A. Macalla Whitcomb. By deciding to investigate how Mrs. Whitcomb's obsessions might have led to her mysterious disappearance, Lois unwittingly invites the forces which literally haunt Mrs. Whitcomb's films into her life, eventually putting her son, her husband and herself in danger. Experimental Film mixes painful character detail with a creeping aura of dread to produce a fictionalized "memoir" designed to play on its readers' narrative expectations and pack an existentialist punch.

    In the orderly, pleasant world Barbara inhabited, nice children -- and they were nice children — didn't hold an adult captive.But what Barbara didn't count on was the heady effect their new-found freedom would have on the children. Their wealthy parents were away in Europe, and in this rural area of Maryland, the next house was easily a quarter of a mile away. The power of adults was in their hands, and they were tempted by it. They tasted it and toyed with it -- their only aim was to test its limits. Each child was consumed by his own individual lust and caught up with the others in sadistic manipulation and passion, until finally, step by step, their grim game strips away the layers of childishness to reveal the vicious psyche, conceived in evil and educated in society's sophisticated violence, that lies always within civilized men.More than a terrifying horror story, Let's Go Play at the Adams' is a compelling psychological exercise of brooding insights and deadly implications.

    Her pictures of the musicians and hangers on, the infamous, the damned, and the dead, got her into art galleries and a book deal. But thirty years later she is adrift, on her way down, and almost out. Then an old acquaintance sends her on a mercy gig to interview a famously reclusive photographer who lives on an island in Maine. When she arrives Downeast, Cass stumbles across a decades-old mystery that is still claiming victims, and into one final shot at redemption.

    An alternate cover edition for this ISBN can be found here.NOW A MAJOR MOTION PICTURE FROM IFC MIDNIGHT, STARRING SIERRA MCCORMICK, VINESSA SHAW, AND PAT HEALY.A family on the verge of self-destruction finds themselves isolated in their bathroom during a tornado warning.Includes an introduction from Sean King O'Grady (director of the film adaptation) and a brand-new afterword from Max Booth III.

    Inside this folder are the letters, memos and transcripts for a young soldier named George Smith, a quiet young man with a terrible past and a shocking secret. As Outerbridge conducts George's therapy, he gradually discovers the truth about George's traumatic childhood, his twisted romance with an older woman named Anna, and the unusual obsession George keeps hidden from the world. With the masterful touch that earned him the Hugo and Nebula awards, Theodore Sturgeon creates a character capable both of unsettling violence and irresistible humanity.

    It also has a very, very old one.   Pepper is a rambunctious big man, minor-league troublemaker, working-class hero (in his own mind), and, suddenly, the surprised inmate of a budget-strapped mental institution in Queens, New York. He’s not mentally ill, but that doesn’t seem to matter. He is accused of a crime he can’t quite square with his memory. In the darkness of his room on his first night, he’s visited by a terrifying creature with the body of an old man and the head of a bison who nearly kills him before being hustled away by the hospital staff. It’s no delusion: The other patients confirm that a hungry devil roams the hallways when the sun goes down. Pepper rallies three other inmates in a plot to fight back: Dorry, an octogenarian schizophrenic who’s been on the ward for decades and knows all its secrets; Coffee, an African immigrant with severe OCD, who tries desperately to send alarms to the outside world; and Loochie, a bipolar teenage girl who acts as the group’s enforcer. Battling the pill-pushing staff, one another, and their own minds, they try to kill the monster that’s stalking them. But can the Devil die?  The Devil in Silver brilliantly brings together the compelling themes that spark all of Victor LaValle’s radiant fiction: faith, race, class, madness, and our relationship with the unseen and the uncanny. More than that, it’s a thrillingly suspenseful work of literary horror about friendship, love, and the courage to slay our own demons.

    Penthouse access is available via the broken freight elevator. Black tie optional.A dinner party is held in the penthouse of a multimillion-pound development. All the guests are strangers - even to their host, the billionaire owner of the building. None of them know why they were selected to receive his invitation. Whether privileged or deprived, besides a postcode, they share only one thing in common - they've all experienced a shocking disturbance within the building's walls.By the end of the night, their host is dead, and none of the guests ever said what happened. His death remains one of the biggest unsolved mysteries - until now.But are you ready for their stories?Jonathan Sims' debut is a darkly twisted, genre-bending journey through one of the most innovative haunted houses you'll ever dare to enter.

    Physically exhausted and mentally drained, she’s also wracked with guilt over her unfinished dissertation—a thesis on mid-century children’s literature.Enter a new upstairs neighbor: the ghost of quixotic children’s book writer Margaret Wise Brown—author of the beloved classic Goodnight Moon—whose existence no one else will acknowledge. It seems Margaret has unfinished business with her former lover, the once-famous socialite and actress Michael Strange, and is determined to draw Megan into the fray. As Michael joins the haunting, Megan finds herself caught in the wake of a supernatural power struggle—and until she can find a way to quiet these spirits, she and her newborn daughter are in terrible danger.Using Megan’s postpartum haunting as a powerful metaphor for a woman’s fraught relationship with her body and mind, Julia Fine once again delivers an imaginative and “barely restrained, careful musing on female desire, loneliness, and hereditary inheritances” (Washington Post).

    The heavens have been silent since - until a derelict space probe hears whispers from a distant comet. Something talks out there: but not to us. Who to send to meet the alien, when the alien doesn't want to meet? Send a linguist with multiple-personality disorder, and a biologist so spliced to machinery he can't feel his own flesh. Send a pacifist warrior, and a vampire recalled from the grave by the voodoo of paleogenetics. Send a man with half his mind gone since childhood. Send them to the edge of the solar system, praying you can trust such freaks and monsters with the fate of a world. You fear they may be more alien than the thing they've been sent to find - but you'd give anything for that to be true, if you knew what was waiting for them.

    Hell. Two great tastes that taste great together. Long before Elvis gyrated on the Sullivan Show or the Beatles toiled the smoky red-light bars of Hamburg, music has been sowing the seeds of liberation. Or damnation. With each new generation the edge of rebellion pushed farther. Rhythms quickened. Volume increased. Lyrics coarsened. The rules continued to be broken, until it seemed that there were no rules at all. And as waves of teens cranked it up and poured it on, parents built walls of accusation to explain their offspring's seeming corruption. Sex and drugs, demon worship and violence are the effects. Music is the cause. Or so the self-styled guardians of morality would have us believe. Meet The Scream. Just your average everyday mega-cult band. Their music is otherworldly. Their words are disturbing. Their message is unholy. Their fans are legion. And they're not kidding. They're killing. Themselves. Each other. Everyone. Their gospel screams from the lips of babes. Their backbeat has a body count. And their encore is just the warm-up act to madness beyond belief. It emerged from a war-torn jungle, where insanity was just another word for survival. It arrived in America with an insatiable lust for power and the means to fulfill it. In the amplified roar of arena applause there beats the heart of absolute darkness.

    Its impeccable recreation of small-town life and its skillful handling of the theme of personality transference between thirteen-year-old twins led to widespread critical acclaim for the novel, which was successfully filmed from Thomas Tryon's own screenplay.This edition features original artwork by surrealist artist Harry O. Morris.

    Under a pink moon, there is a perfect little town not found on any map. In that town, there are quiet streets lined with pretty houses, houses that conceal the strangest things. After a couple years of hard traveling, ex-cop Mona Bright inherits her long-dead mother's home in Wink, New Mexico. And the closer Mona gets to her mother's past, the more she understands that the people of Wink are very, very different ...From one of our most talented and original new literary voices comes the next great American supernatural novel: a work that explores the dark dimensions of the hometowns and the neighbors we thought we knew.

    With the page-turning suspense and unsettling found photographs from real asylums that led Publishers Weekly to call Asylum “a strong YA debut,” Escape from Asylum is perfect for fans of Miss Peregrine's Home for Peculiar Children.The nightmare is just beginning.Ricky Desmond has been through this all before. If he could just get through to his mother, he could convince her that he doesn’t belong at Brookline. From the man who thinks he can fly to the woman who killed her husband, the other patients are nothing like him; all he did was lose his temper just a little bit, just the once. But when Ricky is selected by the sinister Warden Crawford for a very special program—a program that the warden claims will not cure him but perfect him—Ricky realizes that he may not be able to wait for his mom a second longer. With the help of a sympathetic nurse and a fellow patient, Ricky needs to escape now.Set long before Dan, Abby, and Jordan ever walked the hallways of the Brookline asylum—back when it was still a functioning psych ward and not a dorm—Escape from Asylum is a mind-bending and scary installment in the Asylum series that can stand on its own for new readers or provide missing puzzle pieces for series fans.Don't miss Madeleine Roux's all-new gothic horror novel, House of Furies .

    Whoever settles, never leaves. Welcome to Black Spring, the seemingly picturesque Hudson Valley town haunted by the Black Rock Witch, a seventeenth century woman whose eyes and mouth are sewn shut. Muzzled, she walks the streets and enters homes at will. She stands next to children's bed for nights on end. Everybody knows that her eyes may never be opened or the consequences will be too terrible to bear. The elders of Black Spring have virtually quarantined the town by using high-tech surveillance to prevent their curse from spreading. Frustrated with being kept in lockdown, the town's teenagers decide to break their strict regulations and go viral with the haunting. But, in so doing, they send the town spiraling into dark, medieval practices of the distant past. This chilling novel heralds the arrival of an exciting new voice in mainstream horror and dark fantasy.

    Secret Service agent Ethan Burke arrives in search of two missing federal agents, yet soon is facing much more than he bargained for. After a violent accident lands him in the hospital, Ethan comes to with no ID and no cell phone. The medical staff seems friendly enough, but sometimes feels...off. As days pass, Ethan's investigation into his colleagues' disappearance turns up more questions than answersWHY CAN'T HE MAKE CONTACT WITH HIS FAMILY IN THE OUTSIDE WORLD? WHY DOESN'T ANYONE BELIEVE HE IS WHO HE SAYS HE IS? AND WHAT'S THE PURPOSE OF THE ELECTRIFIED FENCES ENCIRCLING THE TOWN? ARE THEY KEEPING THE RESIDENTS IN? OR SOMETHING ELSE OUT?Each step toward the truth takes Ethan further from the world he knows, until he must face a horrifying fact—he may never get out of Wayward Pines alive.....