While the outnumbered Australian Defence Force fights on the ground, in the air and at sea, this quickly becomes a war involving ordinary people. Ben, an IT consultant has never fought a day in his life. Will he survive? Grant, a security guard at Sydney's International Airport, finds himself captured and living in the filth and squalor of one of the concentration camps dotted around Australia. Knowing death awaits him if he stays, he plans a daring escape. This is a dark day in Australia's history. This is terror, loneliness, starvation and adrenaline all mixed together in a sour cocktail. This is the day Australia fell.

    Partial Contents: Beyond the moor and mountain crest; Her strong enchantments failing; In valleys green and still; Could man be drunk for ever; The night my father got me; The sigh that heaves the grasses; Onward led the road again; and When lads were home from labour.

    Yet for all their metaphorical suggestiveness, Dickinson’s and Whitman’s poems about the natural world neither preclude nor erase nature’s relevance as an actual living environment. In their respective poetic projects, the earth matters both figuratively, as a realm of the imagination, and also as the physical ground that is profoundly affected by human action. This double perspective, and the ways in which it intersects with their formal innovations, points beyond their traditional status as curiously disparate icons of American nature poetry. That both of them not only approach nature as an important subject in its own right, but also address human-nature relationships in ethical terms, invests their work with important environmental overtones. Dickinson and Whitman developed their environmentally suggestive poetics at roughly the same historical moment, at a time when a major shift was occurring in American culture’s view and understanding of the natural world. Just as they were achieving poetic maturity, the dominant view of wilderness was beginning to shift from obstacle or exploitable resource to an endangered treasure in need of conservation and preservation.A Place for Humility examines Dickinson’s and Whitman’s poetry in conjunction with this important change in American environmental perception, exploring the links between their poetic projects within the context of developing nineteenth-century environmental thought. Christine Gerhardt argues that each author's poetry participates in this shift in different but related ways, and that their involvement with their culture’s growing environmental sensibilities constitutes an important connection between their disparate poetic projects. There may be few direct links between Dickinson’s “letter to the World” and Whitman’s “language experiment,” but via a web of environmentally-oriented discourses, their poetry engages in a cultural conversation about the natural world and the possibilities and limitations of writing about it—a conversation in which their thematic and formal choices meet on a surprising number of levels.

    A fascinating exploration of gender issues and feminist agendas of the New Woman movement of the late 1800s

    East Germany is in the grip of communism. Magda, a brilliant but disillusioned young linguist, is desperate to flee to the West. When a black market deal brings her into contact with Robert, a young Scot studying at Leipzig University, she sees a way to realise her escape plans. But as Robert falls in love with her, he stumbles into a complex world of shifting half-truths – one that will undo them both.Many years later, long after the Berlin Wall has been torn down, Robert returns to Leipzig in search of answers. Can he track down the elusive Magda?And will the past give up its secrets?

    Today she is more conscious than usual of the thinness of the thread that separates good from bad, the law-abiding from the criminal. Sitting in court, hearing a short, sad case of indecent exposure and a long, confused theft, she finds herself simultaneously examining her own sex life, her own actions and intentions. A tour de force, Nina Bawden¹s ingeniously constructed novel counterpoints public appearance with private behavior. The result is a marvelous picture of a not always admirable but engagingly complex, very human heroine.

    M. Ocean explores the depths of love deeply felt and violently lost. For those whose wounds are fresh and hearts still raw with ample emotion, Ocean portrays pain and suffering in apt and heart wrenching candour.

    Join a little red, pasta-loving penguin named Pomodoro on his quest to cure boredom and find friendship.Pomodoro encounters a bully, but in the end, it is his love of all things pasta that helps him find an unlikely dinner partner!

    It is a place where, despite everything, Janie is happy. But when the Cruelty Man arrives, bringing with him the threat of the dreaded 'home' - the orphanage that is every child's nightmare - Janie's contented childhood seems to be at an end.

    A young priest on the other side of the screen is shaken by what he learns. A former college athlete with an MBA from a prestigious university, Father Joe Russo is not your typical man of God. Nine years earlier, his own life took a tragic turn and he gave everything up, committing his life to the church. Now his peaceful existence is being tested, and he finds himself questioning the God he serves, the vows he made, and someone he left behind.In this gripping thriller, a priest and an FBI agent work to uncover secrets and expose hidden crimes, but when it seems they have it all figured out, everything they think they know will be questioned.

    This book is about, what some may call, the alternative explanation.Picked up by a larger publisher--the retitled, second, and final edition of the cult hit, Spent Shell Casings.Created as a counterweight for all the politicized and ghost-written books about the Global War on Terror, No Joy is the transgressive memoir to set the record straight! Dark. Hilarious. Disturbingly Honest—this collection of short stories from your average frustrated American teen turned one of its most elite brand of warriors, No Joy rips the veneer off the thank-you-for-your-service Boy Scout façade.Centered on the 2004 Battle of Fallujah, this mosaic of meditation and madness asks the necessary question: what really draws modern young men to war?

    She’ll do anything to help them – and herself – get ahead.Actress Maggie Hall has been America’s sweetheart for nearly twenty years. And she’s about to learn that there are two things in life you just can’t fight: growing older and falling in love.Dylan Mercer – young, beautiful and defiant – has run away from New York to try her luck in Hollywood. She’s not after fame and fortune, though. Dylan’s on a quest to find her birth mother.All three women are swept up in the search for the actress who will score the role of a lifetime. But ambition and desire can bring out the worst in people. And in a town built on illusions, believing you can escape your past might just be the biggest deception of all.

    

    Featuring gorgeous natural landscapes, detailed drawings of Claire’s medicinal herbs, depictions of the books’ most beloved scenes and characters, and intricately rendered clothing, weapons, and armor straight out of eighteenth-century Scotland, these exquisite black-and-white images—from renowned illustrators Juan Alarcón, Yvonne Gilbert, Craig Phillips, Jon Proctor, Tomislav Tomić, and Rebecca Zomchek—are designed to dazzle and inspire. Fans of the series, as well as lovers of history and art, can party like it’s 1743.

    documents her traumatic experiences during WWI on which she blamed a number of personal tragedies, including a stillborn child, the end of her marriage, and her pained relationship with D. H. Lawrence. This critical edition returns the novel to print for the first time in a generation. Editor Caroline Zilboorg offers invaluable background information and perspectives that facilitate a rich and rewarding reading of a complex novel. Including an introduction that recounts the autobiographical narrative on which the book is based, a biographical key to all the major characters, explanations of textual references, and photographs of all the central figures in the text, this is a powerful resource for understanding and appreciating one of the Imagist author's most accessible novels. H.D. (born Hilda Doolittle, 1886–1961) is an American writer whose work exerted enormous influence on modernist poetry and prose.