It felt like an alien invasion but her instincts took over and, despite being totally unmaternal, she found herself going ahead with the pregnancy.My Shitty Twenties is based on an award-winning blog about being a single mum. Emily Morris started writing when her son was two and she needed to try to find something funny in a crap, banal day. Six years later, this is her story.

    Kenyon's fourth collection is built around two perfectly orchestrated poem sequences. In the first, the speaker contrasts memories of her baby carriage with other images from her childhood, such as her parents' toiling away at low-paying jobs. She also recalls the present-day life of her aging, increasingly dependent mother. Melancholia, the subject of the second sequence and several poems surrounding it, has been played to death in modern poetry, but still Kenyon offers new insights and gives even the most depressing poems an uplifting lilt in their final lines. In her hands a list of the latest medications becomes fit material for poetry: "The coated ones smell sweet or have / no smell; the powdery ones smell / like the chemistry lab at school / that made me hold my breath." She writes, in addition to illness, of sleep, insomnia and death. She interacts with the insects, birds and flowers in her New Hampshire landscape, relying on their fragility to teach her of her own. Kenyon describes afterlife, or "the Other Side," with the same precise, hard-edged imagery that fills her other poems." from Publisher's Weekly

    I am, however, never sure if this conclusion is without some blemish, some residue, however faint; an ounce of madness. To certain inconclusive degrees, it is clear that some of my disappointments awaited me, gathering rust, years before I was born. I have reason to suspect you will find this tale unusual, but not without beauty. Threads of a spider's web perhaps, to be unwound, cautiously, a thread at a time. This is the story of a dreamer, 'an average man, ' singled out by fate for an uncertain life. Jailed for 18 years under apartheid for unspecified sins, he emerges into a world that has no place for him. His fluctuating fortunes land him on the unpredictable, bitter-winter streets of Johannesburg, where 'harmlessness' is an 'unfortunate trait, ' but tempestuous skylines offer space to breathe. A trumpet and an indigent dog are his accomplices in survival. But, it is his obsessive love for the erratic, hard-hearted Desiree that remains the one constant in his life and impels his search for the elusive meaning of existence. Through his protagonist - the trumpet-playing philosopher poet - author Nthikeng Mohlele weaves unique magic with words, posing powerful questions in his inimitably individualistic and evocative style. Behind this story of love, music and the eternal quest, lies an artistic sensibility as generous as it is complex. The prose is rich in texture, the final effect melancholy and comic in equal proportions. -- J.M. Coetzee, recipient of the 2003 Nobel Prize in Literature and two-time winner of the Booker Pri

    This book is an extraordinary reminder of what can be achieved with inner belief and an indefatigable spirit.’ JAY SHETTY'Siya's story is well documented, and I am so impressed by the way he conducts himself. As the captain of his team and as a statesman he is measured and thoughtful. He is a leader in every way. An inspiration to a dynamic South African nation.' EDDIE JONES‘Few people embody the tenacity of what the New South Africa stands for, like Siya does. His story mirrors the nations’; in its trials and tribulations and also in it’s triumph against all odds. This is a real life heroes journey.’ TREVOR NOAH‘There is no doubt Siya has made a significant impact on World rugby, especially within South African rugby. [He] is passionate about changing people's lives for the better and uses his position and status to do that.’ MARO ITOJE‘Brilliant’ THE TIMES‘Moving’ THE GUARDIANHis truth. His story. In his words.There have been many comments made and books written about Siya Kolisi, captain of the Springboks, and the first black man to lead his country in over 128 years of South African rugby. But now, for the very first time, Siya Kolisi shares his story in an extraordinarily intimate memoir, charting his journey from being born into the impoverished Zwide township, to leading his proud nation to an astonishing victory at the Rugby World Cup in 2019. However, Rise is not simply a chronology of matches played and games won; it is an exploration of a man’s race and his faith, a masterclass in attaining a positive mindset, and an inspirational reminder that it is possible to defy the odds, no matter how they are stacked against you. In 2020, partly in response to the pandemic, Siya and his wife, Rachel, launched The Kolisi Foundation, providing personal protective equipment to healthcare workers and delivering food parcels throughout South Africa. The title Rise is inspired by Siya’s mother – Phakama – which translates to the book’s name, as well as a celebration of his Xhosa heritage.

    Facing Mount Kenya is not only a formal study of life and death, work and play, sex and the family in one of the greatest tribes of contemporary Africa, but a work of considerable literary merit. The very sight and sound of Kikuyu tribal life presented here are at once comprehensive and intimate, and as precise as they are compassionate.

    Being published as Pakistan completes its sixtieth year as a nation state the book covers contemporary crises in the perspective of the subcontinent's ancient andmedieval history to explain how Muslim nationalism emerged and how the community interacted with the other communities in the region.Covering the centuries from Mehergarh to Musharraf, the author breaches the confines of political history to depict the intellectual, economic, diplomatic, and cultural history of Pakistan. Topics that have become the subject of controversy such as the 1971 Poland Resolution and the 1972 SimlaAgreement are highlighted in boxes. The book is thematically addressed, but it provides underpinning by interspersing personality profiles of the individuals who shaped the course of events over the centuries. This gallery includes Amir Khusro as the embodiment of a distinctive Indo-Muslim culture;Mahatma Gandhi and Pandit Nehru, whose lofty ideals nevertheless resulted in Partition; M.A. Jinnah, who is credited with almost single-handedly creating the state of Pakistan; and the volatile but tragic figure of Z.A. Bhutto.In covering economic history, the author has also treated unorthodox subjects such as the rise and fall of the Bank of Credit and Commerce International and the Kalabagh Dam controversy. In diplomatic history the author presents little known material on the 1971 War and in intellectual history heexamines the circumstances that caused piety to develop into terror. Replete with striking interpretations based on neglected but authentic sources, this book breaks fresh ground.

    Dusman Gonzaga lives in a squalid tenement building overrun with cockroaches and inhabited by strange characters. His is a world of poverty, fights, bar women and visits to a doctor who doesn't understand him.

    An undiscovered genius during her lifetime, only seven out of her total of 1,775 poems were published prior to her death. She had an immense breadth of vision and a passionate intensity and awe for life, love, nature, time and eternity. Originally branded an eccentric, Emily Dickinson is now recognised as a major poet of great depth.

    Delve into fan favorites, such as Where Are The Children, Daddy's Little Girl, All Around the Town, and Pretend You Don't See Her, plus an extended teaser of her new mystery thriller, Daddy's Gone A Hunting. Each excerpt comes with an original introduction by the author explaining the inspiration for the book.In her latest novel, Mary Higgins Clark exposes a dark secret from a family’s past that threatens the lives of two sisters, Kate and Hannah Connelly, when the family-owned furniture firm in Long Island City, founded by their grandfather and famous for its fine reproductions of antiques, explodes into flames in the middle of the night, leveling the buildings to the ground, including the museum where priceless antiques have been on permanent display for years.The ashes reveal a startling and grisly discovery and provoke a host of suspicions and questions. Was the explosion deliberately set? What was Kate—tall, gorgeous, blond, a CPA for one of the biggest accounting firms in the country, and sister of a rising fashion designer—doing in the museum when it burst into flames? Why was Gus, a retired and disgruntled craftsman, with her at that time of night?Now Gus is dead, and Kate lies in the hospital badly injured and in a coma, so neither can tell what drew them there, or what the tragedy may have to do with the hunt for a young woman missing for many years, nor can they warn that somebody may be covering his tracks, willing to kill to save himself.

    But when his embittered spinster daughter Magda feels shamed, this lurch across the racial divide marks the end of a tenuous feudal peace. As she dreams madly of bloody revenge, Magda's consciousness starts to drift and the line between fact and the workings of her excited imagination becomes blurred. What follows is the fable of a woman's passionate, obsessed and violent response to an Africa that will not heed her.

    

    Some of his troubles are self-inflicted: like his recurring entanglements in love triangles; and his unauthorised joyriding of a customer’s car which sets off a chain of dire events involving drugs, crooked politicians, and assassins. Other troubles are caused by the panorama of characters in his life, like: his sister and her dysfunctional domestic situation; the three other mechanics he employs; and the money-loving preacher who has all but taken over his home. The story is fast-paced with surprising twists and a captivating plot - a Dickenesque page-turner. This is Ebinimi’s story but it is about a lot more than him. It is an exploration of the dynamics between working-class people as they undertake a colourful tour of Yenagoa, one of Nigeria’s lesser-known cities, while using humour, sex, and music, as coping mechanisms for the everyday struggle. It is a modern-classic tale of small lives navigating a big city.

    

    Steerswomen, and a very few Steersmen, are members of an order dedicated to discovering and disseminating knowledge. Although they are foremost navigators of the high seas, Steerswomen are also explorers and cartographers upon land as well as sea. With one exception, they are pledged to always answer any question put to them with as truthful a response as is possible within their own limitations. However, they also require anyone of whom they ask questions to respond in the same manner, upon penalty of the Steerswomen's ban; those under the ban do not receive answers from the steerswomen.In this novel, Rowan is a Steerswoman who is interested in some strange jewels which have been found distributed in an unusual pattern. These jewels are made of strange materials bonded onto metal. Some think that such jewels are magically produced.

    But it's Zikora's demanding, self-possessed mother, in town for the birth, who makes Zikora feel like a lonely little girl all over again. Shunned by the speed with which her ideal life fell apart, Zikora turns to reflecting on her mother's painful past and struggle for dignity. Preparing for motherhood, Zikora begins to see more clearly what her own mother wants for her, for her new baby, and for herself.©2020 Chimamanda Ngozi Adichie (P)2020 Brilliance Publishing, Inc, all rights reserved.