In six stories and the novella, Bounty, Saunders introduces readers to people struggling to survive in an increasingly haywire world.

    . . eclectic. . . a feast' TelegraphThis landmark collection brings together forty writers that reflect over a hundred years of Italy's vibrant and diverse short story tradition, from the birth of the modern nation to the end of the twentieth century.Poets, journalists, visual artists, musicians, editors, critics, teachers, scientists, politicians, translators: the writers that inhabit these pages represent a dynamic cross section of Italian society, their powerful voices resonating through regional landscapes, private passions and dramatic political events.This wide-ranging selection curated by Jhumpa Lahiri includes well known authors such as Italo Calvino, Elsa Morante and Luigi Pirandello alongside many captivating new discoveries. More than a third of the stories featured in this volume have been translated into English for the first time, several of them by Lahiri herself.

    Featuring a revolving cast of characters—the newly retired couple, the church warden, the musician, the small-town girl with big city dreams—Carney’s keen observations of the personalities and dramas of coastal life are instantly recognizable to readers who are familiar with life in a small community. With her narrative of dock fights, pet shows, family feuds, logging camps and the ever-present tension between islanders and property-owning “off-islanders,” Carney’s witty and perceptive voice describes how the islanders weather the storms of coastal life.Carney writes evocatively of the magical landscape of the British Columbia coast, where she has lived and worked for five decades. At the same time, she addresses the less-idyllic moments that can also characterize coastal life: power outages, winter storms, isolation. On Island brings the West Coast landscape—human and natural—to life, and gives islanders and mainland dwellers alike a taste of what it means to be “on island.”

    These are stories about friendships and relationships confused by unsettling tensions bubbling beneath the surface. A woman who plans to conceive ends up in the arms of her husband's best friend; a man who baby-sits a neglected four-year-old ends up questioning his own dysfunctional relationship; a chance encounter at a gala event causes a woman to remember when she volunteered for a nightmarish drug-testing clinic; another woman discovers that her best friend who is about to get married has just had an affair; a young teenager tries to escape from her controlling father and finds an unexpected lover on a bus ride home; a wife tries to overcome her dying mother-in-law's resistance to her marriage by revealing to her own strange aural stigmata; a friend tries to talk another friend out of dating her cheating ex-boyfriend; and a superstitious candle-maker confesses to a tempestuous relationship that implodes spectacularly. Sarah Selecky is a talented young writer who evokes a generation teetering on the shoals of consumerism and ambiguous mores. Reminiscent of early Atwood, with echoes of Lisa Moore and Barbara Gowdy, these absorbing stories are about love and longing, stories that touch us in a myriad of subtle and affecting ways."

    These fifteen compact stories are meticulously observed glimpses of everyday life that expose the ominous lurking under the ordinary. While his wife sleeps, a husband prowls the Internet, obsessed with female serial killers; a bureaucrat tries to reinvent himself, exposing goodness as artifice when he converts to Buddhism in search of power; a woman sits on the edge of the bed where her lover lies, attempting to locate a motive for his violence within her own self-doubt. Shifting between moments of violence (real and imagined) and mundane contemporary life, these stories encompass the complexity of human emotions, our capacity for cruelty as well as compassion. Not so much minimalist as stealthy, Karate Chop delivers its blows with an understatement that shows a master at work.

    These are stories about women who built time machines when they were nine, or who predict cataclysm, or who think their dreams are reality. They include police horses with talons and giant eagles and weredeer. At the center of it all is love. And if love is the problem, what is the solution? Being closer? Or being alone?

    With the grit of Raymond Carver, the humor of Grace Paley, and a blend of wit and melancholy all her own, Berlin crafts miracles from the everyday, uncovering moments of grace in the laundromats and halfway houses of the American Southwest, in the homes of the Bay Area upper class, among switchboard operators and struggling mothers, hitchhikers and bad Christians. Readers will revel in this remarkable collection from a master of the form and wonder how they'd ever overlooked her in the first place.

    A man crushes pills on the bathroom counter while his son watches from the hallway; missionaries clumsily navigate an uprising with barbed wire and broken glass; a boy disparages memorized scripture, facedown on the asphalt, as he fails to fend off his bully. From Kentucky to Florida to Haiti, these seemingly disparate lives are woven together within a series of nested repetitions, enacting the struggle to remain physically and spiritually alive throughout the untamable turbulence of their worlds. In a masterful blend of fiction, autobiography, and surrealism, Kyle Minor shows us that the space between fearlessness and terror is often very small. Long before Praying Drunk reaches its plaintive, pitch-perfect end, Minor establishes himself again and again as one of the most talented younger writers in America.

    A pregnant woman left by her husband cooks obsessively to cope with her loss, but never tastes a morsel. In an attempt to stay sober, a young alcoholic seduces her priest and embarks on a tour of caverns with him. An adolescent girl picks up bird-watching as a hobby and, in her newfound habit of observing others, discovers a budding romance between her mother and her neighbor. These stories, many published in The Paris Review, Glimmer Train, Story, and The Colorado Review, are full of characters seeking an escape from their lives while uncovering small moments of understanding that often have huge implications and consequences. They discover that they can only find peace once they stop searching for a way out. Through diverse voices and lively storytelling, Hood creates authentic, personal, secret worlds full of eccentric detail.

    Emily Prager's sensational first book of fiction, which was acclaimed as "splendid and original" (New York Times), is now available in the popular Vintage Contemporaries series.

    The powerful tales gathered here vividly evoke the turn-of-the-century colonial Pacific and its capricious tropical landscape, while also trenchantly observing the delicate interplay between imperialism and the exotic. And as Tony Horwitz asserts in his Introduction, “When London’s stories click, we are utterly there, at the edge of the world and the limit of human endurance.”

    It's nearly identical to her mother's nearby-in the Copper Waters subdivision, they all are-but she likes it here, eating boiled eggs and watching TV, feeling out her freedom as heavy rains fall. And then a nearby dike fails. And the girl may be the only one left in Copper Waters.Eliza Robertson can handle the shocking turn, but she also has a knack for the slow surprise, the realization that settles around you like snow. Her stories are deftly constructed and their perspectives-often those of the loners and onlookers, distanced by their gifts of observation-are unexpected. In "We Walked on Water," winner of the Commonwealth Short Story Prize, a brother and sister train together for a race that will ultimately separate them forever. In "L'Étranger," shortlisted for the CBC Short Story Prize, a girl abroad in Marseille reconsiders her unendearing roommate after an intimate confrontation. Robertson was raised on rugged Vancouver Island. She's traveled broadly since, and her stories travel, too, but the climate of her collection is influenced by her home. These carefully cultivated forms still flare with wildness, and each is still spacious enough for a reader to get lost in wonder.

    Included here are such classics as REMEMBERING NEEDLEMAN, THE KUGELMASS EPISODE, a new story called CONFESSIONS OF A BUGLAR, and more.

    From the story about a beautiful young woman who shows up thirsty in the bathtub of the Frangipani Hotel in Saigon many years after her first sighting there, to a young woman in Houston who befriends an old Vietnamese man she discovers naked behind a dumpster, to a truck driver asked to drive a young man with an unnamed ailment home to die, to the story of two American sisters sent to Vietnam to visit their elderly grandmother who is not what she appears to be, these stories blend the old world with the new while providing a new angle of insight into the after-effects of the war on a generation of displaced Vietnamese immigrants as well as those who remained in Vietnam.

    A teacher struggles to bond with jaded students as bodies drop from the sky; a man meets his illegitimate son for an awkward pumpkin picking excursion; a professor develops a sexual obsession with the student destined to surpass him; and a female cyberotica writer looks for conventionality in the form of a suitor who may be in love with her dog. Whether writing about a small town murder, homeschooling, experiments on lab mice, or the disintegration of a long marriage over the course of a golf game, Amend's characters are more than whip-smart and laugh-out-loud funny, they are chillingly real, memorable people looking for love--or what passes for it.