As matters fall into frenzy, and as the lines between fantasy and truth, right and wrong, begin to blur, who will these two fathers choose to protect?Dark, propulsive and thrillingly original, this tale of fierce familial love and sacrifice fizzes with magic and wonder.

    They marry, and Eileen quickly discovers Ed doesn't aspire to the same, ever bigger, stakes in the American Dream. Eileen encourages her husband to want more: a better job, better friends, a better house, but as years pass it becomes clear that his growing reluctance is part of a deeper psychological shift. An inescapable darkness enters their lives, and Eileen and Ed and their son Connell try desperately to hold together a semblance of the reality they have known, and to preserve, against long odds, an idea they have cherished of the future. Through the Learys, novelist Matthew Thomas charts the story of the American Century, particularly the promise of domestic bliss and economic prosperity that captured hearts and minds after WWII. The result is a riveting and affecting work of art; one that reminds us that life is more than a tally of victories and defeats, that we live to love and be loved, and that we should tell each other so before the moment slips away. Epic in scope, heroic in character, masterful in prose, We Are Not Ourselves heralds the arrival of a major new talent in contemporary fiction.

    Broken bowls, belligerent cows, swanky aubergines, trembling moonrises and horrifying sunsets, the physical world depicted in these stories is unsettling yet intimately familiar and soon takes on a life of its own. Captivated by the stellar charms of seclusion but restless with desire, the woman’s relationship with her surroundings becomes boundless and increasingly bewildering. Claire-Louise Bennett’s startlingly original first collection slips effortlessly between worlds and is by turns darkly funny and deeply moving.

    Eileen O'Neill's family is torn apart by religious intolerance and secrets from the past. Determined to reclaim her ancestral home and reunite her family, Eileen begins working at the local mill.

    The Weight of Love pulls you in and does not let go.' ANNE ENRIGHT'Beautiful and painful, exquisitely written, shot through with nostalgia for our earlier selves.' MARIAN KEYESLondon, 1996. Robin and Ruth meet in the staff room of an East London school. Robin, desperate for a real connection, instantly falls in love. Ruth, recently bereaved and fragile, is tentative.When Robin introduces Ruth to his childhood friend, Joseph, a tortured and talented artist, their attraction is instant. Powerless, Robin watches on as the girl he loves and his best friend begin a passionate and turbulent affair.Dublin 2017. Robin and Ruth are married and have a son, Sid, who is about to emigrate to Berlin. Theirs is a marriage haunted by the ghost of Joseph and as the distance between them grows, Robin makes a choice that could have potentially devastating consequences.The Weight of Love is a beautiful exploration of how we manage life when the notes and beats of our existence, so carefully arranged, begin to slip off the stave. An intimate and moving account of the intricacies of marriage and the myriad ways in which we can love and be loved.'Delicate, powerful, hypnotic.' DONAL RYAN

    This book, which won raves at its first publication, shows all the hallmarks of the writer who became the award-winning film director so well known today.

    Rich in verbal and situational humour, they offer a fascinating insight into many of the issues which preoccupied Beckett all his working life. As the first novella reveals, nobody writes with quite such cruel and unnervingly clever wit as Beckett...

    A pretty young newcomer is accusing one woman after another of witchcraft. But Ellen, the serving girl in the house where the visitor is staying, is loyal to the family - and over-fond of her master. Yet she knows that Knowehead is a house like no other.

    The last practitioner of an honored, centuries-old tradition, the Seanchai enthralls his assembled audience for three evenings running with narratives of foolish kings and fabled saints, of enduring accomplishments and selfless acts -- until he is banished from the household for blasphemy and moves on. But these three incomparable nights have changed young Ronan forever, setting him on the course he will follow for years to come -- as he pursues the elusive, itinerant storyteller . . . and the magical tales that are no less than the glorious saga of his tenacious, troubled, and extraordinary isle.

    A couple drive out to the hills in a last-ditch effort to save their marriage. A horse crashes a house party. Set on an imagined island off the west coast of Ireland, John Patrick McHugh’s debut collection of stories draw a complete community of characters – misdirected, posturing and self-deceiving. But in his fidelity to and compassion for their faults, McHugh embeds us in the moments on which these lives twist and turn, probing unflinchingly what most of us would rather ignore. Pure Gold heralds the arrival of a vibrant new literary voice.

    I wanted to capture something of the energy of this explosion, in all its variousness... Following her own acclaimed short-story collection, Multitudes, Lucy Caldwell guest-edits the sixth volume of Faber's long-running series of all new Irish short stories, continuing the work of the late David Marcus and subsequent guest editors, Joseph O'Connor, Kevin Barry and Deirdre Madden.

    Ryan is a fifteen-year-old drug dealer desperate not to turn out like his alcoholic father Tony, whose obsession with his unhinged next-door neighbour threatens to ruin him and his family. Georgie is a prostitute whose willingness to feign a religious conversion has dangerous repercussions, while Maureen, the accidental murderer, has returned to Cork after forty years in exile to discover that Jimmy, the son she was forced to give up years before, has grown into the most fearsome gangster in the city. In seeking atonement for the murder and a multitude of other perceived sins, Maureen threatens to destroy everything her son has worked so hard for, while her actions risk bringing the intertwined lives of the Irish underworld into the spotlight . . .Biting, moving and darkly funny, The Glorious Heresies explores salvation, shame and the legacy of Ireland's twentieth-century attitudes to sex and family.

    Decades later the bond remains powerful, but so much else has changed. In The Interestings, Wolitzer follows these characters from the height of youth through middle age, as their talents, fortunes, and degrees of satisfaction diverge. The kind of creativity that is rewarded at age fifteen is not always enough to propel someone through life at age thirty; not everyone can sustain, in adulthood, what seemed so special in adolescence. Jules Jacobson, an aspiring comic actress, eventually resigns herself to a more practical occupation and lifestyle. Her friend Jonah, a gifted musician, stops playing the guitar and becomes an engineer. But Ethan and Ash, Jules's now-married best friends, become shockingly successful—true to their initial artistic dreams, with the wealth and access that allow those dreams to keep expanding. The friendships endure and even prosper, but also underscore the differences in their fates, in what their talents have become and the shapes their lives have taken. Wide in scope, ambitious, and populated by complex characters who come together and apart in a changing New York City, The Interestings explores the meaning of talent; the nature of envy; the roles of class, art, money, and power; and how all of it can shift and tilt precipitously over the course of a friendship and a life.

    Witty, compassionate, and wry, it captures the social, political, and spiritual upheavals of those decades through the experiences of a middle-class couple, their four children, and the changing worlds in which they live. While Michael and Annie Keane taste the alternately intoxicating and bitter first fruits of the sexual revolution, their older, more tentative brother, Jacob, lags behind, until he finds himself on the way to Vietnam. Meanwhile, Clare, the youngest child of their aging parents, seeks to maintain an almost saintly innocence. After This, alive with the passions and tragedies of a determining era in our history, portrays the clash of traditional, faith-bound life and modern freedom, while also capturing, with McDermott’s inimitable understanding and grace, the joy, sorrow, anger, and love that underpin, and undermine, what it is to be a family.

    She crafts beautiful, handmade wooden dolls in her workshop in a sleepy seaside town. Every doll is special. Every doll has a name. And every doll has a hidden meaning, from a past Mona has never accepted.Each new doll takes Mona back to a different time entirely - back to Birmingham, in 1972. Back to the thrill of being a young Irish girl in a big city, with a new job and a room of her own in a busy boarding house. Back to her first night out in town, where she meets William, a gentle Irish boy with an easy smile and an open face. Back to their whirlwind marriage, and unexpected pregnancy. And finally, to the tragedy that tore them apart.