fought to keep Constance safe while attempting to regain control of the lifestyle he once would kill for.From the city of Atlanta to the cell block of Georgia's most dangerous prison, life under the City Lights would never be the same.

     In remote Pakistan, Nick Bright awaits his fate. A successful financial trader, Nick is kidnapped by an Islamic militant group, but with no one negotiating his release, he agrees to an unusual plan. He will earn his own ransom by helping his captors manipulate and master the world commodities and currency markets. "[A] tense, provocative thriller about the unholy nexus of international terrorism and big bucks...."-Seattle Times "Ahktar again turns hypersensitive subjects into thought-provoking and thoughtful drama"-Newsday "The prime theme is pulsing and alive: when human lives become just one more commodity to be traded, blood eventually flows in the streets"-Financial Times "Whip-smart and twisty"-Time Out New York "The Invisible Hand offers genuine insight into the future of the West" (Village Voice).

    Only two characters appear on stage; Hughie, the third and most important one, is dead. It is Hughie's innocence, gullibility, and need to believe in a far more exciting existence than he ever knew which gives some kind of purpose to the shabby lives of the two who remain. O'Neill here again writes of the defeated and the courage that comes by way of illusions reflecting still other illusions in a world that needs them all.Hughie, the only surviving manuscript from a series of eight one-act monologue plays that O'Neill planned in 1940, was completed in 1941.

    The show's unconventional structure consists of Cathy, the woman, telling her story backwards while Jamie, the man, tells his story chronologically; the two characters meet only once, at their wedding in the middle of the show.Jason Robert Brown won Drama Desk Awards for the music and the lyrics after the Off-Broadway premiere in 2002 starring Norbert Leo Butz and Sherie Rene Scott. The show has since been produced at almost every major regional theater in the U.S., and has been seen in Korea, Japan, the Philippines, Germany, Italy, Canada, Spain, and the UK.

    Also known as "Jet of Blood".

    Book by McLure, James

    In this hilarious comedy by the author of Lend Me A Tenor and Moon Over Buffalo, two English Shakespearean actors, Jack and Leo, find themselves so down on their luck that they are performing "Scenes from Shakespeare" on the Moose Lodge circuit in the Amish country of Pennsylvania. When they hear that an old lady in York, PA is about to die and leave her fortune to her two long lost English nephews, they resolve to pass themselves off as her beloved relatives and get the cash. The trouble is, when they get to York, they find out that the relatives aren't nephews, but nieces! Romantic entanglements abound, especially when Leo falls head-over-petticoat in love with the old lady's vivacious niece, Meg, who's engaged to the local minister. Meg knows that there's a wide world out there, but it's not until she meets "Maxine and Stephanie" that she finally gets a taste of it.

    Trigga found out in book 1 that the enemy who got away was right under his nose. The one man that he had been hunting to seek vengeance for his father’s death and mother’s brutal rape and murder was the man he called his boss, Street King, Damien Orlando. He only has one thing in mind, payback. With his boy Big Jake along with Gina, and Ray-Ray forming their own family, Dame and every goon in his circle are targets. Chaos is coming and Dame’s most trusted are about to bring him pain and death. E.N.G.A. Every Nigga Gotta Agenda