In One Man's Bible, Gao gives us a profound meditation on a life marked by personal and political trauma. The nameless narrator of the novel -- which begins in contemporary Hong Kong -- is clearly Gao himself. In the intimate aftermath of a sexual encounter, Gao revisits the central moments of his life, traveling, in memory, to the Beijing of his childhood, a childhood scarred at the age of ten by his mother's accidental drowning. From emblematic moments like this, Gao's memory ranges across time and space, gradually illuminating the nature of life before, during, and after China's disastrous Cultural Revolution. Gao Xingjian is one of the most eloquent, authoritative voices of 20th-century China, and his personal, political, and aesthetic musings shine a light on a world that very few Westerners have ever truly understood. Ultimately, through his honesty and his artistry, Gao locates the common ground connecting us all in this memorable, universal novel about "the perplexities of being human." Bill Sheehan

    Since its appearance in the thirteenth century, it has enjoyed unparalleled popularity. The play has given rise to innumerable sequels, parodies, and rewritings; it has influenced countless later plays, short stories, and novels and has played a crucial role in the development of drama criticism. This translation of the full and complete text of the earliest extant version is available in paperback for the first time. The editors' introduction will inform students of Chinese cultural and literary traditions.

    Its author Gu Hua was brought up in the Wuling Mountains of south Hunan. He presents the ups and downs of some families in a small mountain town there during the hard years in the early sixties, the "cultural revolution," and after the downfall of the "gang of four." He shows the horrifying impact on decent, hard-working people of the gang's ultra-Left line, and retains a sense of humor in describing the most harrowing incidents. In the end wrongs are righted, and readers are left with a deepened understanding of this abnormal period in Chinese history and the sterling qualities of the Chinese people.

    A-qing, the adolescent hero, comes from an impoverished family. His father casts him out after learning that his son is gay. A-qing drifts into New Park, a gay hangout in Taipei, and begins his life as a hustler. He meets other boys living on the street, also forsaken by their families: Little Jade, who is constantly searching for his unknown father; Mousey, an orphan and petty thief; and Wu Min, a shy tender kid, who attempts suicide when discarded by a middle-aged man. These four boys become fast friends and are taken under the protection of Chief Yang, a fiftyish gay guru in the Park. The boys begin to build a family of their own. Meanwhile, A-qing meets Dragon Prince, whose passionate and faithful love for Phoenix Boy has become a legend of the Park...The second part of the novel deals with the Cozy Nest, a gay bar run by Chief Yang, where the boys and other homosexual exiles have found refuge. The bar is sponsored by Papa Fu, whose young soldier son had shot himself when his homosexuality was exposed.In Taiwan, the gay community is known as the buoliquan, literally "glass community," while the individuals are called "glass boys" or "Crystal Boys."Crystal Boys was first published in Taiwan and has since appeared in Hong Kong and in mainland China: two editions (Beijing and Harbin) were published in 1987. A film, Outcasts, based on the novel and directed by Yu Kan-Ping (1986) is currently available in the United States on video cassette (subtitled).

    When orphaned Daiyu leaves her home in the provinces to take shelter with her cousins in the Capital, she is drawn into a world of opulent splendor, presided over by the ruthless, scheming Xifeng and the prim, repressed Baochai. As she learns the secrets behind their glittering façades, she finds herself entangled in a web of intrigue and hidden passions, reaching from the petty gossip of the servants’ quarters all the way to the Imperial Palace. When a political coup overthrows the emperor and plunges the once-mighty family into grinding poverty, each woman must choose between love and duty, friendship and survival. In this dazzling debut, Pauline A. Chen draws the reader deep into the secret, exquisite world of the women’s quarters of an aristocratic household, where the burnish of wealth and refinement mask a harsher truth: marriageable girls are traded like chattel for the family’s advancement, and to choose to love is to risk everything.

    Genji, the Shining Prince, is the son of an emperor. He is a passionate character whose tempestuous nature, family circumstances, love affairs, alliances, and shifting political fortunes form the core of this magnificent epic. Royall Tyler’s superior translation is detailed, poetic, and superbly true to the Japanese original while allowing the modern reader to appreciate it as a contemporary treasure. Supplemented with detailed notes, glossaries, character lists, and chronologies to help the reader navigate the multigenerational narrative, this comprehensive edition presents this ancient tale in the grand style that it deserves.

    Family, one of the most popular Chinese novels of that time, vividly reflects that turmoil and serves as a basis for understanding what followed. Written in 1931, Family has been compared to Dream of the Red Chamber for its superb portrayal of the family life and society of its time. Drawn largely from Pa Chin's own experience, Family is the story of the Kao family compound, consisting of four generations plus servants. It is essentially a picture of the conflict between old China and the new tide rising to destroy it, as manifested in the daily lives of the Kao family, and particularly the three young Kao brothers. Here we see situations that, unique as they are to the time and place of this novel, recall many circumstances of today's world: the conflict between generations and classes, ill-fated love affairs, students' political activities, and the struggle for the liberation of women. The complex passions aroused in Family and in the reader are an indication of the universality of human experience. This novel illustrates the effectiveness of fiction as a vehicle for translating the experience of one culture to another very different one.

    Written in 1598 by Tang Xianzu, The Peony Pavilion is one of literature's most memorable love stories and a masterpiece of Ming drama. It's heroine, Bridal Du, is a cloistered girl who dreams of love, then dies pining for her dream suitor. Returning to earth in ghostly form, she is restored to life through the devotion of a young scholar. Cyril Birch has captured all the elegance, lyricism, and subtle, earthy humour of this panoramic tale of romance and Chinese society. When Indiana University Press first published the text in 1980, it seemed doubtful that the work would ever be performed in its entirety again, but several spectacular and controversial productions have toured the world in recent years. For this second edition, which contains a revised text of the translation, Cyril Birch and Catherine Swatek reflect upon contemporary performances of the play in light of a well-established tradition of stage interpretation in China and the sometimes heated politics of intercultural collaboration.

    A medical student and a pro-democracy protestor in Tiananmen Square in June 1989, he was struck by a soldier’s bullet and fell into a deep coma. As soon as the hospital authorities discovered that he had been an activist, his mother was forced to take him home. She allowed pharmacists access to his body and sold his urine and his left kidney to fund special treatment from Master Yao, a member of the outlawed Falun Gong sect. But during a government crackdown, the Master was arrested, and Dai Wai’s mother—who had fallen in love with him—lost her mind. As the millennium draws near, a sparrow flies through the window and lands on Dai Wei’s naked chest, a sign that he must emerge from his coma. But China has also undergone a massive transformation while Dai Wei lay unconscious. As he prepares to take leave of his old metal bed, Dai Wei realizes that the rich, imaginative world afforded to him as a coma patient is a startling contrast with the death-in-life of the world outside. At once a powerful allegory of a rising China, racked by contradictions, and a seminal examination of the Tiananmen Square protests, Beijing Coma is Ma Jian’s masterpiece. Spiked with dark wit, poetic beauty, and deep rage, this extraordinary novel confirms his place as one of the world’s most significant living writers.

    The rain and snow have weathered me, and I too have weathered them’.At the end of the twentieth-century an old woman sits among the birch trees and thinks back over her life, her loves, and the joys and tragedies that have befallen her family and her people. She is a member of the Evenki tribe who wander the remote forests of north-eastern China with their herds of reindeer, living in close sympathy with nature at its most beautiful and cruel.An idyllic childhood playing by the river ends with her father’s death and the growing realisation that her mother’s and uncle’s relationship is not as simple as she thought. Then, in the 1930s, the intimate, secluded world of the tribe is shattered when the Japanese army invades China. The Evenki cannot avoid being pulled into the brutal conflict which marks the first step towards the end of their isolation…In The Last Quarter of the Moon, prize-winning novelist Chi Zijian, creates a dazzling epic about an extraordinary woman bearing witness not just to the stories of her tribe but also to the transformation of China.

    I have always avoided commenting on my sexual relations with Ikuko, for fear that she might surreptitiously read my diary and be offended...' So begins The Key - a forthright and moving tale of a middle-aged man deeply in love with his younger wife. In spite of that love, they have grown physically apart, each unsure of the other's thoughts and desires-until the day Ikuko discovers the key to her husband's diary with its desperate hints of jealousy and voyeurism. The key, she realises, to his very soul...

    There they meet the daughter of the local tailor and discover a hidden stash of Western classics in Chinese translation. As they flirt with the seamstress and secretly devour these banned works, they find transit from their grim surroundings to worlds they never imagined.

    The Hundred Days’ Reform that followed was a moment of unprecedented change and extraordinary hope—brought to an abrupt end by a bloody military coup. Dashed expectations would contribute to the revolutionary turn that Chinese history would soon take, leading in time to the deaths of millions.Peach Blossom Paradise, set at the time of the reform, is the story of Xiumi, the daughter of a wealthy landowner and former government official who falls prey to insanity and disappears. Days later, a man with a gold cicada in his pocket turns up at his estate and is inexplicably welcomed as a relative. This mysterious man has a great vision of reforging China as an egalitarian utopia, and he will stop at nothing to make it real. It is his own plans, however, which come to nothing, and his “little sister” Xiumi is left to take up arms against a Confucian world in which women are chattel. Her campaign for change and her struggle to seize control over her own body are continually threatened by the violent whims of men who claim to be building paradise.

    It is neither a glorification of the old way of life nor a defense of the new. It is merely a story of how men and women in the contemporary era grow up and learn to live with one another, how they love and hate and quarrel and forgive and suffer and enjoy, how certain habits of living and ways of thinking are formed, and how, above all, they adjust themselves to the circumstances in this earthly life where men strive but the gods rule.

    It is through the quieter, more skeptical Maple, a less than ardent Maoist whose father is languishing in prison for a minor crime, that we see this story to its tragic end. The Red Guards have branded Wild Ginger's deceased father a traitor and eventually drive her mother to a gruesome suicide, but she fervently embraces Maoism to save her spirit. She rises quickly through the ranks and is held up as a national model for Maoism. Wild Ginger now has everything, even a young man who vies for her heart. But Mao's prohibition on romantic love places her in an untenable position. Into this sexually charged situation steps Maple, creating an uneasy triangle that Min has portrayed with keen psychological insight and her characteristic gift for lyrical eroticism.