You will do everything the Devil requires. Whatever it takes, you will maintain the transfer of Jews from Germany to Israel. Remember not to fear him. After all, he thinks it is you who is the Devil." 1937. In a fictional turn of historical events, the British Cabinet accepts the recommendations of the Peel Commission, establishing a Jewish State in the Land of Israel. Dan Lavi is a young diplomat sent by Ben-Gurion to serve as the country’s first ambassador to Berlin, in an effort to save as many Jews as possible under the controversial Transfer Agreement. Surrounded by the terror and atrocities of the Third Reich, Dan struggles to uphold good relations and diplomatic protocol with those who want him dead, to negotiate Nazi party politics and Allied pressures, to reconcile his love for his family with his loyalty to his country, and to stop the Final Solution – even if it costs him everything. Yehuda Avner’s political insight meets Matt Rees’s novelistic skill in this fast-paced counter-historical thriller about a diplomatic mission to the Devil.

    Two lovers ruminate on the power of their photo booth stickers to keep them together. Peach-pocket Girl reads stolen love letters at a café. Pui Pui knows a Portuguese egg tart is authentic if she dreams of riding a boat-like egg tart. Each character inhabits a different corner of Hong Kong’s dreamscape; together they bring to life Dung Kai-cheung’s imaginative vision of the city.

    Always ready with an impeccable phrase or a sly wink, he shares tales of the most darkly ironic sort, including a field report from a human abattoir, a chronicle of dating Death, and, of course, the tale of the goat that ate its own legs. The thirty-one bizarre, insightful, and morbidly hilarious tales in My Goat Ate Its Own Legs: Tales for Adults will delight anyone who doesn't take life (or death) too seriously.

    Samanta Schweblin haunts and mesmerizes in this extraordinary, masterful collection.Schweblin's stories have the feel of a sleepless night, where every shadow and bump in the dark take on huge implications, leaving your pulse racing, and the line between the real and the strange blur.

    Written in Soviet Moscow in the 1920s—but considered too subversive even to show to a publisher—the seven tales included here attest to Sigizmund Krzhizhanovsky’s boundless imagination, black humor, and breathtaking irony: a man loses his way in the vast black waste of his own small room; the Eiffel Tower runs amok; a kind soul dreams of selling “everything you need for suicide”; an absentminded passenger boards the wrong train, winding up in a place where night is day, nightmares are the reality, and the backs of all facts have been broken; a man out looking for work comes across a line for logic but doesn’t join it as there’s no guarantee the logic will last; a sociable corpse misses his own funeral; an inventor gets a glimpse of the far-from-radiant communist future.

    Few readers had heard of David Bezmozgis before May 2003, when Harper's, Zoetrope, and The New Yorker all printed stories from his forthcoming collection. In the space of a few weeks, America thus met the Bermans--Bella and Roman and their son, Mark--Russian Jews who have fled the Riga of Brezhnev for Toronto, the city of their dreams.Told through Mark's eyes, the stories in Natasha possess a serious wit and uniquely Jewish perspective that recall the first published stories of Bernard Malamud and Philip Roth, not to mention the recent work of Jhumpa Lahiri, Nathan Englander, and Adam Haslett.

    As the perspective shifts among the characters - spanning fifteen years, returning to Israel and then going back again to the Midwest - Osnat tries (and often fails) to belong. Danit Brown gives us an irreverent portrait of a young woman for whom finding a foothold in the world is an obsession, a challenge, and a great adventure.From the Trade Paperback edition.

    A group of Jewish friends take the trip of a lifetime. A girl meets her new boyfriend's family over Shabbat dinner. Two best friends put their friendship to the test over the course of a Friday night. A Jewish girl feels pressure to date the only Jewish boy in her grade. Hilarious pranks and disaster ensue at a crush's Hanukkah party. From stories of confronting their relationships with Judaism to rom-coms with a side of bagels and lox, It's a Whole Spiel features one story after another that says yes, we are Jewish, but we are also queer, and disabled, and creative, and political, and adventurous, and anything we want to be. You will fall in love with this insightful, funny, and romantic Jewish anthology from a collection of diverse Jewish authors.

    Desperate for human connection, they listen through walls and engage in such obsessions as collecting hairs left behind by lovers. These 24 passionately and intricately rendered stories secure Lutz's place at the forefront of the contemporary fiction of disaffection.

    They have been charged by their commanders to track down and bring back for execution 'one of them' - a Jew. Having flushed out the young man hiding in the woods, they decide to rest in an abandoned house before continuing their journey back to the camp. As they prepare food, they are joined by a passing Pole whose outspoken anti-Semitism adds tension to an already charged atmosphere. Before long, the group's sympathies have splintered as they consider the moral implications of their murderous mission and confront their own consciences to ask themselves: should the Jew be offered food? And, having shared their meal, should he be taken back, or set free?

    In spare, brutal prose he describes a world where where the will to survive overrides compassion and prisoners eat, work and sleep a few yards from where others are murdered; where the difference between human beings is reduced to a second bowl of soup, an extra blanket or the luxury of a pair of shoes with thick soles; and where the line between normality and abnormality vanishes. Published in Poland after the Second World War, these stories constitute a masterwork of world literature.

    Here, too, are portions  of the diary originally withheld from publication  by her father. By turns fantastical, rebellious,  touching, funny, and heartbreaking, these writings  reveal the astonishing range of Anne Frank's  wisdom and imagination--as well as her indomitable love  of life. Anne Frank's  Tales from the Secret Annex is a  testaments to this determined young woman's extraordinary  genius and to the persistent strength of the  creative spirit.From the Paperback edition.

    One is the now legendary tale of a defiant Jew's refusal to abandon God, even in the face of the greatest suffering the world has known, a testament of faith that has taken on an unpredictable and fascinating life of its own and has often been thought to be a direct testament from the Holocaust.The parallel story is that of Zvi Kolitz, the true author, whose connection to Yosl Rakover has been obscured over the fifty years since its original appearance. German journalist Paul Badde tells how a young man came to write this classic response to evil, and then was nearly written out of its history. With brief commentaries by French philosopher Emmanuel Levinas and Leon Wieseltier, author of Kaddish, this edition presents a religious classic and the very human story behind it.

    Stunningly original in both style and content, these stories are often hilarious yet with an undercurrent of profound moral disquiet and horror when the respectable turns slowly but inexorably into the outrageous, conveying both the horrors of upper-class life and the deepest anguish of the human condition.

    Apples From the Desert brings together Liebrecht’s most vivid and affecting work and makes it available in English for the first time.With a precision and a subtle ferocity reminiscent of the work of Nadine Gordimer, Liebrecht’s stories reveal the impact of larger social and political conflicts within the private worlds of home and family. She depicts the personal tragedies—and the small acts of courage and reconciliation—that grow from the deep-rooted conflict between Arabs and Jews, women and men, and older and younger generations in present-day Israel. These stories create a finely nuanced portrait of contemporary Israel; at the same time, they reach toward truths that know no national boundaries. As Lily Rattok writes in her introduction, “Liebrecht’s skill as a writer, combined with her perceptiveness, her compassion, and her deep humanity, create a body of work that is a testament to the healing power of storytelling.”