Set in the sweltering streets of Toturpuram, a small city on the Bay of Bengal, The Hero's Walk, which won the 2001 Commonwealth Writers Prize for best book in Canada and the Caribbean, explores the troubled life of Sripathi Rao, an unremarkable, middle-aged family man and advertising copywriter. As The Hero's Walk opens, Sripathi's life is already in a state of thorough disrepair. His mother, a domineering, half-senile octogenarian, sits like a tyrant at the top of his household, frightening off his sister's suitors, chastising him for not having become a doctor, and brandishing her hypochondria and paranoia with sinister abandon. It is Sripathi's children, however, who pose the biggest problems: Arun, his son, is becoming dangerously involved in political activism, and Maya, his daughter, broke off her arranged engagement to a local man in order to wed a white Canadian. Sripathi's troubles come to a head when Maya and her husband are killed in an automobile accident, leaving their 7- year-old daughter, Nandana, without Canadian kin. Sripathi travels to Canada and brings his granddaughter home, while his family is shaken by a series of calamities that may, eventually, bring peace to their lives. --Jack Illingworth

    Ali's target is none other than General Zia ul-Haq, dictator of Pakistan. Enlisting a rag-tag group of conspirators, including his cologne-bathed roommate, a hash-smoking American lieutenant, and a mango-besotted crow, Ali sets his elaborate plan in motion. There's only one problem: the line of would-be Zia assassins is longer than he could have possibly known.

    It was nothing. These things happened. ‘But these things haven’t happened before. It’s August 1947, the night before India’s independence. It is also the night before Pakistan’s creation and the brutal Partition of the two countries.Asha, a Hindu in a newly Muslim land, must flee to safety. She carries with her a secret she has kept even from Firoze, her Muslim lover, but Firoze must remain in Pakistan, and increasing tensions between the two countries mean the couple can never reunite.Fifty years later in New York, Asha’s Indian granddaughter falls in love with a Pakistani, and Asha and Firoze, meeting again at last, are faced with one more – final – choice.Spanning continents and generations, Where the River Parts is an epic tale of love, loss and longing.Advance Praise for Where the River Parts:‘A perceptive story of love swept aside by history, packed with insight, compassion and piercing detail.’-Isabelle Grey, Author of Good Girls Don’t Die‘A heartbreaking story ... on a chapter of South Asian history that has often been deemed too painful to be explored fully.’-Nayomi Munaweera, Author of Island of 1000 Mirrors

    The girl is alive, but she has been beaten and abused. She is held in the local prison, awaiting interrogation for the murders she is believed by the local people to have committed.

    In Volga’s retelling, it is Sita who, after being abandoned by Purushottam Rama, embarks on an arduous journey to self-realization. Along the way, she meets extraordinary women who have broken free from all that held them back: Husbands, sons and their notions of desire, beauty and chastity. The minor women characters of the epic as we know it – Surpanakha, Renuka, Urmila and Ahalya – steer Sita towards an unexpected resolution. Meanwhile, Rama too must reconsider and weigh out his roles as the king of Ayodhya and as a man deeply in love with his wife. A powerful subversion of India’s most popular tale of morality, choice and sacrifice, The Liberation of Sita opens up new spaces within the old discourse, enabling women to review their lives and experiences afresh. This is Volga at her feminist best.

    Set in politically charged Shillong, this interconnected collection of stories speaks of the coming-of-age of a young woman–and the city and community she calls home.

    From dealing with her husband's demanding family to the casual racism of her patients, everything Nandini has endured has been for her children's sake. It isn't until an old colleague makes her a life-changing offer that Nandini realizes she's spent so much time focusing on being the Perfect Indian Woman, she's let herself slip away.Mimi Kadakia failed her daughter, Nandini, in ways she'll never be able to fix---or forget. But with her granddaughter, she has the chance to be supportive and offer help when it's needed. As life begins to pull Nandini and Simran apart, Mimi is determined to be the bridge that keeps them connected, even as she carries her own secret burden.

    Despite being part of the country's small Hindu community, that is terrorized at every opportunity by Muslim fundamentalists, they refuse to leave their country, as most of their friends and relatives have done. Sudhamoy, an atheist, believes with a naive mix of optimism and idealism that his motherland will not let him down... And then, on 6 December 1992, the Babri Masjid at Ayodhya in India is demolished by a mob of Hindu fundamentalists. The world condemns the incident but its fallout is felt most acutely in Bangladesh, where Muslim mobs begin to seek out and attack the Hindus... The nightmare inevitably arrives at the Duttas' doorstep - and their world begins to fall apart.

    He approaches the city from unexpected angles, taking us into the criminal underworld of rival Muslim and Hindu gangs; following the life of a bar dancer raised amid poverty and abuse; opening the door into the inner sanctums of Bollywood; and delving into the stories of the countless villagers who come in search of a better life and end up living on the sidewalks.

    The heartbreaking story of Kashmir has so far been told through the prism of the brutality of the Indian state, and the pro-independence demands of separatists. But there is another part of the story that has remained unrecorded and buried. Our Moon Has Blood Clots is the unspoken chapter in the story of Kashmir, in which it was purged of the Kashmiri Pandit community in a violent ethnic cleansing backed by Islamist militants. Hundreds of people were tortured and killed, and about 3,50,000 Kashmiri Pandits were forced to leave their homes and spend the rest of their lives in exile in their own country. Rahul Pandita has written a deeply personal, powerful and unforgettable story of history, home and loss.

    Now, because she believes she is dying, Helen wants to expose everything. And Winnie angrily determines that she must be the one to tell her daughter, Pearl, about the past—including the terrible truth even Helen does not know. And so begins Winnie's story of her life on a small island outside Shanghai in the 1920s, and other places in China during World War II, and traces the happy and desperate events that led to Winnie's coming to America in 1949.

    Still above is Vaikuntha, heaven, abode of God.The doorkeepers of Vaikuntha are the twins, Jaya and Vijaya, both whose names mean 'victory'. One keeps you in Swarga; the other raises you into Vaikuntha.In Vaikuntha there is bliss forever, in Swarga there is pleasure for only as long as you deserve. What is the difference between Jaya and Vijaya? Solve this puzzle and you will solve the mystery of the Mahabharata.In this enthralling retelling of India's greatest epic, the Mahabharata originally known as Jaya, Devdutt Pattanaik seamlessly weaves into a single narrative plots from the Sanskrit classic as well as its many folk and regional variants, including the Pandavani of Chhattisgarh, Gondhal of Maharashtra, Terukkuttu of Tamil Nadu and Yakshagana of Karnataka.Richly illustrated with over 250 line drawings by the author, the 108 chapters abound with little-known details such as the names of the hundred Kauravas, the worship of Draupadi as a goddess in Tamil Nadu, the stories of Astika, Madhavi, Jaimini, Aravan and Barbareek, the Mahabharata version of the Shakuntalam and the Ramayana, and the dating of the war based on astronomical data.With clarity and simplicity, the tales in this elegant volume reveal the eternal relevance of the Mahabharata, the complex and disturbing meditation on the human condition that has shaped Indian thought for over 3000 years.

    For some, America is a bewildering and alienating place where coworkers can’t pronounce your name but will eagerly repeat the Sanskrit phrases from their yoga class. Harit, a lonely Indian immigrant in his midforties, lives with his mother who can no longer function after the death of Harit’s sister, Swati. In a misguided attempt to keep both himself and his mother sane, Harit has taken to dressing up in a sari every night to pass himself off as his sister. Meanwhile, Ranjana, also an Indian immigrant in her midforties, has just seen her only child, Prashant, off to college. Worried that her husband has begun an affair, she seeks solace by writing paranormal romances in secret. When Harit and Ranjana’s paths cross, they begin a strange yet necessary friendship that brings to light their own passions and fears.Reminiscent of Angela Flournoy’s The Turner House, Ayad Akhtar’s American Dervish, and Jade Chang’s The Wangs vs. the World, No One Can Pronounce My Name is a distinctive, funny, and insightful look into the lives of people who must reconcile the strictures of their culture and traditions with their own dreams and desires.

    In the town live three generations of two families, one Hindu and the other Muslim, whose lives will be changed forever by the coming violence. At risk are Dada, the ageing grandfather who lovingly tends and talks to the plants on his estate; his strong-willed grandchildren, Abu and Fareeda; the newly married Devaki, who cannot fathom the forces that are turning her husband and her father into fanatics; Mariam, of the gifted hands, who kneads and pounds the fatigued muscles of tourists into submission; and Garuda, the high-school teacher who, in his own desperate way, is trying to impart the truth about the country’s history to a classroom of uninterested students. Quietly but surely, the spectre of religious intolerance is beginning to haunt the community in the guise of the Self-Respect Forum whose mission is to divide the town and destroy the delicate balance of respect and cooperation that has existed for hundreds of years. Told with brilliance, restraint and extraordinary power, Annie Zaidi’s book is destined to become a classic.

    A chronicle of the final seven days of a town that is about to be razed to the ground by an invading army. The lonely voyage of an elephant from Kerala to a princess’s palace in Morocco. A fabled cook who flavours his food with precious stones. A coterie of international diplomats trapped in near-Earth orbit. These, and the other stories can be found in this collection.