From more than 300 interviews and over 100,000 pages of previously classified documents, Gentry reveals exactly how a paranoid director created the fraudulent myth of an invincible, incorruptible FBI. For almost fifty years, Hoover held virtually unchecked public power, manipulating every president from Franklin D. Roosevelt to Richard Nixon. He kept extensive blackmail files and used illegal wiretaps and hidden microphones to destroy anyone who opposed him. The book reveals how Hoover helped create McCarthyism, blackmailed the Kennedy brothers, and influenced the Supreme Court; how he retarded the civil rights movement and forged connections with mobsters; as well as insight into the Watergate scandal and what part he played in the investigations of President John F. Kennedy and Martin Luther King Jr.

    *Includes a bibliography for further reading.*Includes a table of contents. “A feller came up to me the other day and said ‘I don’t know whether this means anything to you but you’ve given me and my family a lot of enjoyment over the years.’ And I said to him, ‘Does it mean anything to me? It means everything to me. That’s the ballgame. That's it.’ And I think that if I have done that to that man, and maybe a couple more…then I’m proud of that.” – Jimmy StewartA lot of ink has been spilled covering the lives of history’s most influential figures, but how much of the forest is lost for the trees? In Charles River Editors’ American Legends series, readers can get caught up to speed on the lives of America’s most important men and women in the time it takes to finish a commute, while learning interesting facts long forgotten or never known. When the American Film Institute assembled its top 100 actors of all time at the close of the 20th century, Jimmy Stewart ranked third, behind only Humphrey Bogart and Cary Grant. There is a certain inevitability to these three actors ranking at the top of the list; after all, they were the dominant faces of Hollywood during the height of the era known as classical Hollywood cinema, a time before the onset of television when the movies still enjoyed relatively uncontested supremacy over American entertainment. The popularity of Stewart, Grant, and Bogart also extends well beyond the success of any of their individual films, reflecting their much broader cultural significance as monuments of Hollywood during its Golden Age. In fact, if the list was reconstructed today, it is entirely possible that Stewart would rank first. Not only have movies such as It’s a Wonderful Life (1946) and Vertigo (1958) continued to gain in popularity even into the 21st century, but Stewart has come to embody an accessible image of American values that is easy for everyone to embrace. The wholesome, happy-go-lucky persona he cultivated represents perhaps a more palatable image of American masculinity than the gritty realism of Bogart or the erudite but occasionally snobbish tendencies of Cary Grant. If there is any actor that embodies not only classical Hollywood but also American culture more generally, it’s difficult to argue against Jimmy Stewart.The phenomenon of Jimmy Stewart becomes even more remarkable when considering the incredible harmony between the characters he portrayed in his films and his personality off the movie set. Most actors and actresses cultivate a persona in order to achieve success, and in most cases it’s an image that bears only a tangential relationship to an actor’s true personality, but there was no such division for Stewart. The all-American image conveyed in films such as Mr. Smith Goes to Washington (1939) and It’s a Wonderful Life corresponds seamlessly with Stewart’s off-screen pursuits, which included a degree in architecture from Princeton and an extended tenure as a pilot during World War II. There were elements of his life story that resisted cultural norms - he waited until age 41 before marrying, and his very decision to pursue acting in 1930s America could be seen as a deviation from more characteristically masculine professions - but there was an almost seamless congruence between the Stewart that audiences saw on screen and the man he was in real life. Naturally, his defining traits developed out of and in response to the values instilled in him by his family and cultural background, and for this reason, examining his filmography alongside his life story paints a complete picture of the delicate unity of Jimmy Stewart’s life.

    ambassador to France in 1993, he was rewarding an extraordinary supporter with a crown jewel from the American political spoils system. Few deserved it more. The glamorous widow of statesman Averell Harriman had sheltered the Democratic party through a dozen years of exile and had used her late husband's fortune and her own drive to raise $12 million for the party and, ultimately, Clinton's campaign. But long before she became a diplomat, Pamela Harriman had an international reputation - as courtesan of the century. The ambitious eldest child of an English baron, Pamela was eager to flee rural life when her formal education ended at sixteen. Red-haired, voluptuous, and sexy at eighteen, when she claims to have met Adolf Hitler, she married Winston Churchill's only son at the onset of World War II and moved into No. 10 Downing Street. A volatile marriage to Randolph Churchill propelled the seductive young mother into wartime affairs with such powerful men as Harriman, Edward R. Murrow, and top generals on both sides of the Anglo-American alliance. After the war, Pamela divorced, moving to France and into liaisons with wealthy playboys Aly Khan, Gianni Agnelli, and Elie de Rothschild. Her second marriage, to Sound of Music producer Leland Hayward, put her at the crossroads of Broadway and Hollywood in the 1960s. After Hayward's death, a family feud, and a flirtation with Frank Sinatra, she married the seventy-nine-year-old Harriman. The former ambassador, New York governor, and presidential candidate introduced her to a new generation of world leaders as well as Democratic party officials delighted to welcome a beautiful and energetic doyenne. Unauthorized, but based on months of exclusive talks with Pamela Harriman, plus interviews with nearly two hundred friends, relatives, and critics, Life of the Party is the first inside look at the spectacular life and rise of a remarkable woman.

    You may have heard of a plot to rob Abraham Lincoln’s body from its grave site, but did you know that there was also attempts to steal Benjamin Harrison's and Andrew Jackson’s remains? The book also includes “Critical Death Information,” which prefaces each chapter, and a complete visitor’s guide to each grave site and death-related historical landmark. An “Almost Presidents” section includes chapters on John Hanson (first president under the Articles of Confederation), Sam Houston (former president of the Republic of Texas), David Rice Atchison (president for a day), and Jefferson Davis. Exhaustively researched, The President Is Dead! is richly layered with colorful facts and entertaining stories about how the presidents have passed. Skyhorse Publishing, as well as our Arcade imprint, are proud to publish a broad range of books for readers interested in history--books about World War II, the Third Reich, Hitler and his henchmen, the JFK assassination, conspiracies, the American Civil War, the American Revolution, gladiators, Vikings, ancient Rome, medieval times, the old West, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

    For 30 years--from the very inception of the Central Intelligence Agency & before--he occupied pivotal positions in that shadowy world: OSS operator, spymaster, planner, plotter, &, finally, for over 6 years, Agency director. No other was so closely & personally involved, over so long a period, with so many CIA activities, successful & otherwise. His story is the story of the CIA. In portraying Helms' extraordinary career, Pulitzer Prize-winning author Thomas Powers has in fact written the 1st comprehensive inside history of the CIA itself. It's a history, moreover, that is entirely uncensored. While the information on which it's based has been drawn from intensive interviews with dozens of former key Agency officials, including Helms himself, as well as from exhaustive research thru hundreds of published & unpublished sources, the author isn't subject to the kind of legal restraints that have burdened others writing about the CIA. The result is a picture of the Agency more objective, more complete & more revealing than any hitherto available. Because it's written with an eye for character & anecdote, it's as readable as it's important.

    Kissinger on Kissinger is a series of faithfully transcribed interviews conducted by the elder statesman's longtime associate, Winston Lord, which captures Kissinger's thoughts on the specific challenges that he faced during his tenure as NSA, his general advice on leadership and international relations, and stunning portraits of the larger-than-life world leaders of the era. The result is a frank and well-informed overview of US foreign policy in the first half of the 70s—essential reading for anyone hoping to understand tomorrow's global challenges.

    In his insider account, author RVS Mani discloses how the country’s internal security establishment functioned in the period of 2004-2014 when India faced some of the bloodiest terrorist carnages. This former Home Ministry official posted in the Internal Security Division between 2006-2010 also poses several questions that the nation should seek answers to.

    John Edmund Delezen felt a kinship with the people he was instructed to kill in Vietnam; they were all at the mercy of the land. His memoir begins when he enlisted in the Marine Corps and was sent to Vietnam in March of 1967. He volunteered for the Third Force Recon Company, whose job it was to locate and infiltrate enemy lines undetected and map their locations and learn details of their status. The duty was often painful both physically and mentally. He was stricken with malaria in November of 1967, wounded by a grenade in February of 1968 and hit by a bullet later that summer. He remained in Vietnam until December, 1968. Delezen writes of Vietnam as a man humbled by a mysterious country and horrified by acts of brutality. The land was his enemy as much as the Vietnamese soldiers. He vividly describes the three-canopy jungle with birds and monkeys overhead that could be heard but not seen, venomous snakes hiding in trees and relentless bugs that fed on men. He recalls stumbling onto a pit of rotting Vietnamese bodies left behind by American forces, and days when fierce hunger made a bag of plasma seem like an enticing meal. He writes of his fallen comrades and the images of war that still pervade his dreams. This book contains many photographs of American Marines and Vietnam as well as three maps.

    Winner of the 1989 Pulitzer Prize and the Los Angeles Times Book Award for Poetry.

    A knee to the groin, a thumb to an eye, all was fair as long as a Donnelly prevailed." "Hit first, talk later," she told her boys. This book will be especially fascinating for all readers interested in: crime biography. The gruesome saga of the Black Donnellys has been heavily mythologized. A thick layer of rumour, legend, and hearsay has built up around the facts of the case. But one thing is clear. No one who reads this book will ever forget the murderous events that occurred near the town of Lucan, Ontario in the 1870s.

    Trump, television has conquered America. In Audience of One, New York Times chief television critic James Poniewozik traces the history of TV and mass media from the Reagan era to today, explaining how a volcanic, camera-hogging antihero merged with America’s most powerful medium to become our forty-fifth president.In the tradition of Neil Postman’s masterpiece Amusing Ourselves to Death, Audience of One shows how American media have shaped American society and politics, by interweaving two crucial stories. The first story follows the evolution of television from the three-network era of the 20th century, which joined millions of Americans in a shared monoculture, into today’s zillion-channel, Internet-atomized universe, which sliced and diced them into fractious, alienated subcultures. The second story is a cultural critique of Donald Trump, the chameleonic celebrity who courted fame, achieved a mind-meld with the media beast, and rode it to ultimate power.Braiding together these disparate threads, Poniewozik combines a cultural history of modern America with a revelatory portrait of the most public American who has ever lived. Reaching back to the 1940s, when Trump and commercial television were born, Poniewozik illustrates how Donald became “a character that wrote itself, a brand mascot that jumped off the cereal box and entered the world, a simulacrum that replaced the thing it represented.” Viscerally attuned to the media, Trump shape-shifted into a boastful tabloid playboy in the 1980s; a self-parodic sitcom fixture in the 1990s; a reality-TV “You’re Fired” machine in the 2000s; and finally, the biggest role of his career, a Fox News–obsessed, Twitter-mad, culture-warring demagogue in the White House.Poniewozik deconstructs the chaotic Age of Trump as the 24-hour TV production that it is, decoding an era when politics has become pop culture, and vice versa. Trenchant and often slyly hilarious, Audience of One is a penetrating and sobering review of the raucous, raging, farcical reality show—performed for the benefit of an insomniac, cable-news-junkie “audience of one”—that we all came to live in, whether we liked it or not.

    Dean was one of the primary players in the Watergate scandal—and ultimately became the government’s key witness in the investigations that ended the Nixon presidency. After the scandal subsided, Dean rebuilt his career, first in business and then as a bestselling author and lecturer. But while the events were still fresh in his mind, he wrote this remarkable memoir about the operations of the Nixon White House and the crisis that led to the president’s resignation. Blind Ambition offers an insider’s view of the deceptions and machinations that brought down an administration and changed the American people’s view of politics and power. It also contains Dean’s own unsparing reflections on the personal demons that drove him to participate in the sordid affair. Today, Dean is a respected and outspoken advocate for transparency and ethics in government.

    

    Tom Brokaw, the NBC News White House correspondent during the final year of Watergate, gives us a close-up, personal account of the players, the strategies, and the highs and lows of the scandal that brought down a president. Brokaw writes, “Even now, almost half a century later, I am astonished by what the country went through, and I wanted to share press stories from the inside looking out—what it was like to be on call 24/7, the twists and turns, the laughs and tensions during this historic time.”

    W. Bush and George W. Bush, the most consequential father-son pair in American history, often in their own words. In this endearing, illuminating work, presidential historian Mark K. Updegrove tracks the two Bush presidents from their formative years through their post-presidencies and the failed presidential candidacy of Jeb Bush, derailing the Bush presidential dynasty. Drawing extensively on exclusive access and interviews with both Bush presidents, Updegrove reveals for the first time their influences and perspectives on each other’s presidencies; their views on family, public service, and America’s role in the world; and their unvarnished thoughts on Donald Trump, and the radical transformation of the Republican Party he now leads.In 2016 George W. Bush lamented privately that he might be “the last Republican president.” Donald Trump’s election marked the end not only to the Bushes’ hold on the White House, but of a rejection of the Republican principles of civility and international engagement and leadership that the Bushes have long championed.The Last Republicans offers revealing and often moving portraits of the forty-first and forty-third presidents, as well as an elegy for the Republican “establishment,” which once stood for putting the interests of the nation over those of any single man.