Powerful and uplifting, Full Disclosure will speak to fans of Angie Thomas and Nicola Yoon. Simone Garcia-Hampton is starting over at a new school, and this time things will be different. She's making real friends, making a name for herself as student director of Rent, and making a play for Miles, the guy who makes her melt every time he walks into a room. The last thing she wants is for word to get out that she's HIV-positive, because last time . . . well, last time things got ugly.Keeping her viral load under control is easy, but keeping her diagnosis under wraps is not so simple. As Simone and Miles start going out for real--shy kisses escalating into much more--she feels an uneasiness that goes beyond butterflies. She knows she has to tell him that she's positive, especially if sex is a possibility, but she's terrified of how he'll react! And then she finds an anonymous note in her locker: I know you have HIV. You have until Thanksgiving to stop hanging out with Miles. Or everyone else will know too. Simone's first instinct is to protect her secret at all costs, but as she gains a deeper understanding of the prejudice and fear in her community, she begins to wonder if the only way to rise above is to face the haters head-on...

    Specifically, the VanDrexel Family Circus where, among the lion tamers, roustabouts, and trapeze artists, Victoria hopes to start a better life.Fifty years later, Victoria's sixteen-year-old granddaughter Callie is thriving. A gifted and focused tightrope walker with dreams of being a VanDrexel high wire legend just like her grandmother, Callie can't imagine herself anywhere but the circus. But when Callie's mother accepts her dream job at an animal sanctuary in Florida just months after Victoria's death, Callie is forced to leave her lifelong home behind.Feeling unmoored and out of her element, Callie pores over memorabilia from her family's days on the road, including a box that belonged to Victoria when she was Callie's age. In the box, Callie finds notes that Victoria wrote to herself with tips and tricks for navigating her new world. Inspired by this piece of her grandmother's life, Callie decides to use Victoria's circus prowess to navigate the uncharted waters of public high school.Across generations, Victoria and Callie embrace the challenges of starting over, letting go, and finding new families in unexpected places.

    At a party she discovers her younger sister, Audrey, hooking up with her boyfriend, Mike—and she abandons them both in a rage. When Mike drunkenly attempts to drive Audrey home, he crashes and Audrey ends up in a coma. Now Harley is left with guilt, grief, pain and the undeniable truth that her ex-boyfriend (who is relatively unscathed) has a drinking problem. So it’s a surprise that she finds herself reconnecting with Raf, a neighbor and childhood friend who’s recently out of rehab and still wrestling with his own demons. At first Harley doesn’t want to get too close to him. But as Audrey awakens and slowly recovers, Raf starts to show Harley a path forward that she never would have believed possible—one guided by honesty, forgiveness, and redemption.

    . . and facing the return of the mother who abandoned his preacher family when he was nine.There's always been a hole in Gio's life. Not because he's into both guys and girls. Not because his father has some drinking issues. Not because his friends are always bringing him their drama. No, the hole in Gio's life takes the shape of his birth mom, who left Gio, his brother, and his father when Gio was nine years old. For eight years, he never heard a word from her . . . and now, just as he's started to get his life together, she's back.It's hard for Gio to know what to do. Can he forgive her like she wants to be forgiven? Or should he tell her she lost her chance to be in his life? Complicating things further, Gio's started to hang out with David, a new guy on the basketball team. Are they friends? More than friends? At first, Gio's not sure . . . especially because he's not sure what he wants from anyone right now.There are no easy answers to love -- whether it's family love or friend love or romantic love. In Things We Couldn't Say, Jay Coles, acclaimed author of Tyler Johnson Was Here, shows us a guy trying to navigate love in all its ambiguity -- hoping at the other end he'll be able to figure out who is and who he should be.

    But now its senior year and they haven’t spoken in three months. Not since the fight, where they each said things they couldn’t take back. They’re aching to break the silence, but those thirty-six steps between their bedroom windows feel more like thirty-six miles.Then one fateful night, Emory’s boyfriend, Luke, almost dies. And Hannah is the one who finds him and saves his life.As Luke tries to make sense of his near-death experience, he secretly turns to Hannah, who becomes his biggest confidante. In Luke, Hannah finds someone she can finally talk to about all the questions she’s grappling with. Emory just wants everything to go back to normal–the way it was before the accident. She has no idea why her relationship is spiraling out of control. But when the horrifying reason behind Hannah and Emory’s argument ultimately comes to light, all three of them will be forced work together to protect the one with the biggest secret of all.In the follow-up to her New York Times bestseller, Every Last Word, Tamara Ireland Stone crafts a deeply moving, unforgettable story about love, betrayal, and the power of friendship. * 2019 NCIBA Golden Poppy Award Winner * Bank Street College Best Children’s Books of the Year *"A beautiful testament to friendship and the intricate patterns we weave throughout each other's lives."―Robin Benway, National Book Award winning author of Far From the Tree "Beautiful, heartfelt, deep, and real. This book broke my heart and I loved every minute of it."―Robyn Schneider, author of The Beginning of Everything "Little Do We Know is a beautiful, affecting novel. Stone writes compellingly about the power of friendship, of love."―New York Times best-selling author Luanne Rice "Touching on weighty issues, including sexual harassment, religious crises, friendship, and taboo love, Stone writes a thought-provoking novel that challenges conventional ideas." ― Publishers Weekly, starred review "A realistic fiction novel for those who enjoy a dramatic romance; a must-have for most YA shelves." -- School Library Journal

    Ethan was a perfect match. Ethan’s brother, David, was an arrogant jerk.Things Chloe should have known: Setups are complicated. Ivy can make her own decisions. David may be the only person who really gets Chloe.Meet Chloe Mitchell, a popular Los Angeles girl who’s decided that her older sister, Ivy, who’s on the autism spectrum, could use a boyfriend. Chloe already has someone in mind: Ethan Fields, a sweet, movie-obsessed boy from Ivy’s special needs class.Chloe would like to ignore Ethan’s brother, David, but she can’t—Ivy and Ethan aren’t comfortable going out on their own, so Chloe and David have to tag along. Soon Chloe, Ivy, David, and Ethan form a quirky and wholly lovable circle. And as the group bonds over frozen-yogurt dates and movie nights, Chloe is forced to confront her own romantic choices—and the realization that it’s okay to be a different kind of normal.

    So when fellow film geek Sahil Roy approaches her to direct a movie for the upcoming Summer Festival, Twinkle is all over it. The chance to publicly showcase her voice as a director? Dream come true. The fact that it gets her closer to her longtime crush, Neil Roy-a.k.a. Sahil's twin brother? Dream come true x 2.When mystery man N begins emailing her, Twinkle is sure it's Neil, finally ready to begin their happily-ever-after. The only slightly inconvenient problem is that, in the course of movie-making, she's fallen madly in love with the irresistibly adorkable Sahil.Twinkle soon realizes that resistance is futile: The romance she's got is not the one she's scripted. But will it be enough?Told through the letters Twinkle writes to her favorite female filmmakers, From Twinkle, with Love navigates big truths about friendship, family, and the unexpected places love can find you.

    She’s thrilled when she lands a spot on the coveted varsity team at a prestigious improv camp, which means she’ll get to perform for professional scouts—including her hero, Nina Knightley. But even though she’s hardworking and talented, Zelda’s also the only girl on Varsity, so she’s the target for humiliation from her teammates. And her 20-year-old coach, Ben, is cruel to her at practice and way too nice to her when they’re alone. Zelda wants to fight back, but is sacrificing her best shot at her dream too heavy a price to pay? Equal parts funny and righteous, Unscripted is a moving debut novel that Printz Award winner Nina LaCour calls "a truly special book, written at exactly the right time."

    The last thing she has left is her art, and not even Banksy himself could convince her to give that up.Out in the ’burbs, Julia paints anywhere she can, eager to claim some turf of her own. But Julia soon learns that she might not be the only vandal in town. Someone is adding to her tags, making them better, showing off—and showing Julia up in the process. She expected her art might get painted over by cops. But she never imagined getting dragged into a full-blown graffiti war.

    Of course, that was all before—before Quinn stopped going to school, before his mom started sleeping on the sofa…and before Annabeth was killed in a car accident.Enter Geoff, Quinn’s best friend who insists it’s time that Quinn came out—at least from hibernation. One haircut later, Geoff drags Quinn to his first college party, where instead of nursing his pain, he meets a guy—a hot one—and falls hard. What follows is an upside-down week in which Quinn begins imagining his future as a screenplay that might actually have a happily-ever-after ending—if, that is, he can finally step back into the starring role of his own life story.

    One fake dating scheme. What could possibly go wrong?Frank Li has two names. There's Frank Li, his American name. Then there's Sung-Min Li, his Korean name. No one uses his Korean name, not even his parents. Frank barely speaks any Korean. He was born and raised in Southern California.Even so, his parents still expect him to end up with a nice Korean girl--which is a problem, since Frank is finally dating the girl of his dreams: Brit Means. Brit, who is funny and nerdy just like him. Brit, who makes him laugh like no one else. Brit . . . who is white.As Frank falls in love for the very first time, he's forced to confront the fact that while his parents sacrificed everything to raise him in the land of opportunity, their traditional expectations don't leave a lot of room for him to be a regular American teen. Desperate to be with Brit without his parents finding out, Frank turns to family friend Joy Song, who is in a similar bind. Together, they come up with a plan to help each other and keep their parents off their backs. Frank thinks he's found the solution to all his problems, but when life throws him a curveball, he's left wondering whether he ever really knew anything about love—or himself—at all.

    For one, she wasn’t going to stress over the senior project all her peers were dreading—she’d just use the same find-your-roots genealogy idea that her older sister used for hers. Secondly, she’d put all that time spent not worrying about the project toward getting reacquainted with former best friend and longtime crush Kodiak Jones who, conveniently, gets assigned as Cordelia’s partner.All she has to do is mail in her DNA sample, write about her ancestry results and breeze through the rest of senior year. Done, done and done.But when Cordelia’s GeneQuest results reveal that her father is not the man she thought he was but a stranger who lives thousands of miles away, Cordelia realizes she isn’t sure of anything anymore—not the mother who lied, the life she was born into or the girl staring back at her in the mirror.If your life began with a lie, how can you ever be sure of what’s true?

    So when she's rejected not only by the Ivies, but her loathsome safety school, she is shocked and devastated. All the sacrifices her mother made to send her to prep school, the late nights cramming for tests, the blatantly resume-padding extracurriculars (read: Students for Sober Driving) ... all that for nothing.As Mischa grapples with the prospect of an increasingly uncertain future, she questions how this could have happened in the first place. Is it possible that her transcript was hacked? With the help of her best friend and sometimes crush, Nate, and a group of eccentric techies known as "The Ophelia Syndicate," Mischa launches an investigation that will shake the quiet community of Blanchard Prep to its stately brick foundations.

    Then Emilie’s mom enrolls her in public school, and Emilie goes from studying at home in her pj’s to halls full of strangers. To make matters worse, Emilie is paired with starting point guard Chatham York for a major research project on Emily Dickinson. She should be ecstatic when Chatham shows interest, but she has a problem. She hasn’t told anyone about her epilepsy. Emilie lives in fear her recently adjusted meds will fail and she’ll seize at school. Eventually, the worst happens, and she must decide whether to withdraw to safety or follow a dead poet’s advice and “dwell in possibility.”

    A jury eventually found the rapist guilty on all counts–a remarkable verdict that Em felt more than a little responsible for, since she was her sister’s strongest advocate on social media during the trial. Her passion and outspokenness helped dissuade the DA from settling for a plea deal. Em’s family would have real justice. But the victory is short-lived. In a matter of minutes, justice vanishes as the judge turns the Morales family’s world upside down again by sentencing the rapist to no prison time. While her family is stunned, Em is literally sick with rage and guilt. To make matters worse, a news clip of her saying that the sentence “makes me want to use a fucking sword” goes viral.From this low point, Em must find a new reason to go on and help her family heal, and she finds it in the unlikely form of the story of a 15th-century French noblewoman, Marguerite de Bressieux, who is legendary as an avenging knight for rape victims.We Are the Ashes, We Are the Fire is a searing and nuanced portrait of a young woman torn between a persistent desire for revenge and a burning need for hope.